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Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Dec 1983Tips on miking up drums. |
Just A Second Part From FZ - Part 2Interview Series | Sound International, May 1979The continuing story of Francis Vincent Zappa who, out on the road with a rock band for the first time in weeks, relates to one Ralph Denyer just how musicians get their action. |
InterfacesFeedback | Topic: Computing, MIDI | Micro Music, Jun/Jul 1989Clive Grace assesses the best MIDI interfaces available for the PC, Amiga and Macintosh |
Harvey AndrewsInterview | International Musician & Recording World, Oct 1975Why you can't keep a good man down... can you? |
Gus DudgeonInterview | International Musician & Recording World, Oct 1975Jon Tiven talks to Gus Dudgeon about Elton, Bowie and recording in general. |
Shape of Things to ComeNews | Sound On Sound, May 1989News of Ensoniq’s rackmount sampler, the EPS-M, and other goodies are unveiled in glorious techno-colour. Read all about it. |
Shape of Things to ComeNews | Sound On Sound, Nov 1988A look at some forthcoming products from the world of hi-tech music and recording. |
MTR DNG-1 Dual GateReview | Home & Studio Recording, Jun 1986MTR have designed their own pro noise gate and it turns in a very convincing performance. |
SaxonInterview | Making Music, Sep 1986shrugs and knock 'n' knowallWrenched from video filming (with a ballerina no less) and quizzed on gear and blushes. |
Rooting For The New AgeInterview | Music Technology, Nov 1991In the desert of new age there are oases of music. Scott Wilkinson talks to an American guitarist with a story to tell and the technology to tell it. |
Electric WoodReview | Sound International, Oct 1978The bass was made in England of true Electric Wood... Steve York investigates. |
Van Hagar?Interview | International Musician & Recording World, Feb 1986The Roth-less band with a Hagar at the helm. Michael Smolen meets the headman |
Drummers' DelightInterview | Music Technology, Nov 1987A little-known American drummer who played on such classic recordings as 'Rappers' Delight' and 'The Message' talks to Dan Goldstein about "stretching" technology. |
Cactus MkII Electronic DrumsReview | Electronics & Music Maker, Sep 1984A revised version of ex-E&MM staffer Pete Kershaw's electronic percussion system: it uses a hybrid of analogue and digital technology. Review by Paul White. |
DDrumsReview | Electronics & Music Maker, Oct 1984Electronic Percussion SystemMarketed in the US as E-Drums, these Swedish-built percussion units combine high quality digital samples with immense constructional sturdiness. Dan Goldstein again. |
Stage FrightFeature | Topic: Live, Performing | Making Music, May 1987NervesDo you suffer from the musicianly variety? Calm yourself down, turn to page 11, and feel lots better. OK now? |
The Magnificent Seven...Review | Electronic Soundmaker & Computer Music, Dec 1984...Reverbs. An across-the-range selection put through their paces, demonstrating both conventional and creative uses... |
PA ColumnFeature | Topic: Live | International Musician & Recording World, Dec 1986You can Run, but you can't hide — They're back again, Run DMC live at Hammersmith. Old Fogey Jim Betteridge covers his ears |
Miditemp MP44 MIDI PlayerReview | Music Technology, Dec 1990MIDI Data RecorderLatest in the emerging trend of MIDI data recorders is MIDItemp's MIDI Player - a composite 64-track sequencer, MIDI processor and patching matrix. Vic Lennard takes on a temp. |
No Presets AllowedInterview | Sound On Sound, Aug 1986Hans Zimmer is the complete antithesis of the serious German synthesist - he smiles a lot for a start! As co-founder of Lillie Yard studio and the proud owner of a surviving Moog Series 8 modular synth, his approach to sound synthesis is a refreshingly traditional one eschewing the very thought of ever using an unmodified factory preset on any of his work! Ralph Denyer explains why. |