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Incoming DataNews | Music Technology, Feb 1993 |
Analogue Equipment Design - Part 4Feature Series | Topic: Design, Development & Manufacture, Electronics / Build | Home & Studio Recording, Apr 1986Ben Duncan goes on at length... |
Don't get mad get equalGroup: Sound AdviceEQ TutorialPerfecting your sound with a little equalisation |
Survey: 100 Watt AmpsReview | Topic: Buyer's Guide | International Musician & Recording World, May 1975 |
Company Report - YamahaFeature | Topic: Advertisement Feature | One Two Testing, Apr 1985the Yamaha story |
Live End - Part 1Feature Series | Topic: Live | Sound On Sound, May 1993Do It Yourself with National Music Day |
49 Hot Signal Processing TipsFeature | Topic: Effects Processing | Sound On Sound, Jun 1989The more imagination you apply to signal processors, the more you can get out of them. Craig Anderton presents 49 tips that take you beyond stock effects and into new ways of creating your own sonic signature. |
Looking at MicrophonesFeature | Topic: Microphones, Sound Fundamentals | Electronics & Music Maker, Mar 1981 |
The Song Remains the SameFeature | Music Technology, Mar 1989Take four musicians with a love of acoustic instruments, a fascination for high technology and some considerable talent, and you've got Frazier Chorus. Louise Swann and Stephen Hillier listen to songs from the English coast. |
Pumping stationGroup: Control RoomStudiomaster Power House Vision 8Powered mixer with effects |
APRS ReviewGroup: Recording WorldThe cream of the recording equipment from the recent show |
Painter In SoundInterview | Sound On Sound, Aug 1986Best known as a top Flamenco guitarist, Juan Martin has recently released a sensitive album that combines classical guitar with the ethereal textures of Mark Isham's synthesizers. Robin Lumley questions him about this unlikely collaboration and discovers the best ways of miking up classical guitars into the bargain. |
Bass á la modeGroup: Sound AdviceBass modesPerfecting the acoustics of your studio |
Peavey AutographReview | Sound On Sound, Mar 1990MIDI Programmable Graphic Equaliser/Real Time AnalyserThe new Peavey Autograph not only analyses your EQ problems, it fixes them too! David Mellor investigates. |
U2Interview | One Two Testing, Jan 1985can have an Edge like thisThe Edge describes sounds and styles |
Polarity UnveiledFeature | Topic: Maintenance / Repair / Modification, Sound Fundamentals | Home & Studio Recording, Sep 1986Ben Duncan goes through one of his phases... |
The Empire Strikes BackInterview | Music Technology, Oct 1988Who helped make Climie Fisher's single a hit? And the Pet Shop Boys', and Depeche Mode's, and Bananarama's? David Bradwell investigates the latest action in the Stock, Aitken & Waterman production stable. |
PA Signal Processor - Part 1Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Aug 1981 |
Frankfurt Review - This Year's ModelsShow Report | International Musician & Recording World, Apr 1985A glimpse of the equipment you could well be buying in the forthcoming year |
DiscotekFeature | Topic: Electronics / Build, Live | Electronics & Music Maker, Oct 1981Equalisation and metering for disco and stage. |
Soundcraft 200 DeltaReview | Sound On Sound, Nov 1989Modular Mixing ConsoleDoes Soundcraft's new 200 Delta mixer succeed in being all things to all men? David Mellor finds out... |
The Allen & Heath HeadlineFeature | Topic: Design, Development & Manufacture | Sound International, Jun 1979...comes just above the Allen & Heath contents page blurb. Which tells the prospective Allen & Heath reader that on page 57 is Mel Lambert's story of mixer manufacturer Allen & Heath. |
Art Of The StateInterview | Sound On Sound, Oct 1992Instrumental music doesn't sell, the UK dance scene is totally bereft of life, and dance bands never produce decent albums. Wrong, wrong, wrong — and 808 State are back with proof. Nigel Humberstone talked to Manchester's finest during the recording of Gorgeous, their third album. |
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