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Funds donated this month: £22.00

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Breaking The Code

Interview | Music Technology, Dec 1987

Cult masters of industrial funk talk hi-tech sounds, performance CDs and popular commerciality to Nicholas Rowland; the code of the '80s.

Shock Treatment

Interview | Music Technology, Jun 1987

Take three musicians who like to remain anonymous, four film-makers and a stunning live show, and you've got one of the most original - if unsung - bands in Britain today.

Points on the Curve

Interview | Electronics & Music Maker, May 1984

An interview with this innovative three-piece on the making of their new album, Points On The Curve, the result of a year's work in the studio with Fairlight, PPG et al.

The Rhythm Section

Interview | Sound International, Mar 1979
Sly Dunbar & Robbie Shakespeare

Filling in the musical background, Ralph Denyer talks to Peter Tosh's back line, Sly Dunbar and Robbie Shakespeare.

Fast Talking

Interview | Music Technology, May 1987

Tim Goodyer talks to the man who's programmed Peter Gabriel's synths, recorded a host of electronic albums under the name Synergy, and started up his own record label for instrumental music.

E-Mu Systems E-Drums

Review | One Two Testing, Sep 1984

electronic percussion

Muses For The Masses

Interview | Phaze 1, Aug 1989

bemusing bostoners head for the mainstream

Nik Kershaw: Recording Secrets

Interview | Sound On Sound, Jan 1986

As well as writing, singing and playing on his new single 'When A Heart Beats', Nik Kershaw also took the credit for its production. In an interview with Nick Webb he displays a rarely seen side of his character and discusses his knowledge of recording studio technology and approach to songwriting.

Fact File

Feature | Electronics & Music Maker, Mar 1982
Ken Freeman, Tony Mansfield and Martin Ware

The Rhythm Section

Interview | Sound International, Jun 1978

No doubting the Thomases from Elvis Costello and the Attractions.

Record Talkback

Interview | Electronic Soundmaker & Computer Music, Feb 1984

Fiat Lux

Perfect Beat

Interview | Sound On Sound, Feb 1986

As their hit single 'Perfect Beat' proves, Bronski Beat are more than capable of producing enjoyable, dynamic electronic pop. Mark Jenkins talks in depth to Bronski's Larry Steinbachek about how they encompass modern technology in their recordings and live performances.

Alpha-Syntauri

Review | Electronics & Music Maker, Dec 1981
A computer-based digital music synthesiser

C-1 and you've seen 'em all

Review | Micro Music, Aug/Sep 1989

John Renwick puts Yamaha's super-computer through it's paces

Smoke

News | Making Music, May 1986

The musicians' gossip column. Stuff you wouldn't believe. (We didn't.)

Roland Super-MRC Sequencing Software

Review | Music Technology, Mar 1989

Competing with the flexibility of computer-based recording systems is a problem for a dedicated sequencer, but Roland's latest MC500 software update makes it as competitive as ever. J Eshleman begs for MRC.

Pedal To The Metal

Review | Recording Musician, Mar 1993
Zoom Driver 5000 Distortion Pedal

It may look like a hi-tech fuzz box but it's actually a sophisticated guitar preamp with speaker simulator.

Recording Bass Guitar

Feature | Topic: Recording | Recording Musician, May 1993

What's to know? You just wipe the rust off the strings, plug it into the desk and bob's your uncle. Don't you? Er... not quite.

PA Signal Processor - Part 1

Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Aug 1981

Rhythm and Fuse

Feature | Topic: Drum Programming | One Two Testing, Jul 1984

can you tell a real drummer?

Experimenting With Analog Delay

Feature | Topic: Effects Processing, Electronics / Build | Polyphony, Jul/Aug 1978

Vox Custom Bass and Custom 25 Guitar

Review | Electronics & Music Maker, Dec 1981

The Ins and Outs of Digital Design

Group: Computer Musician

Feature | Topic: Design, Development & Manufacture, Electronics / Build, Synthesis & Sound Design | Electronics & Music Maker, Apr 1984

An in-depth investigation into the problems of digital filter design and their possible effects, plus a simple circuit for an ultra-powerful low-pass filter.

Record Talkback

Interview | Electronic Soundmaker & Computer Music, Mar 1984

Fashion

Fact File

Feature | Electronics & Music Maker, Jul 1982
Rod Argent, Andrew Clark, Michael MacNeil

 

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