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System Exclusive DumpsFeature | Topic: MIDI | Sound On Sound, Mar 1988The mysteries of SysEx are revealed. Martin Russ discovers that there may be more to that disk drive in your latest acquisition than you thought... |
ToolboxNews Audio | The Mix, Feb 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
Meet Gary ClarkInterview | Music Technology, Jun 1993Scottish band Danny Wilson were led by Gary Clark, who regards his debut solo album Ten Short Songs About Love as his finest work to date. From conception to birth, it was made entirely at home. Phil Ward drops in on the basement studio, and finds both album and proud father doing very well |
The DMC StoryGroup: On The RecordTony Prince & The Disco Mix ClubThe ingenuity and foresight of DJ Tony Prince resulted in the creation of the DMC record label, the hub of the thriving UK dance remixing scene. Wilf Smarties talks to Tony about how and why the label was set up and persuades remixer Phil Kelsey to take us through a typical remix. |
Miami Nice GuyInterview | Sound On Sound, Jan 1988The art of writing music for popular television in the last few years may have been single-handedly redefined by Jan Hammer. His upbeat, rocky soundtracks to the hit TV series 'Miami Vice' (along with a few of the chart hits used in the show) have now produced two albums of instrumental music. Ed Jones finds out how they were done. |
Ian BoddyGroup: On The RecordSpace CadetElectronic music is one area where independent status is the general rule. Ian Boddy is one of the UK's foremost electronic musicians, with a label he set up especially for his own releases. David Hughes gets the full story. |
Hammer Strikes Out!Interview | Electronics & Music Maker, Feb 1986In an exclusive interview, this longstanding keyboard hero and Miami Vice music maestro discusses keyboard technique, and what it’s like to achieve mass recognition after years of obscurity. Annabel Scott takes note. |
Richard Harvey - Part 2Interview Series | Sound International, Feb 1979In which sir Richard loses a band but begins a solo career, and applies his multifarious talents to the world of commercials. He also has a voice like a Nightingale (when the tapes are speeded up sufficiently). All this and more... |
In Praise Of MusicInterview | Music Technology, Jul 1988Q: When is a guitar not a guitar? A: When it's part of David Sylvian's music. Taking time out from a hectic schedule David Torn talks guitar textures and musical crossovers with Tim "pretentious, moi?" Goodyer. |
Keith EmersonInterview | Electronics & Music Maker, May 1983Tracing past to future ventures with one of the world's keyboard greats, including: The first publication of his title music for ‘Inferno’, video and LP reviews and keyboard music to play |
Partners In RhymeInterview | Music Technology, Feb 1992Felton Pilate's success spans "traditional" funk to the rap revolution - just now he's writing, producing and playing keys for Hammer. Nick Batzdorf raps tech with the Hammer man. |
Yamaha MC1604Review | Home & Studio Recording, Feb 1986A mixer that is equally at home on the road and in the studio. |
Korg DRM1Review | Music Technology, Feb 1988Digital Rhythm ModuleIf you've ever wanted to trade some of your drum machine's sequence memory for sound memory, the DRM1 could be the beat box for you. Matt Isaacson sounds it out. |
New Gold DreamInterview | Electronics & Music Maker, May 1986The world's best-known electronic music band have reached a crossroads, with a line-up change, a lengthy concert tour and an uncertain recording future. Annabel Scott talks to them. |
Masters of the UniverseReview | Sound On Sound, Feb 1988Elka Master KeyboardsWith rack expanders forever dropping in price, the concept of one 'master' keyboard capable of controlling all MIDI devices in a system becomes more appealing by the minute. And with the MK88 and MK55, Tony Wride believes Elka have fulfilled the promise of MIDI and produced the ultimate master keyboards, jam-packed with features. |
Mister MIDIInterview | Sound On Sound, Apr 1989Howard Jones was the first keyboard player to successfully exploit the new technology to the full by regularly performing solo concerts with nothing but MIDI instruments as his backing band. In this rare interview, Brian Jacobs talks to Howard about his music, recording, his decision to produce most of his new album himself, and his growing admiration for an instrument he once said he would never use. |
Remote ControlInterview | Phaze 1, Jul 1989brothers patrick and gregory reflect on the pitfalls of early success |
Exorcising GhostsInterview | Music Technology, May 1991The charismatic singer, composer and lyricist rejoins the former members of Japan for their first LP in ten years. Tim Goodyer talks technology, philosophy and improvisation with David Sylvian. |
Inner SpaceInterview | Music Technology, Jun 1992Confronting the "difficult third album" syndrome has presented fewer problems for Inner City mentor Kevin Saunderson than the "more of the same" second album syndrome. Simon Trask discusses musical ideologies, pop trends and advancing technology. |
Dawn of a New AgeInterview | Music Technology, Dec 1986From synth pop to sequencers and back. Two-and-a-half years since they lost graced our front cover, Paul Humphreys and Andy McCluskey tell Tim Goodyer how progress is made, as album number seven hits the streets. |
PA Signal Processor - Part 1Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Aug 1981 |
Emulator IIReview | Electronics & Music Maker, Nov 1984Eight-voice Polyphonic Sampling KeyboardPaul Wiffen goes gaga over E-mu Systems' latest attempt at giving the average keyboard player complete control over the sound sampling process. |
Electro-Music EngineerFeature | Topic: Electronics / Build, Maintenance / Repair / Modification | Electronics & Music Maker, Jul 1982The Taming of the JuiceMains Safety - the Taming of the Juice! |