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Electric WoodReview | Sound International, Oct 1978The bass was made in England of true Electric Wood... Steve York investigates. |
Dutch TreatFeature | Topic: Recording Studios | Micro Music, Jan 1990Phil Brammer goes Euro with a look at the Recording scene in Amsterdam with some surprising results |
Taurus Taurus TaurusFeature | Topic: Vintage Instruments | Making Music, Jun 1987Bass PedalsThink of those things on the floor under the organ. Now chop them up a bit and separate them. We dance on the result |
Hard & Fast!Review | Sound On Sound, Aug 1993Akai DR4d Hard Disk RecorderOffering 4 tracks of instantaneous cut-and-paste, Akai's £1600 digital recorder looks like being a real winner. |
Warp Factor 8Interview | Music Technology, Nov 1993Rotterdam's master of electronic listening music talks to Simon Trask about presets, sampling, hardcore rave, Warp Records, and the value of spontaneity... |
The Compleat RecordistFeature | Topic: Recording | Sound International, Jun 1979Dave Hastilow fishes around for some new angles on recording technique — in the field or at home. Or in the river. |
You Can Make It If You Try - Part 2Feature Series | Topic: Recording Studios | Home & Studio Recording, Jun 1985Dave Simpson concludes the saga of Thatched Cottage Studio and how it came about. |
The Big Ten - 1978Group: The Big Ten |
Synclavier: A New AppraisalFeature | Electronics & Music Maker, Aug 1984Paul White and Geoff Twigg delve deep into the mysteries of one of the world's most expensive keyboard instruments, and uncover some fascinating developments. |
John McLaughlinInterview | Sound On Sound, Jul 1988Over the last three decades John McLaughlin has done more than anybody else in popular jazz and rock music to explore the potential of the guitar, both acoustic and electric. Here he talks to Mark Prendergast about his eclectic career, pioneering use of guitar synthesizers, and the Synclavier. |
Twelve Tone Systems Sound GlobsReview | Music Technology, Aug 1990Software for the IBM PCSomewhere between human composers and sci-fi music systems of the future are the algorithmic composition programs of the present. One of the few such programs for the IBM PC finds favour with Ian Waugh. |
The Feel FactorFeature | Topic: Sequencing | Sound On Sound, Oct 1987A Guide to Programming Music with SoulHow often have you heard synthesized, sequenced music described as 'cold' and 'mechanical? All of us want to compose a tune with good 'feel', but few people know exactly what makes for a good 'feel'. Yet it's not a mystery - as this timely article by Michael Stewart, designer of the Kahler Human Clock, reveals. |
The Guitar MakersFeature | Topic: Design, Development & Manufacture | International Musician & Recording World, Dec 1975Tony ZemaitisApart from Patti, what have Clapton and Harrison got in common? Guitars, custom built by Tony Zemaitis. |
Music NewsNews | International Musician & Recording World, Jul 1975 |
A Composer For Our TimeInterview | Sound On Sound, Aug 1989Mark J. Prendergast interviews California-born musician Terry Riley, the influential inventor of 'minimalist' music. |
Exciting ReadingReview | Recording Musician, Sep 1992Aphex Type C, BBE Sonic Maximizer, SPL VitalizerThree psychoacoustic enhancers, all designed to make your music sound bigger, clearer and more impressive. |
Fender AmplifiersFeature | Electronics & Music Maker, Aug 1983 |
Sampling A VintageFeature | Topic: Vintage Instruments | Making Music, Jan 1987The life story of the original sampling keyboard — the Mellotron. |
Vigier Passion Passive BassReview | In Tune, Oct 1985 |
This Is Gordon SumnerInterview | International Musician & Recording World, Jul 1985The high priest of Pop discusses his solo album, musicianship, songwriting and The Police. |
Holger CzukayInterview | Electronics & Music Maker, May 1982An in depth interview with this amazing character who is now recognised as one of the world's most inventive and original electro-musicians. |
Mixing For StereoFeature | Topic: Mixing | Recording Musician, Feb 1993A panoramic Paul White explains where sounds should be placed in the stereo image during your final mix. |
A Profusion Of DreamsShow Report | Music Technology, May 1990FRANKFURT REPORTTrade shows often make the best stage for unveiling new equipment - did this year's Frankfurt show witness any revolutions? Simon Trask brings the news from Germany. |
What's NewNews | Home & Studio Recording, May 1985A brief look at the new bits and pieces that make life interesting. |