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Mastering For DuplicationFeature | Topic: Mastering | Recording Musician, Feb 1993Mike Skeet reveals everything you need to know to get your final master tape ready for mass duplication. |
Mainframe: Sound SamplingInterview | Home & Studio Recording, Nov 1984A focus on this computer-based band, their home studio and newly-developed sound sampling device that is changing the way they record. |
Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Jan 1985Stereo RecordingSpecial mic techniques employed on stereo recording are explained this month. |
Yew-Dee-DooInterview | One Two Testing, Nov 1983Paul Young's Royal FamilyGuitarist Steve Bolton and bass player Pino Palladino explain the importance of being a Swedish Chef. |
Strike That ChordInterview | Music Technology, Jun 1987He was once the driving force behind Genesis, Yes and King Crimson, but now this brilliant percussionist has turned his attention to jazz - and new technology. Tim Goodyer talks to him. |
Jon LordInterview | Electronics & Music Maker, Aug 1982Established as a top keyboard player in Deep Purple and Whitesnake, our interview analyses the music of his new LP ‘Before I Forget’. |
Strat OperationGroup: Stratocaster SupplementBy Dave Gregory, XTC. |
MIDI Matters - Part 4Feature Series | Topic: MIDI | Sound On Sound, Dec 1987Back To BasicsBack To Basics: Part 4. After a brief absence, Jay Chapman continues the series where he left off two months ago with a further explanation of how Real-Time commands are used by MIDI. |
Fret WorkFeature | Topic: Live, Maintenance / Repair / Modification | Sound On Stage, Dec 1996Could You Be A Guitar Tech? |
Unnatural Axe - Part 1Feature Series | Topic: Tuition / Technique | Making Music, Oct 1987 |
Reflex ActionInterview | Electronic Soundmaker & Computer Music, Jul 1984The Fishman guide to DIY synths |
4-Channel Stereo MixerFeature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Feb 19844 Into 2 does go! |
Protocol - Part 1Feature Series | Topic: MIDI | Micro Music, Aug/Sep 1989Everything you ever wanted to know about the MIDI standard but were afraid to ask - Paul Overaa explains all |
At Home in the StudioFeature | Topic: Home Studio | Home & Studio Recording, May 1986Band in a Box Studio'Band In A Box' who have put their home studio to commercial use, voice their opinions on tea and biscuits. |
Elemental RhythmInterview | Music Technology, Feb 1991From Charlie Parker to writing his own software, jazz saxophonist and technophile Steve Coleman has a unique insight into music. Simon Trask tunes in. |
Modes of OperationInterview | Electronics & Music Maker, Aug 1986After five years at the top of the electropop tree, Basildon boys Martin Gore and Alan Wilder talk tech with Paul Tingen. |
The Spectrum Synthesiser - Part 1Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Mar 1981 |
Mixer BasicsFeature | Topic: Mixing | Recording Musician, Jan 1993A step-by-step guide to the workings of a typical mixing console. |
XTCInterview | One Two Testing, Nov 1984Over The Tracks With The Big Expressmaking The Big Express and strumming guitars |
Alive and KickingInterview | Electronics & Music Maker, Aug 1985Dead or Alive's Tim Lever surrounds himself with new technology as the band prepare for world domination. Tim Goodyer gets the word on writing, recording and performing. |
Echoes From The Observatory - Part 1Interview Series | Home & Studio Recording, Dec 1984Bill lays bare his recording techniques and reveals the innermost secrets of his home studio 'The Echo Observatory' which has recently been upgraded to 16 track status. Now being used to record tracks fora forthcoming Nelson masterpiece. |
WorkbenchFeature | Topic: Electronics / Build | International Musician & Recording World, Jun 1986The Easy LifePhil 'DO or DIY' Walsh with a neat and tidy solution to footswitch overkill |
Simmons SPM8:2 MIDI MixerReview | Sound On Sound, Apr 1987A mixer from Simmons? Why not? The application of MIDI control to audio mixers is resulting in a radical departure from traditional designs, as Tony Hastings found out when he road-tested the SPM8:2 recently. |