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Bits and Pieces

Feature | Topic: Digital Audio | Electronic Soundmaker & Computer Music, Jun 1984

And you thought PCM was a medical complaint...

APRS 1986

Show Report | Home & Studio Recording, Jun 1986
A Preview

A guide to some of the new gear to be released at this year's APRS show.

Home Recording - Part 1

Feature Series | Topic: Buyer's Guide | Music UK, May 1983

Part 1 Nobby Line builds 8-track Tascam rig

News

News | Sound International, Sep 1978
Studios and Recording

Pages to the power of three, taking in Stevie's Peavey, CB, guitar gallery, and more.

PA Column

Feature | Topic: Live | International Musician & Recording World, Nov 1986

Jim Betteridge takes his purple paisley shirt down to Wembley, and catches small but perfectly-formed American Prince in the act

Behringer Studio Processors

Review | Sound On Sound, Jul 1990

There's not a MIDI socket in sight on this range of German studio units. They are simply good solid audio processors. Dave Lockwood checks them out.

Fostex A8 Tape Recorder and 350 Mixer

User Report | Home & Studio Recording, Nov 1983
User Report

Fostex A8 eight track and 350 mixer.

Clarion: Home Studio System

Review | Music UK, May 1983

The CLARION Home Studio — Best yet cassette?

Recording Techniques - Part 4

Feature Series | Topic: Recording | Sound On Sound, Mar 1990
4-Track Recording

PART 4: David Mellor takes a first step into the wide world of multitrack recording with an explanation of cassette-based 4-track techniques.

Harrogate International Festival

Show Report | Electronics & Music Maker, Oct 1982

A spotlight on the new products, including the latest in digital technology, at this year's Festival.

The Shape of Things to Come

News | Sound On Sound, Jun 1988

A chance to check out some of the forthcoming new products that might tempt you to dig deeper into your pockets later this year.

Ibanez GE3101 Graphic Equaliser

Review | Home & Studio Recording, Jan 1984

Yamaha Four Track

Review | One Two Testing, Nov 1983

Home recording goes modular.

Delaying Tactics

Feature | Topic: Effects Processing | Electronic Soundmaker & Computer Music, Nov 1984

Having fun with digital delays.

An Ace in The Hand

User Report | Home & Studio Recording, Aug 1986
Aces HS24MT

Not so much a review... more a user report. Dave Simpson relates his experiences with what is undoubtedly the least expensive 24 — track recorder currently available.

Alesis ADAT

Review | Recording Musician, Sep 1992
8-Track Digital Recorder

It's finally here, it's available and it works!

America

News | Electronics & Music Maker, Dec 1983

Latest equipment news from the States

Multitrack Mixers - Part 4

Feature Series | Topic: Mixing | Recording Musician, May 1993
Insert Points & Aux Sends

Last minute bargains: Guided tour around typical multitrack desk, stopping at all notable features. Bed, breakfast and evening meal not provided.

Philips DCC900

Review | Sound On Sound, Oct 1992
Digital Compact Cassette Recorder

Philips hope that their new cassette-based DCC format will succeed where DAT failed — becoming the new consumer digital recording medium. Derek Johnson evaluates the world's first first DCC recorder.

Tascam 32

Review | Home & Studio Recording, Nov 1983
Tape Recorder

Inside Views

Feature | Sound On Sound, Oct 1986
Pressing Records

Paul Gilby visits SRT Records & Tapes to unearth the 'inside views' of its managing director David Richardson, whose profound words shatter some of the illusions and myths that surround the record manufacturing industry.

Newcastle Media Workshops

Feature | Topic: Recording Studios | Home & Studio Recording, Feb 1984
Studio Focus

Ibanez HD1000 Harmonics/Delay

Review | Electronics & Music Maker, Nov 1983

Yamaha RM602 Mixer

Review | Home & Studio Recording, Jun 1986

Brother to the MT44D multitrack recorder, this little mixer has stood the test of time.

Electronic Music Studio

Feature | Topic: Education, Recording Studios | Sound On Sound, Feb 1987
Goldsmiths' College, University of London

Goldsmiths' College in London was the first higher education institute to set up its own electronic music studio and offer a course. That was back in the late 1960s. Today, it has an even wider range of specialist courses and a much better equipped complex of studios to offer prospective students the training facilities necessary for a longterm career.

 

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