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Talkin’ All That JazzFeature | Topic: History / Culture | Phaze 1, Jan 1989the history of the music that gave birth to rock 'n' roll |
Lure of the JingleInterview | Topic: Composing for Business | Music Technology, Jul 1988There's more than one way to a living out of music. Nicholas Rowland talks to the Pync Brothers about writing and recording music specifically for use in TV and radio advertising jingles. |
Bill NelsonInterview | Electronics & Music Maker, Aug 1983An in-depth interview with this multitalented musician/composer/producer who reveals the techniques used on his new LP and explains how to use the E-bow to best advantage |
Herbie Rides Again?Interview | Electronic Soundmaker & Computer Music, Apr 1985Jazz, Funk, and now Hip Hop — Herbie Hancock's done it all. We grab a few words with the great man. |
The Magnificent Seven...Review | Electronic Soundmaker & Computer Music, Dec 1984...Reverbs. An across-the-range selection put through their paces, demonstrating both conventional and creative uses... |
Roland 106 vs Yamaha DX9Review | Electronic Soundmaker & Computer Music, May 1984Mutually exclusive? |
Cliff RichardInterview | Electronics & Music Maker, Dec 1982With nearly 25 years in the music business, Cliff puts his music making into perspective. |
Standard MIDI FilesFeature | Topic: MIDI | Sound On Sound, Feb 1992In Search Of The TruthDespite the fact that Standard MIDI Fil es have been about for quite a while there is, for many users, still more than a little confusion about their purpose and use. Paul Overaa sheds some light on the subject... |
Randy CaliforniaInterview | Sound International, Jun 1978Farther along with Spirit's Randy California. |
Home TapingGroup: Recording WorldA church, a portastudio, and a blue hippopotamus? Well, what do you expect from a band called Sam-I-Am? |
The Lone RaverInterview | Music Technology, May 1992The drug culture of the rave scene continues to attract the attention of both the pop charts and the tabloid press. Tim Goodyer talks Ecstasy, agony and technology with one of the genre's heroes. |
The Rhythm SectionFeature | Topic: Drum Programming | Micro Music, Apr/May 1989Bill Collins' first of his regular looks at the special need of micro-based Rhymists |
Record AttendanceShow Report | Music Technology, Aug 1988APRS ReportThe latest developments in the recording world brought the industry, press and public flocking to Olympia 2 recently. Simon Trask records the event. |
Keyboard LifeFeature | Topic: Live | Sound On Sound, Jun 1990in Anderson Bruford Wakeman HoweSession player Julian Colbeck tells the tale of how he got the gig as support keyboard player for Rick Wakeman on the recent Anderson, Bruford, Wakeman, Howe world tour, and runs through the instrumentation he and Rick used on stage. |
Three of a KindReview | Recording Musician, Aug 1992AKG, Beyer, Sennheiser Back-Electret MicrophonesThree top name, back-electret mics that turn in a professional performance at a semi-pro price, rounded up by Paul White. |
Lesser Known Facts About The Common C-ducerFeature | Topic: Microphones, Recording | Home & Studio Recording, Sep 1984Miking applications for this novel transducer that will turn your electric bass 'acoustic'! |
Ablesure Hot FootGroup: Quality ControlDual port programmable MIDI remote controllerMIDI control from the ground up |
Heart Of GoldFeature | Topic: Education | Electronic Soundmaker & Computer Music, Jan 1984Computer music at Goldsmith's College |
Fairlight CMI ReviewReview Audio | Electronics & Music Maker, Jun 1981 |
Boss GT-5 Guitar Effects ProcessorReview | Sound On Stage, Dec 1996 |
Electric FireInterview | International Musician & Recording World, Jan 1985Bono's boys give away a few secrets from the Fire department, Adrian Deevoy and Philip Bashe team up and get close to the Edge |