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C-Lab CreatorReview | Music Technology, Dec 1987Software for the Atari STThe competition for an industry-standard sequencing program to accompany the industry-standard computer hots up, as Simon Trask finds out when he picks up the mouse on C-Lab's contender. |
Electronic Music TechniquesFeature | Topic: Mixing, Recording | Electronics & Music Maker, Sep 1981Mixing |
EditorialEditorial | Home & Studio Recording, Sep 1984 |
Heroes - Part 3Feature Series | Topic: History / Culture | One Two Testing, Mar 1984Leonard ChessStudio sage and onion Leonard Chess on the turntable. |
Recording Techniques - Part 1Feature Series | Topic: Recording | Sound On Sound, Dec 1989What makes one recording engineer better than another, and how can you improve your recording engineering skills? In this introduction to a new series on recording techniques, David Mellor outlines an engineer's role in the studio, and explains why a good engineer is so important. |
Electronic v Acoustic?Editorial | Electronics & Music Maker, Aug 1982 |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Aug 1992Hints, Tips & News From The World of Music SoftwareThis month, helpful hints for users of Steinberg, Opcode, and Dr. T music software. |
The Bass RaceFeature | Topic: Vintage Instruments | Music Technology, Feb 1989The acid house explosion has turned Roland's TB303 Bassline into one of the most sought-after pieces of analogue technology. Simon Trask looks at the machine behind the myth. |
Patrick MorazInterview | Home & Studio Recording, Dec 1985Having been involved with a bewildering number of projects in the past, Patrick Moraz and Graham Edge, keyboardist and drummer with The Moody Blues talk about their current work. |
Force MajeureInterview | Music Technology, May 1989From Sheffield's tradition as the home of industrial funk, come the Fon Force. David Bradwell talks to the men behind the cream of modern northern dance music. |
Stranger than fictionGroup: In SessionAt the controls with one of Britain’s freshest guitar bands |
Getting Yourself HeardGroup: Alternatives to 'Product'The feasibility of putting your own records out; Richard Dean tells how to beat them at their own game. |
33 Recording TipsGroup: Recording WorldWhat to do to get tip-top tapes from our master of the mastering, Steve Toke |
The Best Producers In The WorldFeature | One Two Testing, Jun 1984Nominated by Steve Levine, Steve Lillywhite, Peter Collins, Hugh Padgham, Swain and Jolley |
Korg SequencerReview | In Tune, May 1986 |
The DMC StoryGroup: On The RecordTony Prince & The Disco Mix ClubThe ingenuity and foresight of DJ Tony Prince resulted in the creation of the DMC record label, the hub of the thriving UK dance remixing scene. Wilf Smarties talks to Tony about how and why the label was set up and persuades remixer Phil Kelsey to take us through a typical remix. |
Technics SV260Review | Sound On Sound, Jun 1989Portable DAT RecorderAs the market prepares itself for an influx of DAT recorders from the giants of the hi-fi world, Mark Jenkins takes a brief look at a new portable offering from Technics, the SV260. |
Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Jan 1985Stereo RecordingSpecial mic techniques employed on stereo recording are explained this month. |
The ProducersGroup: Recording WorldUncle Chas de Whalley talks to Barry Andrews about life with Auntie |
Rockman IIB & UltralightReview | Electronics & Music Maker, Oct 1983Portable Amp designed by Tom Scholz |
Guitar Synth HeroGroup: Roland Newslink - Summer 86Gregg Parker - from Ozz to the Tube |
Bass StudiesInterview | Music Technology, Oct 1988In his career as disc jockey, audio engineer and pop star Tim Simenon has called upon musical influences as diverse as Rick James and Kraftwerk. Tim Goodyer talks tech with a DJ who intends to take cut-up records on the road. |