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An Alphabetical AppraisalShow Report | Electronic Soundmaker & Computer Music, Apr 1985Frankfurt ReviewHot news on hot products. |
Astronaut or Heretic?Interview | Sound On Sound, May 1992Thomas Dolby is back after a four year break, without the mad professor image but with an excellent new album in Astronauts & Heretics, his most personal recording to date. Paul Tingen spoke to him about the long road from solo synthesist to globe-trotting collaborator. |
The ProducersGroup: Recording WorldChas de Whalley encounters his old pal Huey Lewis to discuss the merits of self-production |
Oh Danny BoyInterview | Making Music, Sep 1987 |
FM 4-Operator EditorsReview | Music Technology, Jul 1988Two software packages that offer a generic approach to sound creation on Yamaha's four-operator FM synths. Ian Waugh boots up Dr T's 4-Op Deluxe and the Soundbits 4X4. |
Mick's MixInterview | International Musician & Recording World, Jun 1985Philip Bashe and Don McLeese stop a lone Stone stateside |
The Fender TapesFeature | Music UK, Dec 1982Gary Cooper asks embarrassing questions. Dan Smith (Fender's Guitar Chief) has the answers — or has he? |
Back to BackGroup: Playback - Autumn 86Keith Emerson On Korg. Gordon Giltrap On MIDI Guitars Peter Oxendale On Sampling |
BAD AttitudeInterview | Music Technology, Oct 1988From their initial sampled success with 'E=mc2' Big Audio Dynamite have gone on to further explore the use of dialogue and sound effects in pop music. David Bradwell talks technology and photography with keyboardsman Dan Donovan. |
Yamaha CX5MGroup: Computer MusicianMusic Computer and Software1984's most eagerly-awaited electronic music product is finally making its way into dealers' showrooms. David Ellis has been taking a look at the micro itself, Yamaha's exclusive FM sound chip, the controlling keyboard and the first batch of software. |
Sub CultureInterview | Music Technology, Jul 1993Forsaking guitars and drums for a wall of keyboards and racked modules, Sub Sub turned a home studio into a hit factory. ‘Ain’t No Love (Ain’t No Use)’ peaked at Number 3 and took everyone by surprise - except Phil Ward, who heard the single pre-release and contacted the band immediately. |
Living in the PastInterview | Music Technology, Feb 1988His time with Rainbow, Whitesnake and Ozzy Osbourne has made Don Airey a rock institution (rather than putting him in one). Tim Goodyer talks to him about music and machinery. |
The E&MM Personal Keyboard GuideFeature | Topic: Buyer's Guide | Electronics & Music Maker, Dec 1983The art of packing high tech facilities into micro musical instruments is reaching a peak. We take a look at some of the latest innovations to emerge and a few that we can hope to see in 1984. |
Ibanez DUE400 Digital Multi-EffectsReview | Home & Studio Recording, Aug 1985John Harris subjects this Japanese rack to the English inquisition. |
The Complete Phil CollinsInterview | International Musician & Recording World, Mar 1985While most musicians flounder attempting to play one instrument, Phil Collins has his cake and eats it. Tony Horkins pieces together the multiple talents and discovers the complete musician |
The Christmas Gift Guide '85Group: Xmas XtraHundreds of affordable and useful gift ideas for the musically minded. Indispensable reading for the Santa Claus in your life |
The ProducersGroup: Recording WorldChas de Whalley gets down with the Scottish Sultan of Soul, Steve Harvey |
Keep Taking the TabloidsFeature | Topic: Marketing / Promotion | Phaze 1, Jan 1989the music papers and how to get your name into them |
Waxing LyricalInterview | Music Technology, Sep 1991When you come across a hi-tech band who won't even use commercial synths for fear of being imitated, they must have something special to protect. Simon Trask pays a visit to Leeds to check out the mysterious Nightmares on Wax. |