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Advanced Gravis Ultrasound

Review | Sound On Sound, Mar 1993
Multimedia PC Sound Card

All For One And One For All

Feature | Topic: Synthesis & Sound Design, Vintage Instruments | Music Technology, Jun 1993

Looking for the hardest, heaviest, thickest and fattest analogue synth line? Strictly monophonic? Step this way, because Peter Forrest is about to unveil his unique guide to the analogue synthesiser’s unique feature: Unison Mode, in which all the oscillators gang together and hit you over the head

CM Automation

Review | Music Technology, Nov 1992

New fast automatic knob twiddling

15 Fab Software Tips

Feature | Topic: Recording, Sequencing, Syncronisation | Sound On Sound, Jul 1993

Kawai K3

Review | Sound On Sound, Dec 1986
Digital Wave Memory Synthesizer

A digital wave memory synthesizer to be precise. Kawai may well be the world's largest supplier of acoustic pianos but does their forte also lie in the hi-tech field? Mark Jenkins investigates.

Making More of your Ensoniq ESQ1

Feature | Topic: Synthesis & Sound Design | Sound On Sound, Mar 1989

Want to add multi-mode filtering, additive synthesis, three extra envelopes, microtonal and fixed frequency tunings, and eight independent effects units to your Ensoniq ESQ1 or SQ80, without invalidating your warranty? Greg Truckell reveals how...

K-Klass

Review | Sound On Sound, Oct 1993
Kawai K11 Keyboard Synth

The ever-popular K1 has been the mainstay of many a hi-tech musician's keyboard armoury, but will this 32-note polysynth follow in its footsteps?

Patchwork

Feature | Topic: Synthesizer Patches | Music Technology, Oct 1988

Optical Media International Universe of Sounds Vol 3 for Emax, DPX1 and Emulator II joins our regular selection of readers' own synthesiser patches in MT's regular Patchwork column.

Sequential Prophet VS

Review | International Musician & Recording World, Aug 1986
Synthcheck

Fingers on the joystick. Tony Mills at the controls

Love Bytes

Review | Electronic Soundmaker & Computer Music, Dec 1984
Bit One

The stunning Bit One Poly - Keyboard split and layer, with separate memory access, and the kind of facilities you would expect to find on a machine costing three or four times as much... our reviewer is seduced...

Get It Out Of Your System - Part 2

Feature Series | Topic: Home Studio | Home & Studio Recording, Apr 1986

The concluding part of our short series on studio wiring based around the Fostex B16.

Amiga Notes

Feature | Topic: Computing | Sound On Sound, May 1993

Dear PAIA

Feedback | Topic: Synthesis & Sound Design | Polyphony, Feb 1976

The Black Magic Box

Review | Sound On Sound, Oct 1993
Boss Pro SE70 Super Effects Processor

Book Reviews

Review | Electronics & Music Maker, Aug 1981

Roland JV-1000

Group: Quality Control

Review | Music Technology, Oct 1993
Music workstation

Keyboard-driven control

As Easy As EZE

Review | Sound On Sound, May 1990
Ensoniq EPS Sample Editor

Perhaps its because the auto-looping functions on Ensoniq's EPS sampler are so effective that computer-based sample editing software for the machine is so thin on the ground? Matthew Newman checks out Gelva Software's first offering.

Fourth Protocol

Group: Control Room

Review | The Mix, Mar 1995
Alesis Midiverb 4

The reverb that never dies

Yamaha MEP4 Processor

Review | Electronics & Music Maker, Jun 1986

Simon Trask somehow finds time to examine the most sophisticated MIDI event processor of the lot. Are its facilities usable?

Digital Dance

Review | Electronics & Music Maker, Mar 1986
Lexicon PCM70

Paul White gets to grips with the first digital reverb to be fully touch-sensitive over MIDI, and finds it throws a whole load of additional effects into the bargain.

Roland JX-10

Review | International Musician & Recording World, Jun 1986
SynthCheck

An analogue synth with a hefty price tag has to have a pretty good excuse these days. Jim Betteridge believes this one has

Music Pak

Review | Micro Music, Apr/May 1989

Everything a PC owner needs to set up in sequencing or or just an entry level package that leaves you wanting more?

The Numbers Game

Editorial | Music Technology, Dec 1987

Pick a number, any number... With modern equipment sounding more and more like car number plates and less and less like instruments, it could be time to return to naming gear rather than numbering it.

Geerdes D-Series Editor

Review | Music Technology, Mar 1992

If you're using one of Roland's D-series synths (or an MT32) and you're tired of doing battle with its programming system, this ST editor/librarian can help. Gordon Reid goes soft on his D5.

Oberheim Systemizer MIDI Performance Effect

Review | Music Technology, Apr 1989

If your master keyboard is not living up to its name, Oberheim's Systemizer may provide it with the MIDI performance features you need. Simon Trask gets into the system.

 

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