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Hugh PadghamInterview | Sound On Sound, May 1988Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out... |
Studio 3DFeature | Topic: Recording Studios | Electronics & Music Maker, Oct 1984We highlight three recording studios that place the emphasis on music hardware rather than expensive recording equipment: in order of price, East London Community Studio, Hollow Sun, and Computer Music Studios. |
E-Mu Systems ProteusReview | Music Technology, Nov 1989E-mu's Proteus sample player has been one of the stars of recent trade shows, yet it's been in desperately short supply in the UK. Vic Lennard finds it's been worth the wait. |
Casiotone CT 7000Review | Electronics & Music Maker, Apr 1983 |
Getting Your Priorities RightFeature | Topic: Buyer's Guide, Home Studio | Home & Studio Recording, Nov 1986Your kindly editor investigates ways in which the newcomer to recording might spend his money effectively rather than just quickly. |
Bass, How Low Can You Go?Feature | Topic: Sampling | Music Technology, Jul 1988It may be at the bottom of the mix, but it's often the heart of the song: the bass. Tom McLaughlin offers some sound advice on sampling the electric bass guitar. |
How to set up a Home Studio - Part 8Feature Series | Topic: Home Studio | Sound On Sound, Jul 1989Questions & AnswersPART 8: David Mellor expands on some of the points that have arisen so far in the series and looks at some alternative patchbays from Connectronics. |
Shape Of Things To ComeNews | Sound On Sound, Nov 1990All the latest hi-tech goodies, brought to you in glorious technicolour. |
Fostex 250 MultitrackerUser Report | Home & Studio Recording, May 1984 |
Convention InventionShow Report | Music Technology, Feb 1989AES Convention 1988Los Angeles' recent AES convention pointed the way ahead for recording technology. Bob O'Donnell takes a trip to the fair and finds the rides to his liking. |
Fast forwardNews | The Mix, Apr 1995No hype, no waffle — just tomorrow's products todayTomorrow's hot products previewed |
Battersea RockFeature | Topic: Recording Studios | International Musician & Recording World, Apr 1975Ramport Studios |
Tony ViscontiInterview | Home & Studio Recording, Oct 1985Paul White talks to Tony Visconti about his career, his production methods and his plans for the future. |
Floppy FuturesReview | Electronic Soundmaker & Computer Music, May 1985Compusonics digital home recording system should be with us by the end of the year. This is a first report on a system that could be the death knell of the portastudio. |
Shape of Things to ComeNews | Sound On Sound, May 1990Your chance to check out some of the new hi-tech and recording equipment launched at last month's Frankfurt Music Fair. |
Anatomy Of A Studio - Part 1Feature Series | Topic: Sound Fundamentals | Home & Studio Recording, Jun 1984The MixerA brand new series that delves into the intricacies of studio equipment. Part 1: The Mixer. |
Bass AmpsReview | Topic: Buyer's Guide | One Two Testing, Sep 1984Bass Paradebass amps perused from Rockman, Carlsbro, Session, Peavey and Trace Elliot |
Vocal CodingFeature | Topic: Effects Processing | Music Technology, Aug 1988If you thought vocoders were just an obsolete way of making a singer into a Dalek, you've been missing out. Tom McLaughlin explains music technology's most overlooked innovation. |
Studio FocusFeature | Topic: Recording Studios | Home & Studio Recording, Jun 1984Angel RecordingsAngel Recordings, Hull. |
Take Two: Alesis XTcReview | Sound On Sound, Mar 1986Dave Lockwood tastes the aural delights of the MIDIVERB's upmarket stablemate - the XTc. |
musikmesseShow Report | The Mix, May 1995 |
Affordable digital recording on the PCReview | Sound On Sound, Jun 1993Microsoft MSS PC Sound Card & Voyetra AudioView Digital Audio Editor |