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Criminal Record? - Part 1Feature Series | Topic: Sampling | Music Technology, Mar 1992Sample CDsFirst they were sampling off other peoples' records, now they're selling records to sample off. Tim Goodyer listens while Simon Harris, Pascal Gabriel, Norman Cook, Ed Stratton and Coldcut put the case for sampling CDs. |
Up and RunningFeature | Topic: Music Business | Electronics & Music Maker, Nov 1985The NightcatchersFirst of an occasional series on the twilight zone between recording first demos and collecting that first gold disc. Birmingham's Nightcatchers talk to Tim Goodyer about tight budgets and big-name producers. |
OSCar SynthesiserReview | Electronics & Music Maker, Aug 1983 |
Future ShockInterview | Music Technology, Dec 1988Co-founder of the techno movement, Model 500's Juan Atkins discusses yesterday's technology and influences, and tomorrow's music. Technospeak: Simon Trask. |
Life After UltravoxInterview | Sound On Sound, Mar 1991Since the members of Ultravox went their separate ways, Billy Currie's solo career has taken him from band leader, through studio owner, to record label boss for the release of his second solo album. Interview by Mark Jenkins. |
Electric gypsyGroup: In SessionThe original hurdy-gurdy man takes Tim Barr on an ambient perambulation through his current project, System 7 |
Ian AndersonInterview | Home & Studio Recording, Mar 1989Jethro Tull's main man takes us behind the fish farmer exterior and into his home studio. |
Sound SpacesFeature | Topic: Acoustics | Sound On Sound, Apr 1992Getting Studio Acoustics RightIn major studios or in home setups, a good listening environment is essential. Wilf Smarties presents a practical guide to creating the right space for your sound. |
Hot House FlowersShow Report | Music Technology, Oct 1990BMF REPORTThe excessive heat in London's Olympia gave the latest hi-tech gear a run in the "who's hottest" stakes at this year's British Music Fair. Simon Trask sweats it out. |
The Concerts In ChinaInterview | Electronics & Music Maker, Jun 1982An exclusive interview with this most popular French electronic music composer that traces his background history from his early influences to his latest epic performances in China. |
The Blueprint of HiphopInterview | Music Technology, Aug 1989From the New York roots of hip hop, KRS One talks about street-level production values and samples as the poor musician's alternative to real musicians. Simon Trask listens to the Music of the Spheres. |
A Provisional ArrangementInterview | Music Technology, Jul 1988After three years out of the public eye, Scritti are straight back in the charts with a new LP and single. Green Gartside explains to Tim Goodyer why technology has replaced live performance. |
How It Works: the Power Amplifier - Part 11Feature Series | Topic: Sound Fundamentals | Sound On Sound, Nov 1988Otherwise known as the big black box at the bottom of the rack, the power amplifier is the most unglamorous piece of audio equipment known to man. David Mellor seeks out its finer qualities. |
Bill NelsonInterview | Sound On Sound, Mar 1991A Musical LuminaryBill Nelson remains largely unheard of by the record-buying public, yet his influence on modern musicians has been considerable. Nigel Humberstone visits him at his home studio in Yorkshire. |
Nik PickingInterview | International Musician & Recording World, Mar 1986Golden boy of the teeny bop scene a closet guitar hero? It's true, all true. Muso musings captured for posterity by Dave Burrluck and Susan Rookledge. |
Studio DiaryFeature | Topic: Recording Studios | International Musician & Recording World, Jul 1975Who's been recording where |
Tune In, Turn On, Chill OutInterview | Music Technology, Jun 1991Riding the ambient house wave, The Orb have released a concept album that mixes dance beats with new age textures. Tim Goodyer tunes in to Alex Paterson and Thrash as they chill out with technology. |
Stop, Look and ListenReview | Electronic Soundmaker & Computer Music, Jul 1985MUSIC 500 ProgramsTwo new programs for the MUSIC 500 |
FM's Finest HourReview | Sound On Sound, May 1989Yamaha V50 WorkstationPaul Ireson explores Yamaha's latest professional keyboard, which integrates FM synthesis, a drum machine, a powerful sequencer and a multi-effects unit into a single package. Could it be FM's finest hour? |
Macro Music - Part 3Feature Series | Topic: Computing, Synthesis & Sound Design | Electronics & Music Maker, Jun 1983More music with mainframe computers |
Track Record: The Art Of NoiseGroup: Recording WorldPeter GunnJim Betteridge plays 'Hunt the Aled Jones sample.' |
Digitally Yours...Feature | Topic: Digital Audio, Sound Fundamentals | Music Technology, Aug 1988We've been sold and resold the idea that digital is better than analogue, but what is digital sound and why is it revolutionising music technology? Peter Bergren counts the bits. |