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MIDI: Past, Present & FutureFeature | Topic: MIDI | Sound On Sound, Jun 1992The Musical Instrument Digital Interface has revolutionised the way we write and record music. Martin Russ delves deep into MIDI's 10-year history, explains its many recent changes and additions, and looks ahead to see what the future will hold. |
Akai S1100Review | Sound On Sound, Dec 199016-Bit Stereo SamplerAkai's S1000 is without doubt the industry standard professional sampler, so why try and improve on the best? Paul Wiffen finds that SMPTE cue listing, AES/EBU real-time output, and built-in effects are a good start (with hard disk recording to follow). |
Theme And VariationsShow Report | Music Technology, Mar 1989Frankfurt Musikmesse 1989Rain, sub-zero temperatures and sleazy hotels - who'd go to Frankfurt if it wasn't for the trade show? Simon Trask finds more than warmth and shelter at the Musikmesse. |
The NewsNews | Making Music, Aug 1986All the new stuff, including a special feature on the soon-come Stepp digital guitar. |
Akai S900 SamplerReview | Electronics & Music Maker, Jul 1986Akai's super-sampler carries on where their S612 left off. Paul Wiffen finds its ease of use belies its sophistication. |
Introducing the MIDIFeature | Topic: MIDI | Electronics & Music Maker, May 1983A look at the new, exciting Musical Instrument Digital Interface |
British Music Fair PreviewShow Report | International Musician & Recording World, Aug 1986It's the biggest! It's the best! It's the 1986 British Music Fair! Our man on the inside, Tony Mills tracks down the hottest gear of the year |
Rhodes ChromaReview | Electronics & Music Maker, Oct 1982This month’s Industry Profile visits an audio/video recording and retail outlet in the heart of Essex. |
AMII PreviewShow Report | International Musician & Recording World, Aug 1975Sneak glimpse of some of the goodies on display at the most important instrument exhibition of the year |
Casio FZ1Review | Music Technology, Jun 1987Sampling KeyboardThis is it. A 16-bit sampling keyboard for the price of a 12-bit one, with digital synthesis tacked on as a bonus. Jim Burgess gives his verdict in our exclusive review. |
Accurate PropheciesReview | Electronics & Music Maker, Dec 1985Prophet 2000Following October's preview, Sequential’s new sampler gets the in-depth treatment from Paul Wiffen, who refuses to return the review sample. |
Personal Composer System/2Review | Sound On Sound, Dec 1988Jay Chapman sinks his teeth into one of the most complex and sophisticated scorewriting and sequencing programs on the market - Jim Miller's Personal Composer for PC compatible computers. |
360 Systems Digital KeyboardReview | Electronics & Music Maker, Aug 1983With real acoustic instrument sounds |
NewsNews | Sound International, Feb 1979 |
Morphology - Part 2Review Series | Sound On Sound, Dec 1993The First In-depth Appraisal of Emu's Morpheus Synth Module |
Shape of Things to ComeNews | Sound On Sound, May 1990Your chance to check out some of the new hi-tech and recording equipment launched at last month's Frankfurt Music Fair. |
Autumn AlmanacShow Report | Music UK, Sep 1983An Avalanche of new gear will be hitting the shops soon, following the British Music Fair. MUSIC U.K. brings you a complete look at what's on the way |
Music on-line - Part 2Feature Series | Topic: Computing | Sound On Sound, Feb 1987Part 2. Richard Elen concludes his guide to computers and communications for musicians with details of how to join and log on to two musicians' networks: PAN and Esi Street. There's also an extensive glossary of terms to help newcomers to this exciting field understand what it is all about. |
Frankfurt: The Final FrontierShow Report | Music Technology, May 1991Following on from last month's pictorial exclusive, this account of Europe's largest hi-tech music exhibition fills in the details. Tim Goodyer files the report. |