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Criminal Record? - Part 1

Feature Series | Topic: Sampling | Music Technology, Mar 1992
Sample CDs

First they were sampling off other peoples' records, now they're selling records to sample off. Tim Goodyer listens while Simon Harris, Pascal Gabriel, Norman Cook, Ed Stratton and Coldcut put the case for sampling CDs.

Up and Running

Feature | Topic: Music Business | Electronics & Music Maker, Nov 1985
The Nightcatchers

First of an occasional series on the twilight zone between recording first demos and collecting that first gold disc. Birmingham's Nightcatchers talk to Tim Goodyer about tight budgets and big-name producers.

OSCar Synthesiser

Review | Electronics & Music Maker, Aug 1983

Future Shock

Interview | Music Technology, Dec 1988

Co-founder of the techno movement, Model 500's Juan Atkins discusses yesterday's technology and influences, and tomorrow's music. Technospeak: Simon Trask.

Life After Ultravox

Interview | Sound On Sound, Mar 1991

Since the members of Ultravox went their separate ways, Billy Currie's solo career has taken him from band leader, through studio owner, to record label boss for the release of his second solo album. Interview by Mark Jenkins.

Electric gypsy

Group: In Session

Interview | The Mix, Mar 1995

The original hurdy-gurdy man takes Tim Barr on an ambient perambulation through his current project, System 7

Ian Anderson

Interview | Home & Studio Recording, Mar 1989

Jethro Tull's main man takes us behind the fish farmer exterior and into his home studio.

Sound Spaces

Feature | Topic: Acoustics | Sound On Sound, Apr 1992
Getting Studio Acoustics Right

In major studios or in home setups, a good listening environment is essential. Wilf Smarties presents a practical guide to creating the right space for your sound.

Hot House Flowers

Show Report | Music Technology, Oct 1990
BMF REPORT

The excessive heat in London's Olympia gave the latest hi-tech gear a run in the "who's hottest" stakes at this year's British Music Fair. Simon Trask sweats it out.

Etcetera

Feature | Sound International, May 1979
Bill Nelson, Magma

The Concerts In China

Interview | Electronics & Music Maker, Jun 1982

An exclusive interview with this most popular French electronic music composer that traces his background history from his early influences to his latest epic performances in China.

The Blueprint of Hiphop

Interview | Music Technology, Aug 1989

From the New York roots of hip hop, KRS One talks about street-level production values and samples as the poor musician's alternative to real musicians. Simon Trask listens to the Music of the Spheres.

A Provisional Arrangement

Interview | Music Technology, Jul 1988

After three years out of the public eye, Scritti are straight back in the charts with a new LP and single. Green Gartside explains to Tim Goodyer why technology has replaced live performance.

How It Works: the Power Amplifier - Part 11

Feature Series | Topic: Sound Fundamentals | Sound On Sound, Nov 1988

Otherwise known as the big black box at the bottom of the rack, the power amplifier is the most unglamorous piece of audio equipment known to man. David Mellor seeks out its finer qualities.

Bill Nelson

Interview | Sound On Sound, Mar 1991
A Musical Luminary

Bill Nelson remains largely unheard of by the record-buying public, yet his influence on modern musicians has been considerable. Nigel Humberstone visits him at his home studio in Yorkshire.

Nik Picking

Interview | International Musician & Recording World, Mar 1986

Golden boy of the teeny bop scene a closet guitar hero? It's true, all true. Muso musings captured for posterity by Dave Burrluck and Susan Rookledge.

Studio Diary

Feature | Topic: Recording Studios | International Musician & Recording World, Jul 1975

Who's been recording where

Tune In, Turn On, Chill Out

Interview | Music Technology, Jun 1991

Riding the ambient house wave, The Orb have released a concept album that mixes dance beats with new age textures. Tim Goodyer tunes in to Alex Paterson and Thrash as they chill out with technology.

Stop, Look and Listen

Review | Electronic Soundmaker & Computer Music, Jul 1985
MUSIC 500 Programs

Two new programs for the MUSIC 500

FM's Finest Hour

Review | Sound On Sound, May 1989
Yamaha V50 Workstation

Paul Ireson explores Yamaha's latest professional keyboard, which integrates FM synthesis, a drum machine, a powerful sequencer and a multi-effects unit into a single package. Could it be FM's finest hour?

Macro Music - Part 3

Feature Series | Topic: Computing, Synthesis & Sound Design | Electronics & Music Maker, Jun 1983

More music with mainframe computers

Track Record: The Art Of Noise

Group: Recording World

Feature | Topic: Classic Tracks | International Musician & Recording World, May 1986
Peter Gunn

Jim Betteridge plays 'Hunt the Aled Jones sample.'

Ensoniq DP/4

Review | Music Technology, Oct 1992
Parallel Effects Processor

Just four effect

Digitally Yours...

Feature | Topic: Digital Audio, Sound Fundamentals | Music Technology, Aug 1988

We've been sold and resold the idea that digital is better than analogue, but what is digital sound and why is it revolutionising music technology? Peter Bergren counts the bits.

Hey Joe

Interview | Making Music, May 1987
Where you going with that baton in your hand

 

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