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Mixing It

Show Report | Music Technology, Sep 1987

Studio or stage? As technology advances, the traditional distinction between "recording technology" and "keyboard technology" becomes more and more confused - as this years recording show displayed. Report by Simon Trask.

Too Good To Be True?

Review | Sound On Sound, Mar 1992
Passport AudioTrax

MIDI and hard disk recording on the Mac for only £260? It sounds too good to be true, but Paul Wiffen pinches himself and finds he is awake!

Home Recording

Group: PortaStudioMania

Feature | Topic: Buyer's Guide, Recording | International Musician & Recording World, Dec 1986

Innovators

Interview | Electronic Soundmaker & Computer Music, Jul 1984

A deity speaks

Café Society

Interview | Electronics & Music Maker, Jan 1986
Penguin Cafe Orchestra

Obscure orchestra leader, Simon Jeffes intrigues Paul Tingen with stories of self-discovery in Japan, and finding music in one note.

How to Write a Rock Song - Part 5

Feature Series | Topic: Arranging / Songwriting | Electronics & Music Maker, Sep 1983
Arranging sheet music

Heroes - Part 14

Feature Series | Topic: History / Culture | One Two Testing, Feb 1985

Trevor Horn considered

Geoff Downes

Interview | Sound On Sound, Apr 1986
Asia's illustrious keyboard player

In a rare interview, Asia's illustrious keyboard player talks synths, samplers and Mellotrons with David Etheridge.

Tony Banks

Interview | Sound On Sound, Sep 1989

Keyboard player Tony Banks has been the foundation stone of Genesis' music for almost two decades now but has not experienced the same level of success in his work outside Genesis as past and present members of the band, Phil Collins, Mike Rutherford and Peter Gabriel. With two solo albums and numerous film scores behind him, Banks is set to bounce back into the limelight with a fresh, new solo project. Brian Jacobs poses the questions...

Yen Live!

Interview | Micro Music, Feb 1990

Steve Cogan takes time out to talk to the members of Yen

The Magic of Daniel Lanois - Part 2

Interview Series | Sound On Sound, Sep 1987

In the concluding part of our in-depth interview with this French-Canadian engineer/producer, Mark Prendergast discovers how Lanois recorded the 'So' album with Peter Gabriel and more about his co-production with Brian Eno of U2's 'The Joshua Tree' and 'Unforgettable Fire' LPs.

842 Meter Bridge

Feature | Topic: Electronics / Build | Electronics & Music Maker, Mar 1983
Parts Cost Guide £28

Optional Meter Bridge for the ElectroMix 842

The Digital Muse Prodigy

Review | Music Technology, Apr 1990
Software for the Atari ST

Son of TDM's Virtuoso ST sequencing software, the budget Prodigy retains many of its parent's best features. Ian Waugh checks out the fastest little sequencer in the west.

Yamaha YS200

Review | Sound On Sound, Oct 1988
The Friendly Face of FM

Yamaha’s FM-based synths have incorporated more and more ‘easy editing' features of late in an attempt to make FM synthesis accessible to a broader spectrum of potential users. Yamaha's latest synth, the YS200, takes this approach even further with the inclusion of onboard digital effects, an 8-track sequencer, and large controls! Martin Russ looks at FM in a different guise.

Boss DE-200 Digital Delay

Review | Electronics & Music Maker, Feb 1984

A look at the latest in digital delay - that can be triggered by rhythm machine.

Just A Second Part From FZ - Part 2

Interview Series | Sound International, May 1979

The continuing story of Francis Vincent Zappa who, out on the road with a rock band for the first time in weeks, relates to one Ralph Denyer just how musicians get their action.

Studio 3D

Feature | Topic: Recording Studios | Electronics & Music Maker, Oct 1984

We highlight three recording studios that place the emphasis on music hardware rather than expensive recording equipment: in order of price, East London Community Studio, Hollow Sun, and Computer Music Studios.

Jean-Michel Jarre's Magnetic Fields II

Feature | Electronics & Music Maker, Jul 1982
An Electro-Music Transcription by Mike Beecher

A fully-detailed transcript of Magnetic Fields Part II including instructions on how to perform the piece.

EMR Studio 24+

Review | Music Technology, Oct 1989

Still suffering from a dearth of software, the powerful Acorn Archimedes computer has yet to gain acceptance in music circles - will this sequencer help it on its way? Ian Waugh checks it out.

Tascam DA88

Review | Sound On Sound, Apr 1993
Digital 8-Track Recorder

Glass Struggles

Interview | One Two Testing, Sep 1985

composing with technology

Sonus MasterPiece

Review | Music Technology, Nov 1987
Software for the Atari ST

The software catalogue for the Atari ST continues to grow. Ian Waugh checks out a sequencer package that may give Steinberg and Hybrid Arts serious competition.

I Sync Therefore I Am

Review | Sound On Sound, May 1992
Micon Audio LMTC Synchroniser

Micon Audio's LMTC Processor Controller Synchroniser does for owners of Tascam multitracks what the MTC1 did for Fostex users: integrates multitrack recorder control into the sequencer environment. Dave Lockwood gets that syncing feeling once more.

Echo-Plex

Interview | One Two Testing, Dec 1985

talk the best of

Hard Bargain

Group: Control Room

Review | The Mix, Mar 1995
Samplitude

Budget direct-to-disk recording for PC

 

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