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All For One And One For AllFeature | Topic: Synthesis & Sound Design, Vintage Instruments | Music Technology, Jun 1993Looking for the hardest, heaviest, thickest and fattest analogue synth line? Strictly monophonic? Step this way, because Peter Forrest is about to unveil his unique guide to the analogue synthesiser’s unique feature: Unison Mode, in which all the oscillators gang together and hit you over the head |
15 Fab Software TipsFeature | Topic: Recording, Sequencing, Syncronisation | Sound On Sound, Jul 1993 |
Kawai K3Review | Sound On Sound, Dec 1986Digital Wave Memory SynthesizerA digital wave memory synthesizer to be precise. Kawai may well be the world's largest supplier of acoustic pianos but does their forte also lie in the hi-tech field? Mark Jenkins investigates. |
Making More of your Ensoniq ESQ1Feature | Topic: Synthesis & Sound Design | Sound On Sound, Mar 1989Want to add multi-mode filtering, additive synthesis, three extra envelopes, microtonal and fixed frequency tunings, and eight independent effects units to your Ensoniq ESQ1 or SQ80, without invalidating your warranty? Greg Truckell reveals how... |
K-KlassReview | Sound On Sound, Oct 1993Kawai K11 Keyboard SynthThe ever-popular K1 has been the mainstay of many a hi-tech musician's keyboard armoury, but will this 32-note polysynth follow in its footsteps? |
PatchworkFeature | Topic: Synthesizer Patches | Music Technology, Oct 1988Optical Media International Universe of Sounds Vol 3 for Emax, DPX1 and Emulator II joins our regular selection of readers' own synthesiser patches in MT's regular Patchwork column. |
Sequential Prophet VSReview | International Musician & Recording World, Aug 1986SynthcheckFingers on the joystick. Tony Mills at the controls |
Love BytesReview | Electronic Soundmaker & Computer Music, Dec 1984Bit OneThe stunning Bit One Poly - Keyboard split and layer, with separate memory access, and the kind of facilities you would expect to find on a machine costing three or four times as much... our reviewer is seduced... |
Get It Out Of Your System - Part 2Feature Series | Topic: Home Studio | Home & Studio Recording, Apr 1986The concluding part of our short series on studio wiring based around the Fostex B16. |
Amiga NotesFeature | Topic: Computing | Sound On Sound, May 1993 |
Dear PAIAFeedback | Topic: Synthesis & Sound Design | Polyphony, Feb 1976 |
Book ReviewsReview | Electronics & Music Maker, Aug 1981 |
Roland JV-1000Group: Quality ControlMusic workstationKeyboard-driven control |
As Easy As EZEReview | Sound On Sound, May 1990Ensoniq EPS Sample EditorPerhaps its because the auto-looping functions on Ensoniq's EPS sampler are so effective that computer-based sample editing software for the machine is so thin on the ground? Matthew Newman checks out Gelva Software's first offering. |
Fourth ProtocolGroup: Control RoomAlesis Midiverb 4The reverb that never dies |
Yamaha MEP4 ProcessorReview | Electronics & Music Maker, Jun 1986Simon Trask somehow finds time to examine the most sophisticated MIDI event processor of the lot. Are its facilities usable? |
Digital DanceReview | Electronics & Music Maker, Mar 1986Lexicon PCM70Paul White gets to grips with the first digital reverb to be fully touch-sensitive over MIDI, and finds it throws a whole load of additional effects into the bargain. |
Roland JX-10Review | International Musician & Recording World, Jun 1986SynthCheckAn analogue synth with a hefty price tag has to have a pretty good excuse these days. Jim Betteridge believes this one has |
Music PakReview | Micro Music, Apr/May 1989Everything a PC owner needs to set up in sequencing or or just an entry level package that leaves you wanting more? |
The Numbers GameEditorial | Music Technology, Dec 1987Pick a number, any number... With modern equipment sounding more and more like car number plates and less and less like instruments, it could be time to return to naming gear rather than numbering it. |
Geerdes D-Series EditorReview | Music Technology, Mar 1992If you're using one of Roland's D-series synths (or an MT32) and you're tired of doing battle with its programming system, this ST editor/librarian can help. Gordon Reid goes soft on his D5. |
Oberheim Systemizer MIDI Performance EffectReview | Music Technology, Apr 1989If your master keyboard is not living up to its name, Oberheim's Systemizer may provide it with the MIDI performance features you need. Simon Trask gets into the system. |