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Blowing Technology's HornInterview | Sound On Sound, Nov 1988Mark Prendergast talks with trumpeter, composer, and synthesist Mark Isham about new technology, David Sylvian, Van Morrison, Windham Hill, and his solo career as one of Hollywood's more interesting film soundtrack composers. |
Retro 1984Retrospective | Electronics & Music Maker, Jan 1985Another year, another host of hardware to look back on. We take you through the goodies and the baddies that came out during '84, just in case you missed any of them. |
Dynacord ADS SamplerReview | Sound On Sound, Feb 1990The ADS sampler has the look and feel of a German sports car - expensive, no-nonsense, and high performance. Craig Anderton takes it for a test drive. |
Emulator IIReview | Electronics & Music Maker, Nov 1984Eight-voice Polyphonic Sampling KeyboardPaul Wiffen goes gaga over E-mu Systems' latest attempt at giving the average keyboard player complete control over the sound sampling process. |
Sounds of MetropolisInterview | Sound On Sound, Apr 1987Mark Jenkins pins down the expert synthesist/programmer best known for his work with Peter Gabriel, and discusses the release of his eighth solo album - 'Metropolitan Suite'. |
The Search For ExpressionFeature | Topic: Design, Development & Manufacture | Sound On Sound, Sep 1987A History of Wind SynthesizersCould the wind of change be upon us? MIDI has already given guitarists and drummers the means to control electronic sounds, and the launch of the Akai and Yamaha wind controllers now allows woodwind and brass players to join in. John L. Walters takes a general look at the historical development of wind synthesizers, and the Akai and Yamaha products in particular. |
MIDI Automation Systems - Part 1Feature Series | Topic: MIDI, Mixing | Sound On Sound, Feb 1988How Good Are They?Over the next two issues Graham Hinton tests five mixer automation systems which all provide control of audio signal level by means of Voltage Controlled Amplifiers (VCAs) and are accessible to some degree by MIDI. This month it's the turn of the Akai MPX820 and Simmons SPM8:2. |
Stepp DG1 Digital GuitarReview | Sound On Sound, Feb 1987Few instruments have caused as great a stir in the marketplace as the futuristic-looking DG1. Stepp describe it as "a radically new instrument that plays like a guitar, and which can produce some of the most phenomenal sounds you're ever likely to hear." Ian Gilby visited Stepp to find out for himself and talk with its creator, Stephen Randall. |
ScannersNews | Music Technology, Aug 1993News from the cutting edge of music and multimedia technology |
40 Sequencer EssentialsFeature | Topic: Sequencing | Sound On Sound, Aug 1988In this lengthy article, Craig Anderton explains all the features found on sequencers, from the simple to the esoteric. It is intended for those who are trying to make an intelligent purchasing decision about a sequencer and don't fully understand all the options that are available. |
Karlheinz StockhausenFeature | Sound On Sound, May 1992Electronics Into LightKarlheinz Stockhausen has had a profound influence on modern music from the 1950s onwards, and pioneered the use of electronics to create genuinely new music. Mark J. Prendergast reviews his career. |
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