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Beeb BoogieReview | Electronic Soundmaker & Computer Music, Apr 1985Music MakerWith a package designed to get the most from the micro's own sound chip. |
News - Recording & P.A.News | In Tune, Dec 1984 |
MicroLink System ML10Review | Electronics & Music Maker, Sep 1984for Casio MT200 and Sinclair SpectrumMicro Musical's latest hardware/software package links the Casio MT200 to the Sinclair Spectrum home micro. Somehow, Paul White managed to find time to review it. |
Fast ForwardNews | Home & Studio Recording, Sep 1986 |
Yamaha DX100Review | International Musician & Recording World, Feb 1986SynthCheckJim Betteridge gets broody over the baby of the DX range |
Roland TR-707Review | International Musician & Recording World, Jan 1985RhythmcheckWhere the 110 meets the 909. Bob Henrit investigates |
Return to Zero - Part 5Feature Series | Topic: Recording | Home & Studio Recording, Jun 1985Multi-tracking and OverdubbingThis month we examine basic multitrack techniques including overdubbing and drop-ins, and explain about sync. |
Music Production ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Jun 1985The price guide to beat all price guides continues with a rundown of available sequencers, software packages and computer music systems. |
FourplayFeature | One Two Testing, Jun 1984Four Track CassettesA survey of all the popular machines including TEAC, Fostex, RSD, Clarion, Yamaha and Cutec |
Tascam 488Review | Sound On Sound, Mar 1991Can't quite stretch your budget to a 688 MIDIStudio? Richard Aaron checks out Tascam's appealingly priced new 8-track portastudio. |
Korg PSS50 Programmable Super SectionReview | Electronics & Music Maker, Jul 1984A novel 'backing band in a box' comes under Paul White's critical gaze. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Jan 1985Blackpool-based band 'The Sensible Shoes' outline their working environment and techniques. |
Inside Views: Ray DolbyInterview | Sound On Sound, Jul 1987The world's best known engineerRay Dolby's name appears on almost every recording device imaginable, yet few people outside the industry know much about this most famous engineer. In a rare interview he talks to David Mellor and explains the evolution of Dolby noise reduction. |
Cheetah MD8Review | Music Technology, May 1988Digital Drum MachineCompetition is fierce in the budget drum machine arena. Nicholas Rowland takes a look at the British answer to the Japanese and American machines that have been in the limelight recently. |
Korg Poly 61Review | Electronics & Music Maker, Mar 1983 |
PatchworkFeature | Topic: Synthesizer Patches | Electronics & Music Maker, May 1984Readers send in their own favourite synth sounds and details of how to generate them. This month sees, among other things, our first patch for a guitar synth, the Roland GR300. |
Roland TR505Review | Home & Studio Recording, Aug 1986Drum MachineTragedy strikes... the good Dr Bateson has had to find a real job. However he still finds time to check out the Roland TR505 in its role as a studio drum machine. |
Peter BanksInterview | Home & Studio Recording, Nov 1984An interview with the ex-After The Fire keyboard player about his home recording experiences and equipment. |
The Shape of Things to ComeNews | Sound On Sound, Oct 1987Your chance to find out what new goodies will be appearing in your local music store over the coming months. |
Readers' SystemsFeature | Topic: Home Studio | Home & Studio Recording, Aug 1986Absolute BeginnersNeville and Val Pearson pass on their experience in equipping a home studio. Following their advice could save you from making more than one costly mistake. |
New ProductsNews | Electronics & Music Maker, Apr 1984 |
Jellinghaus Music SystemsGroup: Computer MusicianMIDI Computer Interface and SoftwareGerman company Jellinghaus have been producing some interesting-looking MIDI software for some while. Now Rosetti are bringing it into the UK, and David Ellis has managed to get his hands on a few review samples. |
On The RecordGroup: On The RecordWhat A&R Managers want from your demoFor many musicians, their first stab at getting their music heard is sending a demo to a record company or producer. But what do the people who listen to demos every day want from your tape? Sue Sillitoe finds out. |