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Xpand Your HorizonsReview | Electronic Soundmaker & Computer Music, Oct 1984We review the new Oberheim Xpander in conjunction with the Oberheim Performance System. |
Simmons MTMReview | International Musician & Recording World, Feb 1986RhythmCheckFuture perfect and future possibilities. Bob Henrit on Simmons' new trigger unit |
Music Maker Equipment SceneNews | Electronics & Music Maker, Oct 1982 |
WorkbenchFeature | Topic: Electronics / Build, Maintenance / Repair / Modification | International Musician & Recording World, Dec 1986Modifying The MidiverbPhil 'D.I.Y., Cap'n, but the engines canna take it' Walsh with a mod to turn your Midiverb into a great live tool |
Track Record: Rain or ShineGroup: Recording WorldRomford's finest get the Jim Betteridge treatment. The soul heart of Rain Or Shine laid bare! |
Simmons SPM8:2Review | Home & Studio Recording, May 1987MIDI Programmable MixerA programmable mixer that will find a good home in a home studio. |
Novation MM10Review | Sound On Sound, Jun 1992Portable Midi Master KeyboardPaul Ireson gets to grips with a mini master keyboard that's just right for QY10 users. |
Build a Modular VocoderFeature | Topic: Effects Processing, Electronics / Build | Polyphony, Sep/Oct 1978 |
Millioniser 2000Review | International Musician & Recording World, Mar 1985SynthcheckThe most revolutionary instrument since the Stylophone. Review by Curtis Schwartz |
Roland MT32Review | Music Technology, Oct 1987Multitimbral Synth ExpanderThe latest box out of the Roland stable to incorporate the D50's L/A synthesis. Simon Trask examines how a multitimbral expander designed with the home organ market in mind will find its way into pro studios. |
Licensed To ThrillReview | Recording Musician, Nov 1992Roland GR1 Guitar SynthesizerWhat the world needs is a guitar synth that sounds good and behaves predictably. Does Roland's latest model pass the test? |
Remote ControlReview | Electronics & Music Maker, May 1986Oberheim XkOberheim's first master keyboard has a load of clever facilities, but a price-tag high enough to give it some stiff competition. Simon Trask files his report. |
Master Tracks JuniorReview | Music Technology, Jun 1988Software for the Atari STA powerful sequencer for a less than overpowering price? Simon "loadsamidi" Trask discovers the slimmed-down version of Master Tracks Pro might just be Passport's passport to mass popularity. |
Proteus Classical MIDI Song FilesGroup: Widgets |
Opcode Galaxy Plus EditorsReview | Sound On Sound, Oct 1991Tell your Mac what it's hooked up to! Save the contents of all your MIDI devices with one mouse movement! Edit 47 different devices from the comfort of your armchair! Kendall Wrightson examines Opcode's new Mac system software and the latest in editor/librarians. |
A&HB CMC 24 MixerGroup: Recording WorldStudio TestThe ultimate mixer for the semi pro? Tony Mills gets to grips with the computerised AHB CMC 24 |
The feelgood factorGroup: Control RoomRoland XP-50Well-equipped new workstation |
Hollis Research TrackmanReview | Music Technology, Mar 1989Software for the Atari STA new sequencer program for the Atari ST from British company Hollis Research sets out to be powerful and friendly without breaking the bank. Ian Waugh reckons it's on the right track (man). |
Kawai Q80Review | Music Technology, Nov 1988MIDI SequencerAs software writers continue to flood the market with sequencing packages, Kawai go dedicated. Dave Bertovic investigates the hardware alternative. |
Dial-A-DreamReview | Sound On Sound, Mar 1986Roland Alpha Juno-1If you're not an FM fan, but are looking for a low-cost polysynth that can double as a MIDI expander, you won't need to look further than Roland's new Alpha Juno-1 according to Mark Jenkins. |
Painting by numbersGroup: Control RoomRoland SC88 Sound CanvasMost powerful Canvas yet |
U Got The LookReview | Sound On Sound, Aug 1989Roland U20 KeyboardIs the U20 just a revamped U110 with a keyboard or does it have what it takes to de-throne the Korg M1? Paul Ireson finds out. |