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Search results

Using Microphones

Feature | Topic: Microphones, Recording | Home & Studio Recording, Dec 1983

Tips on miking up drums.

Knebworth Goes Supersonic

Feature | Topic: Live | Sound On Stage, Nov 1996
Oasis On Stage

A3

Interview | One Two Testing, Jan 1984

Three Of A Kind.

Just A Second Part From FZ - Part 2

Interview Series | Sound International, May 1979

The continuing story of Francis Vincent Zappa who, out on the road with a rock band for the first time in weeks, relates to one Ralph Denyer just how musicians get their action.

Interfaces

Feedback | Topic: Computing, MIDI | Micro Music, Jun/Jul 1989

Clive Grace assesses the best MIDI interfaces available for the PC, Amiga and Macintosh

Harvey Andrews

Interview | International Musician & Recording World, Oct 1975

Why you can't keep a good man down... can you?

Gus Dudgeon

Interview | International Musician & Recording World, Oct 1975

Jon Tiven talks to Gus Dudgeon about Elton, Bowie and recording in general.

Laney Pro-Tube 100 Head

Review | Music UK, May 1983

LANEY Pro-Tube 100 in Torture Chamber Trial

Shape of Things to Come

News | Sound On Sound, May 1989

News of Ensoniq’s rackmount sampler, the EPS-M, and other goodies are unveiled in glorious techno-colour. Read all about it.

Shape of Things to Come

News | Sound On Sound, Nov 1988

A look at some forthcoming products from the world of hi-tech music and recording.

MTR DNG-1 Dual Gate

Review | Home & Studio Recording, Jun 1986

MTR have designed their own pro noise gate and it turns in a very convincing performance.

Stagecoaching - Part 2

Feature Series | Topic: Live | Music Technology, Feb 1993

A word on the wire

Saxon

Interview | Making Music, Sep 1986
shrugs and knock 'n' knowall

Wrenched from video filming (with a ballerina no less) and quizzed on gear and blushes.

Rooting For The New Age

Interview | Music Technology, Nov 1991

In the desert of new age there are oases of music. Scott Wilkinson talks to an American guitarist with a story to tell and the technology to tell it.

Electric Wood

Review | Sound International, Oct 1978

The bass was made in England of true Electric Wood... Steve York investigates.

Van Hagar?

Interview | International Musician & Recording World, Feb 1986

The Roth-less band with a Hagar at the helm. Michael Smolen meets the headman

Drummers' Delight

Interview | Music Technology, Nov 1987

A little-known American drummer who played on such classic recordings as 'Rappers' Delight' and 'The Message' talks to Dan Goldstein about "stretching" technology.

Cactus MkII Electronic Drums

Review | Electronics & Music Maker, Sep 1984

A revised version of ex-E&MM staffer Pete Kershaw's electronic percussion system: it uses a hybrid of analogue and digital technology. Review by Paul White.

DDrums

Review | Electronics & Music Maker, Oct 1984
Electronic Percussion System

Marketed in the US as E-Drums, these Swedish-built percussion units combine high quality digital samples with immense constructional sturdiness. Dan Goldstein again.

The New Statesmen

Interview | Music Technology, Feb 1993

808 State - Absolutely Gorgeous

Stage Fright

Feature | Topic: Live, Performing | Making Music, May 1987
Nerves

Do you suffer from the musicianly variety? Calm yourself down, turn to page 11, and feel lots better. OK now?

The Magnificent Seven...

Review | Electronic Soundmaker & Computer Music, Dec 1984

...Reverbs. An across-the-range selection put through their paces, demonstrating both conventional and creative uses...

PA Column

Feature | Topic: Live | International Musician & Recording World, Dec 1986

You can Run, but you can't hide — They're back again, Run DMC live at Hammersmith. Old Fogey Jim Betteridge covers his ears

Miditemp MP44 MIDI Player

Review | Music Technology, Dec 1990
MIDI Data Recorder

Latest in the emerging trend of MIDI data recorders is MIDItemp's MIDI Player - a composite 64-track sequencer, MIDI processor and patching matrix. Vic Lennard takes on a temp.

No Presets Allowed

Interview | Sound On Sound, Aug 1986

Hans Zimmer is the complete antithesis of the serious German synthesist - he smiles a lot for a start! As co-founder of Lillie Yard studio and the proud owner of a surviving Moog Series 8 modular synth, his approach to sound synthesis is a refreshingly traditional one eschewing the very thought of ever using an unmodified factory preset on any of his work! Ralph Denyer explains why.

 

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