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Roland Alpha Juno 1Review | One Two Testing, Feb 1986 |
Roland D70Review | Sound On Sound, Jul 1990Super LA SynthesizerThe D50 was never going to be an easy act to follow, but a successor to the title of Roland's flagship has now arrived. Richard Lamont puts it to the test. |
Space... The Final FrontierReview | Sound On Sound, Aug 1993Roland SRV330 Dimensional Space ReverbCan Roland's latest gizmo really add another dimension to your recordings? |
Roland U110 Sample PlayerReview | Sound On Sound, Jan 1989Do you like sampled instrument sounds, but hate all of that tedious disk loading, looping and general messing about? Then you'll love Roland's new U110 sample player. Paul Ireson takes it for a spin. |
Akai MX76Review | Music Technology, May 1989MIDI Master KeyboardAkai's new MIDI master keyboard boasts a weighted six-octave keyboard and new terminology for its features. Simon Trask decides MIDI control is more than a simple matter of feel. |
Yamaha DD11Review | Music Technology, Nov 1990Digital DrumsIntriguing cries of "hit me" from the recording studio have been traced to Yamaha's new DD11 percussion controller. Simon Trask asks, can it be beaten? |
Alesis Data FilerReview | Music Technology, Jan 1990ALESIS DATADISK MIDI Data RecorderThe latest MIDI data recorder to appear is the Alesis Datafiler SysEx recorder, which allows you to record system exclusive info direct to disk. Filing with Vic Lennard. |
Space - the Final FrontierReview | Home & Studio Recording, Oct 1985Roland SRV2000 ReverberatorRoland's first digital reverb unit is all set to make a huge impact on the market. |
Dream sequences - Part 2Group: Sound AdviceMore sequencing tips |
Roland System 100MFeature | Topic: Vintage Instruments | Electronics & Music Maker, Mar 1984A personal look at one of the few modular synths available by Ian Boddy who examines, in depth, the systems capabilities. |
Stepping OutInterview | Music Technology, Jan 1987What do you get when you cross brilliant musicianship, technological wizardry and one of the brightest line-ups in modern jazz? Answer: Steps Ahead. Interview by Liz Rose and Leslie Fradkin. |
It's All Done By Planning - Part 1Feature Series | Topic: Home Studio | Home & Studio Recording, Jul 1985A first hand report on the trials and joys of setting up your own electronic music studio.Steve Howell reveals the inner secrets behind the planning stage of your home studio. |
The Sound of the VoiceReview | Electronics & Music Maker, May 1986Korg DVP1 VocoderKorg's Digital Voice Processor is the first digital vocoder, but offers a number of other facilities as well. Tim Goodyer finds out what it has to say for itself. |
The InnovatorReview | Electronic Soundmaker & Computer Music, Mar 1985Roland JX8PRoland's JX8P poly has a number of innovatory features and sounds great. Too good to be true? |
Elka CR99Review | Music Technology, May 1989MIDI Disk RecorderMeanwhile, Elka have called their CR99 a MIDI Disk Recorder rather than a MIDI sequencer. Vic Lennard goes on record with a MIDI sequencer with a few surprises up its sleeve. |
What A Performer!Review | Sound On Sound, Oct 1990Performer 3.5Following hot on the heels of their MIDI Time Piece, Mark of the Unicorn release a major upgrade to Performer, the world's first 'professional' computer MIDI sequencer. Kendall Wrightson looks at what's new in an old favourite. |
Digidesign TurbosynthReview | Music Technology, Sep 1988Synthesis SoftwareCAD meets synthesis inside the Apple Mac. Robert Rich fires up a program that allows you to design your sounds on computer before transferring them to your sampler. |
Rhodes Model 660 & 760Review | Music Technology, May 1990RS-PCM KeyboardsResponding to the demand for accessible synthesisers, Roland's Rhodes division has come up with the first of a series of "playable" instruments. Simon Trask checks their performance. |
Boss DE-200 Digital DelayReview | Electronics & Music Maker, Feb 1984A look at the latest in digital delay - that can be triggered by rhythm machine. |
Test TonesFeature | Topic: Maintenance / Repair / Modification, Recording | Home & Studio Recording, Apr 1984How to line up your mixer and recorder for improved recordings. |
Digigram MC5 ComposerReview | Music Technology, Oct 1987Tired of scoring out your music by hand? Simon Trask investigates a computerised alternative and discovers it may try to muscle in on the composition. |
Two's CompanyReview | Recording Musician, Sep 1992TG100 and Boss DS330 Dr SynthGeneral MIDI sound modules from Boss and Yamaha, combining ease of use and low cost with impressive sounds. |
More than Meets the EyeReview | Home & Studio Recording, Sep 1986Alesis MidifexNow it can be told. This deceptively simple box of delay and reverb effects heralds a new era in push-button production treatments. |
Six To A DozenReview | Electronics & Music Maker, Jan 1986Oberheim Matrix 6A six-voice version Matrix 12 for £1700? Yes, it’s true. Oberheim’s polysynth for the masses gets a rapturous welcome from a penniless Simon Trask. |