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SCI Pro-FX 500Review | Electronics & Music Maker, Sep 1983 |
Shape of Things to ComeNews | Sound On Sound, May 1989News of Ensoniq’s rackmount sampler, the EPS-M, and other goodies are unveiled in glorious techno-colour. Read all about it. |
Tinder Is The NightInterview | International Musician & Recording World, Apr 1986The how of the Banshees, transcribed by Richard Walmsley |
Tascam MSR24SReview | Sound On Sound, Feb 1991'S' AppealIs it the birth of a new standard? Dave Lockwood drools over Tascam's Dolby S-equipped one-inch 24-track. |
Fast ForwardNews | Home & Studio Recording, Oct 1986 |
Studio Of The MonthGroup: Recording WorldThe Workhouse StudiosThe Workhouse schows Schwartz itsch schuperschtudios |
The MMAN from NAMMShow Report | Music Technology, Apr 1992The recession hits America but the show goes on - hot news of the latest hi-tech music and recording developments. Vic Lennard is the MMAN from NAMM. |
Fast ForwardNews | The Mix, Sep 1994No hype, no waffle - just tomorrow's products todayTomorrow’s hot products previewed |
Audio additionsGroup: Control RoomSteinberg Cubase Audio v2.0D-to-D meets MIDI - properly this time |
Ian AndersonInterview | Home & Studio Recording, Nov 1983Jethro Tull’s leading light opens the door to his new ‘home studio’. |
Soul ProvidersGroup: In SessionBoogie Back studiosWhat the North London jazz/soul studio may lack in technology, it makes up for in good vibes |
Jo PartridgeInterview | Home & Studio Recording, Jun 1985Janet Angus talks to Jo about his enthralling past and his new studio where surfing is the most serious distraction. |
Different StrokesInterview | Recording Musician, Aug 1992An Audience With AzizLeading session guitarist Aziz talks to John Harris about playing, recording, and hi-tech guitar processors. |
49 Hot Signal Processing TipsFeature | Topic: Effects Processing | Sound On Sound, Jun 1989The more imagination you apply to signal processors, the more you can get out of them. Craig Anderton presents 49 tips that take you beyond stock effects and into new ways of creating your own sonic signature. |
The Composer's ContractInterview | Electronics & Music Maker, Oct 1985An ex-music critic turns prolific avant garde composer and finds himself in demand from the Time Out fraternity. Dan Goldstein talks to the man everyone calls a systems music composer—wrongly. |
NewsNews | International Musician & Recording World, Mar 1985All the latest topical bulletins from the trade |
Digitech Vocalist IIReview | Recording Musician, Apr 1993Your Plastic Pal Who's Fun To Sing WithYou can produce vocal pyrotechnics little short of magic with this rackmount version of the acclaimed VHM5 Vocalist. Our reviewer sings its praises. |
Yamaha Studio 100 SeriesReview | Music Technology, Mar 1990Studio ModulesThe 100 Series is Yamaha's compact, cost- effective line of studio modules. Simon Trask tests a selection of units from mixer through effects to monitors. |
Beck To The FutureInterview | Music Technology, May 1993One day you're a keyboard player writing songs with an unknown Bradford singer. The next - one of those songs goes to Number One. Phil Ward goes on the road with John Beck, for whom exactly that happened with Tasmin Archer, and experiences the fulfilment of some great expectations. |
LeaderEditorial | Home & Studio Recording, May 1985 |
ToolboxNews Audio | The Mix, Oct 1994Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
U2: The Unforgettable TourFeature | Topic: Live | Recording Musician, Nov 1992Behind the scenes on the tour of one of the world's most popular live bands |
Message In A SampleInterview | Music Technology, May 1993Meat Beat Manifesto are to music what Andy Warhol was to art - but they've already been famous for longer than 15 minutes. Phil Ward follows them to a Peel session and to their studio in Swindon, and finds that Meat is not, in fact, necessarily murder. |
Made to OrderInterview | Home & Studio Recording, Jul 1985Pete Hook — Bass Player, Songwriter and ProducerAlthough well known for his work as bassist with Joy Division and New Order, Pete Hook is a keen producer and owns a studio by the name of Swite 16. |