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Patrick Moraz

Interview | Electronics & Music Maker, Jan 1983

Talking about improvisation and The Moody Blues

Beat Generation

Interview | Music Technology, Jul 1989

With their debut album just released and a single high in the charts, these are busy times for the Beatmasters. Tim Goodyer braves a tube strike to find out what technology has done for them (and what they'd like to do to technology).

Yamaha Symphonic Ensemble SK20

Review Audio | Electronics & Music Maker, Mar 1981

Musical Micro

Feature | Topic: Computing, MIDI, Sequencing | International Musician & Recording World, Feb 1985
MIDI

Tony Mills on digital sequencers

Pushing The Beat

Interview | Music Technology, Dec 1990

Once he prayed to the beat behind Re-flex, he's since become versed in high technology and worked with artists as diverse as Kate Bush and Mory Kante. Ollie Crooke talks to a rhythm programmer extraordinaire.

On The Wings Of Song

Interview | Home & Studio Recording, Feb 1986

Janet Angus talks to Peter Wingfield about his career as a songwriter and producer.

Message In A Sample

Interview | Music Technology, May 1993

Meat Beat Manifesto are to music what Andy Warhol was to art - but they've already been famous for longer than 15 minutes. Phil Ward follows them to a Peel session and to their studio in Swindon, and finds that Meat is not, in fact, necessarily murder.

Acorn 500

Review | One Two Testing, Apr 1985

better noises for the BBC

Buzz

News | International Musician & Recording World, Sep 1975

What's cooking in Bournemouth

Children of the Evolution

Group: In Session

Interview | The Mix, Oct 1994

Talking pictures with the dance duo

Incoming Data

News | Music Technology, Jan 1993

Yamaha Compressor & Graphic EQ

Review | In Tune, Jul/Aug 1985

Father of Invention

Interview | Music Technology, Feb 1987

What makes one of rock music's most eccentric and unpredictable characters lock his guitar in a cupboard and take to composing on a Synclavier instead? Rick Davies provides the answers in an exclusive interview.

Radio Days

Feature | Topic: Digital Audio Workstations, Live, MIDI, Performing, Sequencing | Sound On Sound, Aug 1992
Technology On The Air

When Paul D. Lehrman was asked to use his technological expertise to help create a radio quiz show, he rose to the challenge — and discovered it was just about the best fun he could have standing up.

Musical Micro

Feature | Topic: Computing | International Musician & Recording World, Aug 1985
Bananas and Softsels

Advice for those with unusual computers

The Producers

Group: Recording World

Interview | International Musician & Recording World, Aug 1985

Chas de Whalley meets legendary Folk Rock svengali, Joe Boyd

Steinberg Cubase 3.0 - Part 1

Review Series | Sound On Sound, Apr 1992

In Part 1 of a 2-part review, Cubase enthusiast David Mellor looks at the fully matured version of one of the world's favourite sequencers.

To Be Frank

Interview | International Musician & Recording World, Dec 1985

Chronicles of a moustachioed maestro. Philip Bashe reporting.

Order of the Day

Interview | Phaze 1, Apr 1989

why drummer stephen morris prefers programming computers to bashing skins

At Home in the Studio

Feature | Topic: Home Studio | Home & Studio Recording, May 1986
Band in a Box Studio

'Band In A Box' who have put their home studio to commercial use, voice their opinions on tea and biscuits.

Fast Forward

News | Home & Studio Recording, Dec 1985

Keyboard Music

Interview | Sound On Sound, Mar 1990

One of the pioneers of the German electronic music scene, Hans Joachim Roedelius's use of electronic keyboards to treat sound, create atmospheres, and provide sonic backdrops has evolved through collaborations with the likes of Conny Plank, Peter Baumann and Brian Eno. Mark J. Prendergast discovers more about the man and his music.

Howard's Way

Interview | Electronics & Music Maker, Oct 1986

Breaking a prolonged silence, one of the eighties' most successful solo pop songwriters talks to Tim Goodyer about his new home, his new album, and an ever-expanding collection of synthesisers.

Simmons Sounds

Review | Electronic Soundmaker & Computer Music, Jun 1984

More beats per pound

Roland R8M

Review | Sound On Sound, Apr 1990
Total Percussion Sound Module

Sequencer owners rejoice! Roland have taken the 16-bit PCM sounds from their popular R8 drum machine, put them in a convenient rackmount case, and added extra slots for ROM and RAM cards to produce a beat-box par excellence. David Brenton reports.

 

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