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Phonic PMC 240A Mixing Desk

Review | Recording Musician, May 1993

This charming new mixer has a detachable bowl and three speed settings... what do you mean it's not that kind of mixer?

Recording Techniques - Part 6

Feature Series | Topic: Mixing, Recording | Sound On Sound, May 1990
The Mixing Console (2)

Part 6: The mixing console. David Mellor continues his close examination of the recording studio's most complex and expensive piece of equipment.

Tape Machines - Part 4

Feature Series | Topic: Buyer's Guide | Sound International, Aug 1978

Conclusion of the survey.

Jellinghaus Music Systems

Group: Computer Musician

Review | Electronics & Music Maker, Jul 1984
MIDI Computer Interface and Software

German company Jellinghaus have been producing some interesting-looking MIDI software for some while. Now Rosetti are bringing it into the UK, and David Ellis has managed to get his hands on a few review samples.

Choosing and Using: Portastudios

Feature | Topic: Buyer's Guide, Recording | Phaze 1, Aug 1989

portastudios - get side tracked with a four-track

On Tape

Index Audio | Electronic Soundmaker & Computer Music, May 1985

Hot Rodding an MM Mixer

Feature | Topic: Maintenance / Repair / Modification | Home & Studio Recording, May 1985

Give your old MM desk a new lease of life as a recording mixer with a few simple mods.

Studio Of The Month

Group: Recording World

Feature | Topic: Recording Studios | International Musician & Recording World, Mar 1986
Studio 99

Richard Walmsley takes a ferry across the Thames to this Woolwich based eight-track facility.

Alesis ADAT Digital Recorder

Review | Music Technology, Sep 1992

ADAT for all seasons

Soundtracs PC MIDI mixer

Review | Sound On Sound, Feb 1987

More and more mixer manufacturers are waking up to the benefits MIDI can offer in a mixdown situation by incorporating MIDI-controlled muting on their products. Engineer/musician David Mellor checks out what the PC can do.

Editorial

Editorial | Polyphony, Nov 1977
Is This The New Folk Music?

Tape Echo Effects

Feature | Topic: Effects Processing, Recording | Home & Studio Recording, Feb 1984
Studio Sound Techniques

Tape echo techniques for reel-to-reel machines.

Electro-Musician

Feature | Topic: Home Studio | Electronics & Music Maker, Apr 1983
Rikki Sylvan

Audio Technica AT-RMX64 'Portastudio'

Group: Recording World

Review | International Musician & Recording World, Feb 1986
Studio Test

The portastudio that would be Nassau

Passing The Buck

Editorial | Music Technology, Apr 1991

Pro studios are currently closing down at an alarming rate, and much of the blame is being laid at the feet of home studios and dance music. Tim Goodyer discusses progress and paranoia.

Talking Shop

Feature | Topic: Retail | Electronics & Music Maker, Mar 1983
Don Larking

Falling into line...

Group: Control Room

Review | The Mix, Jul 1994
Tascam M2600

Cosmopolitan eight-buss console

Tascam TSR8 vs Fostex E8

Review | Sound On Sound, Jul 1989
The 8-Track Challenge

The 8-track challenge: with the release of a new Tascam machine and the recent price cut on the Fostex E8, we thought it opportune to compare the two models. David Mellor adjudicates in the battle of the budget 8-tracks.

Welcome

Editorial | Sound On Sound, Dec 1985

Casio CK500

Review | In Tune, Jun 1985

Input

Group: Roland Newslink - Autumn 1986

Feedback | Topic: Advertisement Feature | International Musician & Recording World, Sep 1986

Your questions answered

AHB CMC 24

Review | Home & Studio Recording, May 1985

Digital Recording - Part 1

Feature Series | Topic: Digital Audio | Electronics & Music Maker, Oct 1982
A New Landmark!

The first of a special two-part feature highlighting the dawn of a new era in audio recording.

Larry Fast

Interview | Electronics & Music Maker, Jun 1983

A prolific American synthesist interviewed

Recording Techniques - Part 4

Feature Series | Topic: Recording | Sound On Sound, Mar 1990
4-Track Recording

PART 4: David Mellor takes a first step into the wide world of multitrack recording with an explanation of cassette-based 4-track techniques.

 

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