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Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Jul 1989Hints, Tips & News from the World of Music SoftwareMore hints, tips and update news from the world of music software. |
Hot ShotReview | Sound On Sound, Nov 1990TAC Bullet ConsoleIs TAC's versatile Bullet a new big gun in the compact console market? Dave Lockwood reports. |
And Now For Something Completely DifferentInterview | Home & Studio Recording, Mar 1985An interesting interview with Andre Jacquemin who just happens to be the man responsible for the recording of the Monty Python madness that's surfaced on film and vinyl over the last decade or so. |
Studio 3DFeature | Topic: Recording Studios | Electronics & Music Maker, Oct 1984We highlight three recording studios that place the emphasis on music hardware rather than expensive recording equipment: in order of price, East London Community Studio, Hollow Sun, and Computer Music Studios. |
Synclavier ProgrammerFeature | Sound On Sound, Mar 1986Jonathan Sorrell is one of a handful of session programmers working with the world's most sophisticated sampling keyboard - the Synclavier. Paul Gilby discovers how it came about. |
Peter Wilson - Record ProducerInterview | Home & Studio Recording, Jun 1984Producer of Style Council, The Jam and Comsat Angels explains his working techniques in the studio, production skills and the ins and outs of various effects. |
Rolling Stones' Mobile StudioFeature | Topic: Live, Location Sound, Recording Studios | Home & Studio Recording, Sep 1984Mick McKennaEngineer Mick McKenna provides an insight into recording with the Rolling Stones Mobile. |
French LessonsReview | Electronics & Music Maker, Feb 1986RSF DD30 Drum MachineFrom France comes a digital drum machine with more facilities per pound than any of the Japanese competition. Jean-Paul Verpeaux likes what he hears in this exclusive review. |
Allen & Heath S2Review | Sound On Sound, Sep 1991Recording MixerNot content with offering most of the Saber's facilities in the highly affordable Spectrum, Allen & Heath have now produced in the S2 an even cheaper fully-featured recording console. Dave Lockwood tries it on for size. |
The PioneerInterview | Music Technology, May 1990From artistic oppression under Stalin to contributing to Stanley Kubrick's 2001: A Space Odyssey, György Ligeti has remained a true music pioneer. Simon Trask talks to a musical legend. |
Alesis MMT-8 MIDI RecorderReview | Sound On Sound, Jan 1988In an age when most MIDI sequencers seem to come on floppy disk, Alesis hits the market with their new hardware sequencer, the MMT-8. It doesn't boast a video monitor or multi-mega tracks, so can it compete with the omnipresent beige box? David Mellor yearns to learn. |
MIDI in the MixFeature | Topic: Effects Processing, MIDI, Mixing | Music Technology, Jun 1988The scope of MIDI control has expanded beyond that of simply allowing one synthesiser to control another. Chris Meyer explains how you can now shape a whole mix using the five-pin DIN plug. |
Reset For SuccessInterview | Electronic Soundmaker & Computer Music, Mar 1984Clarke, Radcliffe & Marlow |
On VideoFeature | Topic: Marketing / Promotion, Video / Film / Picture | International Musician & Recording World, Jan 1985Electric ProductionsThe last of the current series finds James Betteridge and some Geisha Girls involved. We have the negatives, Jim... |
A Composer For Our TimeInterview | Sound On Sound, Aug 1989Mark J. Prendergast interviews California-born musician Terry Riley, the influential inventor of 'minimalist' music. |
Purple PhaseGroup: In SessionHendrix rises again - thanks to two musicians, a helpful bureaucrat, and a rack-full of Akais |
Kit Wolven on Heavy MetalInterview | Home & Studio Recording, May 1987HM from the control room chair. |
Sticking It TogetherFeature | Topic: Composing for Business, Recording | Sound On Sound, Mar 1989Bryan FerryYou know all those classic sixties and seventies songs you keep hearing on TV ads these days? Well, almost every one you hear is not in fact the original recording but a completely new version. To give you an idea of how such reconstructions are produced, Nigel Beaham-Powell of Streets Ahead Music Productions recounts how he went about reproducing a Bryan Ferry track. |
Orchestral Manoeuvres In The 90sInterview | Sound On Sound, Aug 1993Andy McCluskeyAndy McCluskey reveals his dislike for synth programming and his penchant for the classics. |
The BelovedInterview | Sound On Sound, Mar 1993 |