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Breaking The CodeInterview | Music Technology, Dec 1987Cult masters of industrial funk talk hi-tech sounds, performance CDs and popular commerciality to Nicholas Rowland; the code of the '80s. |
Shock TreatmentInterview | Music Technology, Jun 1987Take three musicians who like to remain anonymous, four film-makers and a stunning live show, and you've got one of the most original - if unsung - bands in Britain today. |
Points on the CurveInterview | Electronics & Music Maker, May 1984An interview with this innovative three-piece on the making of their new album, Points On The Curve, the result of a year's work in the studio with Fairlight, PPG et al. |
The Rhythm SectionInterview | Sound International, Mar 1979Sly Dunbar & Robbie ShakespeareFilling in the musical background, Ralph Denyer talks to Peter Tosh's back line, Sly Dunbar and Robbie Shakespeare. |
Fast TalkingInterview | Music Technology, May 1987Tim Goodyer talks to the man who's programmed Peter Gabriel's synths, recorded a host of electronic albums under the name Synergy, and started up his own record label for instrumental music. |
Nik Kershaw: Recording SecretsInterview | Sound On Sound, Jan 1986As well as writing, singing and playing on his new single 'When A Heart Beats', Nik Kershaw also took the credit for its production. In an interview with Nick Webb he displays a rarely seen side of his character and discusses his knowledge of recording studio technology and approach to songwriting. |
The Rhythm SectionInterview | Sound International, Jun 1978No doubting the Thomases from Elvis Costello and the Attractions. |
Perfect BeatInterview | Sound On Sound, Feb 1986As their hit single 'Perfect Beat' proves, Bronski Beat are more than capable of producing enjoyable, dynamic electronic pop. Mark Jenkins talks in depth to Bronski's Larry Steinbachek about how they encompass modern technology in their recordings and live performances. |
Alpha-SyntauriReview | Electronics & Music Maker, Dec 1981A computer-based digital music synthesiser |
C-1 and you've seen 'em allReview | Micro Music, Aug/Sep 1989John Renwick puts Yamaha's super-computer through it's paces |
SmokeNews | Making Music, May 1986The musicians' gossip column. Stuff you wouldn't believe. (We didn't.) |
Roland Super-MRC Sequencing SoftwareReview | Music Technology, Mar 1989Competing with the flexibility of computer-based recording systems is a problem for a dedicated sequencer, but Roland's latest MC500 software update makes it as competitive as ever. J Eshleman begs for MRC. |
Pedal To The MetalReview | Recording Musician, Mar 1993Zoom Driver 5000 Distortion PedalIt may look like a hi-tech fuzz box but it's actually a sophisticated guitar preamp with speaker simulator. |
Recording Bass GuitarFeature | Topic: Recording | Recording Musician, May 1993What's to know? You just wipe the rust off the strings, plug it into the desk and bob's your uncle. Don't you? Er... not quite. |
PA Signal Processor - Part 1Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Aug 1981 |
Rhythm and FuseFeature | Topic: Drum Programming | One Two Testing, Jul 1984can you tell a real drummer? |
Experimenting With Analog DelayFeature | Topic: Effects Processing, Electronics / Build | Polyphony, Jul/Aug 1978 |
Vox Custom Bass and Custom 25 GuitarReview | Electronics & Music Maker, Dec 1981 |
The Ins and Outs of Digital DesignGroup: Computer MusicianAn in-depth investigation into the problems of digital filter design and their possible effects, plus a simple circuit for an ultra-powerful low-pass filter. |