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Modular Synthesis - Part 3Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Mar 1984Bass Sounds |
Andrew PowellInterview | Electronics & Music Maker, Oct 1983This premier producer, conductor and arranger discusses his solo album 'The Best of the Alan Parsons Project' |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Electronics & Music Maker, Aug 1986Another collection of readers' own sound patches, with the Korg DW8000, Oberheim Matrix 6, Yamaha DX7 and Casio CZ range all featuring. |
BBC NewsReview | Electronic Soundmaker & Computer Music, Jan 1985Organ Master/Island LogicAn add-on sound board, and a comprehensive disc-based music system for the Beeb micro. |
Radiophonic WorkshopFeature | Topic: Recording Studios | Electronics & Music Maker, Mar 1981A Glimpse of Current Activities |
Inside Views: J L CooperFeature | Topic: Design, Development & Manufacture | Sound On Sound, Oct 1987Another in our series that looks at hi-tech companies and design personnel working in the field of music and recording technology. This month Paul Gilby talks to Jim Cooper, President of J.L Cooper Electronics and the MIDI Manufacturers Association. |
Master CraftsmanInterview | Sound On Sound, Mar 1987Since the break-up of his group Japan in November 1982, David Sylvian has been slowly widening the base of his music to encompass both ethnic and avant-garde sounds. Mark Prendergast gathers the facts on the change of style. |
When Is A Computer?Feature | Topic: Computing | One Two Testing, Sep 1984One Two's first custom program for your micro |
Sound AdviceFeature | Topic: Home Studio | Home & Studio Recording, Jan 1984Don Larking guides you through the various equipment that goes to make up a home studio. |
Fostex G24SReview | Sound On Sound, Mar 1991SSSH... From You Know WhoFollowing last month's review of the Tascam MSR24S, Dave Lockwood turns his attention to Fostex's new one-inch 24-track with Dolby S: The G24S. |
Godley & CremeInterview | Sound International, Oct 1978Ralph Denyer gets gizmological with Kevin 'n' LInitially, the consequences of RD's actions could be Kevin or L — there'LL be L to K. (2 down). |
BBC Micro MusicGroup: Computer MusicianA round-up of the latest music programs for the BBC B |
Roland TR909 and MSQ-700Review | Electronics & Music Maker, Apr 1984Rhythm Composer and Digital Keyboard RecorderA matching analogue/digital drum-machine and digital keyboard recorder come under the gaze of Dan Goldstein and Geoff Twigg. |
Studio Sound TechniquesFeature | Topic: Acoustics | Home & Studio Recording, Nov 1983MonitoringA second opinion on monitors. |
Dumping Grounds - Part 2Feature Series | Topic: MIDI, Sampling | Music Technology, Jun 1987The industrious Chris Meyer again, with the latest news on MIDI Sample Dump Standard. What exactly is the value of transferring a sample from one machine to another? |
Q-Logic MIDI Metro Digital MetronomeReview | Recording Musician, Nov 1992 |
Call Of The WildInterview | Music Technology, Mar 1989After carving a career for themselves with their unique brand of anarchic funk, Shriekback have decided the time has come for a change. Barry Andrews tells David Bradwell about the importance of loving musical equipment. |
DIY MusicGroup: On The RecordAll You Need To Know About Making Your Own RecordsSome musicians and bands decide to take their future success into their own hands, by putting money into producing their own records. Tony Batchelor and Sue Silutoe take the mystery out of making your own CD, vinyl or cassette release, from initial Session Tape to final product. |
Fiddling the meterGroup: In SessionStudio pursuits with the violin |
Roland MC50 Micro ComposerReview | Music Technology, Jan 1991Having pioneered the Micro Composer in the '70s, Roland reaffirm the position of the hardware sequencer in 1990 with the MC50. Simon Trask is fatally attracted. |
Tascam MSR24SReview | Sound On Sound, Feb 1991'S' AppealIs it the birth of a new standard? Dave Lockwood drools over Tascam's Dolby S-equipped one-inch 24-track. |