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Roland S-50 Sampling KeyboardReview | Sound On Sound, Dec 1986Roland's top of the range sampler is the last of those announced at Frankfurt to reach the marketplace, but its 16-note polyphony, 512K memory, and built-in visual editing software could well give it an edge over existing £2000 samplers. Paul Wiffen takes up the case. |
Yamaha SY35Review | Music Technology, Sep 1992Music SynthesizerThe name might not be memorable - how about the synth? |
Ensoniq SQ80Review | Music Technology, Feb 1988Cross Wave SynthesiserThe successor to Ensoniq's popular ESQ1 expands on the sound and sequencing facilities and adds polyphonic aftertouch to the ESQ's spec. Simon Trask goes in search of the performance synthesiser. |
Korg S3Review | Sound On Sound, Jan 1991Rhythm WorkstationWith its synthesizer-like voice editing functions, built-in stereo signal processing, 8-track sequencing and SMPTE sync options, can Korg's new top-of-the-line drum machine justify its title of rhythm workstation? Richard Aaron finds out. |
Ensoniq EPS UpdateReview | Micro Music, Jun/Jul 1989Paul Wiffen takes an exclusive look a Ensoniq's latest offering in the field of sampling |
A Basic Guide To Acoustic Sound SynthesisFeature | Topic: Sound Fundamentals, Synthesis & Sound Design | Sound On Sound, Jun 1988Rudi Cazeaux explores the nature of sound and presents some basic guidelines for synthesizing the various standard groups of acoustic instruments. |
Photographing Sound - Part 1Feature Series | Topic: Sampling | Sound On Sound, Dec 1985The Art of SamplingPart 1: The Art Of Sampling. Keyboard programmer Paul Wiffen offers valuable advice on squeezing the most out of your sampler. |
Totally MusicalReview | Sound On Sound, Jul 1986Software for Apple MacintoshMartin Russ reviews the superbly professional Southworth 'Total Music' software recorder for the Apple Macintosh computer. |
Peavey DPM3Review | Sound On Sound, May 1990Composition CentreAnnounced over a year ago, the all-American DPM3 has finally landed on our shores. Martin Russ takes the wraps off Peavey's much publicised first foray into the hi-tech keyboard market. |
Yamaha REX50Review | Sound On Sound, Feb 1988Martin Russ reveals the hidden features of Yamaha's budget digital multi-effector and explains how it can be coaxed into supplying more than one effect at once. |
Digital Sampler/Delay - Part 3Feature Series | Topic: Electronics / Build | Home & Studio Recording, Apr 1986Part three of this fascinating project from Paul Williams. |
E-Mu Systems EMAXReview | Sound On Sound, Jan 1987Digital sampling keyboardMuch rumour and speculation has surrounded the launch of what Ian Gilby reckons to be the best mid-priced sampling keyboard on the market. So what makes Emax special? Read the UK's first in-depth review and find out. |
Frankfurt: The Final FrontierShow Report | Music Technology, May 1991Following on from last month's pictorial exclusive, this account of Europe's largest hi-tech music exhibition fills in the details. Tim Goodyer files the report. |
ToolboxNews Audio | The Mix, Feb 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
Frankfurt Review - This Year's ModelsShow Report | International Musician & Recording World, Apr 1985A glimpse of the equipment you could well be buying in the forthcoming year |
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