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Tascam 644 Midistudio

Review | Music Technology, Jul 1990

From the manufacturers of the first cassette multitracker comes the Midistudio: a single unit integrating MIDI into a four-track cassette recorder. Nigel Lord calls it "revolutionary".

Home Recording - Part 7

Feature Series | Topic: Buyer's Guide, Home Studio, Microphones, Recording | Music UK, Dec 1982
Studio Equipment - Part Two

Nobby Line continues the run down on Music U.K.'s 8-track package. This month — accessit units

Letters

Feedback | Polyphony, Nov/Dec 1978

Face Values

Review | Electronic Soundmaker & Computer Music, Aug/Sep 1984

EMR's new interface

The MAX Factor

Review | Electronic Soundmaker & Computer Music, Feb 1985

A multitracking keyboard for the computer musician.

Drum Programming - Part 8

Feature Series | Topic: Drum Programming | Sound On Sound, Dec 1992
A Series By Warren Cann.

The Men Behind The Boy

Interview | One Two Testing, Apr 1984

Live Wires

Feature | Topic: Live, Performing | Electronic Soundmaker & Computer Music, Aug 1985
Playing Live

Electronic music live - a special focus

Man At Work

Interview | Electronics & Music Maker, Jun 1986

Robert Plant's right-hand man and technology-fiend talks to Tim Goodyer about samplers, studios and dischords.

Sound Reading

Review | Home & Studio Recording, Jan 1985

A round-up of the best recording-related books on the market.

Thoughts Of A Marathon Songwriter

Interview | Sound On Sound, Nov 1985

You don't know his name but you'll have heard his refrains. Composer Paul Bliss writes hits for the best of 'em using a UMI-2B sequencer package and several synthesizers. Ralph Denyer finds out how.

Tales Of The Supernatural

Interview | Music Technology, Dec 1990

In keeping with the ideals of the hip hop movement, the Stereo MCs new LP sees ingenuity and talent used to wring the most out of a minimum of equipment. Simon Trask elevates his mind.

IBM Software

Review | One Two Testing, Nov 1985

why USA musicians favour big computers

In The Garden

Interview | Electronic Soundmaker & Computer Music, Oct 1983

John Foxx at his studio

Mixing it! USA

Group: Mixing it!

Feature | The Mix, May 1995
News from America compiled by Simon Braund

Korg DDM drum machines

Review | One Two Testing, Oct 1984

cheaper digital drumming

Making the Most of... - Part 16

Feature Series | Topic: Effects Processing, Mixing | Home & Studio Recording, Sep 1986
A Bad Job

This month we take a look at salvage techniques. What to do when you have to re-mix someone else's less than ideal master tape.

That Syncing Feeling - Part 4

Feature Series | Topic: Syncronisation | Micro Music, Feb 1990

Chris Smith continues his series on synchronisation

Track Record

Group: Recording World

Feature | Topic: Classic Tracks | International Musician & Recording World, Jun 1986

This month, a specially extended Track Record looks at the making of two very different albums with one thing in common. The Stones' Dirty Work and Joe Jacksons' Big World were both recorded live

Rock Around The Clocks

Feature | Topic: Syncronisation | Sound On Sound, Jul 1992
Synchronisation Explained

Many hi-tech musicians see tape synchronisation as a necessary evil. Dave Lockwood ponders the pitfalls and muses on the mysteries of timecode.

Fostex B16 Multitrack & RSD 16-16-2 Mixer

User Report | Home & Studio Recording, Sep 1984

Is Analogue Multitrack Recording Dead?

Feature | Topic: Recording, Tape, Vinyl, CD, DAT | Sound On Sound, Feb 1993

A New Master

Feature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jul 1990

With Digital Audio Tape becoming widely used for mastering, it's important to know how it differs from its quarter-inch predecessor and how it can benefit you. Vic Lennard acknowledges his new master.

Making the Most of... - Part 15

Feature Series | Topic: Mixing | Home & Studio Recording, Jul 1986
Mixing

Simon Croft takes up from Steve Howell and gives his views on creative remixing.

Tascam ATS500

Review | Sound On Sound, Jun 1992
Transport Synchroniser

Dave Lockwood checks out Tascam's ATS500 which is ideal for semi-pro musicians with an eye on the field of audio-for-video.

 

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