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Top To BottomReview | Sound On Sound, Oct 1993Behringer Multifex • Ultrafex • Bassfex • Multiband Enhancers |
Synth ComputersGroup: Synth SpecialINPUT: computer analysis/Fairlight/Emulator/PPG/Synclavier/edit and compare/explain FILE FOUND: guest reviewer/Tom Dolby... ASSIGN |
Frontier X-TRA Ram DeluxeReview | Music Technology, Jun 1992Atari ST Memory ExpansionIf the limitations of your Atari are restricting your music, you may have been thinking about trading it in against something more powerful - but there are alternatives. Tim Goodyer rejuvenates the ST with a memory expansion. |
A Brief History Of LiveFeature | Topic: Live | Recording Musician, May 1993Two of the industry's brightest names cast their minds back and reminisce to RM about the birth of the PA system. |
Guitars Made SimpleGroup: EffectsWee chap and guitarist-person Charlie Burchill lifts the kilt of his guitar, amp and effects set up. |
Four soundchecks in one day...Group: In SessionLater with Jools HollandBehind the scenes at TV’s premier music show |
BuzzNews | International Musician & Recording World, May 1985The day of the digital, a Casio commendation, getting totally wired, winning a mixer and whacking a Zildjian |
Kaja Who's-WhoInterview Audio | One Two Testing, Nov 1983Is there life after Limahl? Yup. The four shy boys take turns to explain how they do it, and what they do it on. |
Going LiveReview | Sound On Sound, Jan 1991Rhodes Model 760A keyboard for the gigging pianist? David Mellor tinkles an ivory or two. |
The Creative Technology InstituteInterview | Electronics & Music Maker, Sep 1984Formerly one half of Throbbing Gristle, Chris and Cosey have since leapt to the forefront of Britain's avant garde electronic music scene. Interview by Dan Goldstein. |
TAC Scorpion 16:8:2 Mixing ConsoleReview | Home & Studio Recording, Sep 1985A British mixer built to survive. |
MusigraphReview | Music Technology, Jun 1988Software for the Atari STTired of using pencil and paper to write out your music? Fancy a hi-tech fix for your next composition? Ian Waugh scores a line (or five) with a new graphics-based music notation package from French company SARO. |
Ballet PumpsGroup: PercussionJohn Keeble is in two minds about drumming for Spandau - an acoustic one and an electric one. Read about his treatment. |
Drummers Drumming - Part 1Group: Real Drum Special - Part 1Dave Sinclair sorts out seven significant strikers |
Blowing Technology's HornInterview | Sound On Sound, Nov 1988Mark Prendergast talks with trumpeter, composer, and synthesist Mark Isham about new technology, David Sylvian, Van Morrison, Windham Hill, and his solo career as one of Hollywood's more interesting film soundtrack composers. |
Hybrid Arts ADAP SoundrackReview | Music Technology, Oct 1987The eagerly-awaited 16-bit digital stereo audio processing system for the Atari ST has arrived. Scott Gershin checks it out and acquires a new outlook on sound sampling. |
E-Mu Vintage KeysReview | Music Technology, Apr 1993Sound ModuleTake 20 classic keyboards into the shower? Now you can just trigger and go with E-mu's Vintage Keys sound module, provider of sampled keyboard sounds from the Minimoog to the Mellotron. But who would you have in goal?, asks Peter Forrest |
History of Electronic Music - Part 8Feature Series | Topic: History / Culture | Electronics & Music Maker, Nov 1982European electronic music including Tangerine Dream, Kraftwerk and Giorgio Moroder.The European Scene |
The Yes GenerationInterview | Music Technology, Jan 1988Technical excess brought them success in the 70s, Trevor Horn rejuvenated them in the '80s, now they're working towards the '90s. Deborah Parisi asks the Yes men if there's anything left to say after 20 years. |