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Computers, Music And ArtInterview | Music Technology, Nov 1986His may be an unfamiliar name, but this avant-garde composer has been writing music that stretches technology to its limits for two decades. Ron Briefel talks to the man about his current passion - Yamaha's X-series equipment. |
Inside TEAC JapanFeature | Topic: Design, Development & Manufacture | Sound On Sound, Nov 1990Ian Gilby pays a visit to TEAC headquarters in Tokyo, gets blown away by Dolby S noise reduction, and learns some little-known facts about a company destined to play a continued part in the development of recording technology. |
That Syncing Feeling - Part 3Feature Series | Topic: MIDI, Syncronisation | Micro Music, Oct/Nov 1989Chris Smith enlightens us on the subject of locking music to video |
The Units - On RecordInterview | Home & Studio Recording, Mar 1984An enlightening discourse with this new wave San Franciscan band |
Naked EyesInterview | Electronics & Music Maker, Apr 1983E&MM talks to EMI's new young electronic duo |
Home TapingGroup: Recording WorldJim MurphyRural recordee in Farmhouse sex romp with raving reporter |
When Is An OrchestraGroup: One Two Trainingarranging for philharmonics |
Studio Of The MonthGroup: Recording WorldAbbey Road StudiosChris Maillard leaves his shoes off and crosses the zebra to Abbey Road |
MPC Programmer 8Review | Electronics & Music Maker, Feb 1985Computer-controlled Rhythm SequencerSome drum sequencer software that's as user-friendly as it's versatile. Paul White enthuses over MPC's latest little marvel. |
Sound BitesFeedback | Recording Musician, Apr 1993More meaty studio hints and tips to get your teeth into. |
Shape Of Things To ComeNews | Sound On Sound, Nov 1991Yet another selection of recently announced new products to whet your appetite! |
For the RecordShow Report | Electronics & Music Maker, Aug 1985By way of introduction to better coverage of recording studios and the technology within them, we look at the current state of the recording art and report from London's recent APRS studio show. |
Home RecordingGroup: PortaStudioMania |
Making The Most Of... - Part 6Feature Series | Topic: Recording | Home & Studio Recording, Oct 1985Acoustic DrumsSome people look upon the prospect of recording an acoustic drum kit with dread. It needn't be that daunting if you follow a few simple guidelines. |
Tascam 688 MidistudioReview | Music Technology, Nov 1990Tascam caused a recording revolution when they introduced the world to the Portastudio, now their Midistudio line looks set to take musicians on another quantum leap. Nigel Lord moves into the 21st century. |
E-mu DrumulatorReview | Electronics & Music Maker, Jun 1983 |
Tascam M2524Review | Sound On Sound, Jun 1991MIDI MixerThis new 24-input desk has an in-line tape monitor section doubling as additional line inputs and the benefit of MIDI muting. Dave Lockwood sounds it out. |
The ProducersGroup: Recording WorldThe anti-christ of studio recording, Dave Goodman, talks to Chas de Whalley |
John Foxx: Recording In Mysterious WaysInterview | Sound On Sound, Dec 1985Ian Gilby visits The Garden Studio and learns how John Foxx composed and recorded tracks from his recently released album 'In Mysterious Ways'. |
The ScintillatorReview | Home & Studio Recording, Sep 1985A professional stereo enhancer at a affordable price. |
HometapingGroup: Recording WorldPatrick WilsonA commercial outlook and a complex setup. We invade Patrick Wilson's home studio |
In The MixReview | Electronics & Music Maker, Aug 1986AHB KeymixSimon Trask takes an in-depth look qt a computer-controlled modular mixer. Does MIDI programmability represent the future of the mixing console? |
Inside Abbey Road - Part 1Feature Series | Topic: Recording Studios | Recording Musician, Oct 1992Careers In The Music IndustryThe first in a series exploring careers and opportunities in the audio industry, starting at the world-famous Abbey Road studios. |