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ART SGX-LT Multi-Effects

Review | Sound On Sound, Sep 1992
Guitar Multi-Effects Processor

A multi-effects processor for the guitarist who wants instant gratification without all that tedious mucking about in hyperspace? Paul White plugs into the ART SGX-LT.

Post-a-Studio

Review | Electronic Soundmaker & Computer Music, Dec 1984

Rosetti's 12-Channel Studio software for the CBM 64. A comprehensive disc-based package that can turn your MIDI gear into a floppy phenomenon.

Technically Speaking

Feedback | Music Technology, Jun 1993

MIDI - What's Wrong With It ?

Feature | Topic: MIDI | Sound On Sound, Apr 1986

Hybrid Technology's Chris Jordan, designer of the Music 500 Synthesizer for the BBC Micro, speculates on the future of MIDI and what developments it requires to satisfy the needs of more adventurous users and the promise of more advanced technology.

Simmons MTM

Review | Sound On Sound, Jun 1986

'Can you benefit from something that doesn't make a noise?' asks Paul Gilby in his in-depth review of this interesting MIDI trigger device from the pioneers of the electronic drum. It might not generate sounds of its own but this unit certainly makes possible some marvellous effects when MIDI'd up to synthesizers. Check it out.

On Tape

Index Audio | Electronic Soundmaker & Computer Music, Apr 1985

Modular Synthesis - Part 10

Feature Series | Topic: Sequencing, Syncronisation, Synthesis & Sound Design | Electronics & Music Maker, Oct 1984
Using Sequencers with Modular Systems

Steve Howell looks at different methods of triggering modular sequencers from click-tracks on tape.

Cakewalk Professional

Review | Music Technology, Mar 1993
For Windows

Walking into Windows

In Deep

Review | Sound On Sound, Apr 1992
With The Roland JD800

One year after reviewing the instrument that brought back knobs and sliders, Julian Colbeck presents an in-depth user report on Roland's flagship JD800 synthesizer.

Roland AX-1

Review | Music Technology, Apr 1993
MIDI Keyboard Controller

'Walk tall, walk straight and look the world right in the eye' - as Val Doonican once said. Now you can with Roland's portable MIDI keyboard controller, designed for those with a severe case of guitar envy. Nicholas Rowland discusses the angle of the dangle

Hybrid Arts GenPatch

Review | Music Technology, Apr 1988
Software for the Atari ST

A generic patch librarian from a familiar American company. Vic Leonard looks at a convenient way of solving the problems of patch storage and organisation - provided you've got an ST.

Music Maker Equipment Scene

News | Electronics & Music Maker, Jun 1983

New products from the world of music

Modular Synthesis - Part 3

Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Mar 1984
Bass Sounds

Akai S1000

Preview | Music Technology, Oct 1988
Sampler

Akai's popular S900 sampler has appeared on more records and in more studios than you can name. Simon Trask takes an early look at the S900's successor, the 16-bit, 16-voice S1000.

VZ-1

Review | Micro Music, Jan 1990

Peter Fitzpatrick gets to grips with Casio's flagship synth - the VZ-1

Getting the Most from Multi Mode

Feature | Topic: MIDI | Music Technology, Mar 1988
Ensoniq SQ80 & ESQ1 Synthesizers

Frustrated by the limitations of sequencing with MIDI mono mode 4? Simon Trask discusses the benefits of multi mode and investigates its implementation on Ensoniq's SQ80 and ESQ1 synths.

General MIDI

Feature | Topic: MIDI | Sound On Sound, Aug 1993
Who? What? Why? When?

Ibanez Multi-Effects

Review | Electronics & Music Maker, Apr 1984
Ibanez UE400 and UE405

Two versatile effects units that aim to combine the best of both worlds: the flexibility of pedals and the neatness of rack-mounting systems.

Alesis Midiverb

Review | Home & Studio Recording, Apr 1986

An unbelievable digital reverb at an even more unbelievable price.

2D Speaker cable

Review | Recording Musician, Oct 1992

Lexicon MRC

Review | Music Technology, Jun 1993
MIDI FX Controller

Programming Lexicon FX units has never been easier, thanks to this upgraded version of their remote control. And what do you know? Nicholas Rowland, not Top Cat, is the most effectual. Lexicon’s LXP-5 FX module gets the one-over too

Hot licks

Group: Control Room

Review Audio | The Mix, May 1995
JHS Tubeman

Guitar DI/Preamp with wider applications

Crumar Bit One

Review | One Two Testing, Dec 1984

a poly to compare and contrast

Dear PAIA

Feedback | Polyphony, Jul 1976

Patchwork

Feature | Music Technology, Dec 1990

An unusual selection of vocals from the Masterbits Climax Collection sample CD and a bargain collection for TX81Z/DX100 from Emis are the sounds featured in this month's Patchwork.

 

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