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Touching Bass - Part 3Feature Series | Topic: Music Theory | Music Technology, Apr 1993Bass playing & programmingGetting deep, deep down in Part 3 of Simon Trask's series on the bassline. |
Dream SequenceInterview | Music Technology, Nov 1993The original ambient funsters have a new studio album all but ready, a live album on the way and a major recording deal in the offing. Jonathan Miller encounters Dr Alex Paterson and Thrash on the verge of a higher plane... |
The Men Behind The BoyInterview | One Two Testing, Apr 1984 |
The Synthetic Realism Of Jean-Michel JarreInterview | Sound On Sound, May 1990Since heralding in a new musical era in 1976 with the release of his innovative synthesizer-based opus, 'Oxygene', Jean-Michel Jarre has gone on to sell almost 34 million records worldwide. Currently embarking on a new album project, as well as planning a series of concerts to welcome in the new decade, Richard Buskin visited Jarre in his home studio to talk about the technology behind his music. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Mar 1985Reader Peter Forrest relates his delightful tales of woe. |
Ten LandmarksGroup: Drum Machine Supplement |
The Composer's ContractInterview | Electronics & Music Maker, Oct 1985An ex-music critic turns prolific avant garde composer and finds himself in demand from the Time Out fraternity. Dan Goldstein talks to the man everyone calls a systems music composer—wrongly. |
Beat GenerationInterview | Music Technology, Jul 1989With their debut album just released and a single high in the charts, these are busy times for the Beatmasters. Tim Goodyer braves a tube strike to find out what technology has done for them (and what they'd like to do to technology). |
Back To The RootsFeature | Topic: History / Culture | Phaze 1, Nov 1988a blockhead's history of reggae |
EdgewaysInterview | Making Music, Oct 1986U2's guitarist interrupts recording of their new album for an exclusive Making Music interview. |
Life is a CabaretInterview | Electronics & Music Maker, Nov 1984Away from the fickleness of the pop music world, Cabaret Voltaire have been quietly breaking the barriers of underground electronic music. Interview by Dan Goldstein. |
A format too far?Group: Control RoomDCC vs. MiniDiscIs either format any good? |
Making Your Own Video - Part 1Feature Series | Topic: Video / Film / Picture | Sound On Sound, Dec 1991Part 1: The ShootWe all know how modern cost-effective musical instruments and recording equipment allow professional standard tapes to be produced at home. But does the similar trend in video gear mean that the average musician can now shoot his own promo? Paul Wiffen and Darrin Williamson thought so. This is their story. |
The ProducersGroup: Recording WorldChas de Whalley gets down with the Scottish Sultan of Soul, Steve Harvey |
Digging In The DirtFeature | Topic: Recording | Sound On Sound, Nov 1992Recording Peter Gabriel's Us |
The Alesis FileInterview | Home & Studio Recording, Sep 1986Keith Barr, the driving force behind Alesis isn't renowned for his willingness to talk to the press so we are pleased to be able to bring you this exclusive interview. |
Tascam DA30Review | Sound On Sound, Sep 1990DAT RecorderTascam's latest machine has all the features we have come to expect of a professional DAT recorder. Dave Lockwood assesses its performance. |
Rock the KasbahGroup: In SessionOn a Moroccan rollFly-on-the-wall vision of an ethnic recording expedition |
Southern PrideInterview | International Musician & Recording World, Jul 1985Florida's finest remembers accents and accidents with Steve Rosen Stateside |
Yew-Dee-DooInterview | One Two Testing, Nov 1983Paul Young's Royal FamilyGuitarist Steve Bolton and bass player Pino Palladino explain the importance of being a Swedish Chef. |
OD ON MUSICFeature | Music Technology, Apr 1988Really Big MenThe band tipped to make it BIG in '88. Tim Goodyer talks to a DJ/keyboard player with a unique place in rock 'n' roll and a singer/guitarist who's going to make Madonna and Lita Ford look like Dot Cotton and Hilda Ogden. |
Studio VisionReview | Sound On Sound, Feb 1991The Freedom FactorOpcode's ground-breaking sequencer, Studio Vision, lets you manipulate audio data as easily as MIDI events. All you need is a hard disk recording system like Digidesign's Sound Tools, a fast Macintosh computer with plenty of storage capacity, and some creative ideas. Paul D. Lehrman reports. |