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Ibanez SDR1000+Review | Music Technology, Oct 1987Digital ReverbDigital reverberation continues its advance. Simon Trask puzzles over a unit that combines improved facilities and a lower price tag than its predecessor. |
Casio VZ8MReview | Music Technology, Oct 1989iPD Synth ExpanderThe VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation. |
360 Systems' MIDI BassReview | Home & Studio Recording, Sep 1986Studio bass sounds from keyboard or sequencer with this miniature master of multi-sampling. |
Slavery DaysReview | Electronic Soundmaker & Computer Music, Jun 1985Siel EX80Siel's new expander based on the DK80 synth. |
Ian AndersonInterview | Home & Studio Recording, Nov 1983Jethro Tull’s leading light opens the door to his new ‘home studio’. |
Graphically YoursReview | Electronics & Music Maker, Aug 1985It's now some 18 months since the company first produced MIDI software for home micros, and now SIEL have come up with two of their most attractive packages yet. Trish McGrath has the details. |
Ibanez Dual Digital ReverbReview | Sound On Sound, Sep 1986Ibanez are late entrants to the fast-moving field of digital reverb products, but their new SDR 1000 unit has something different about it that caught the eye of reviewer Mark Jenkins. Read the review to find out what... |
The Jupiter LegacyRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Feb 1990Not only did Roland's Super Jupiter make a worthy replacement for the Jupiter 8, it is still a sought-after instrument today, as Steve Howell is happy to report. |
Ensoniq SQ80Review | Music Technology, Feb 1988Cross Wave SynthesiserThe successor to Ensoniq's popular ESQ1 expands on the sound and sequencing facilities and adds polyphonic aftertouch to the ESQ's spec. Simon Trask goes in search of the performance synthesiser. |
Quinsoft Quadraverb ToolkitReview | Music Technology, Jun 1992Atari ST SoftwareWith software synth editors challenging the instruments' own front panels for attention, Quinsoft have brought the popular Alesis Quadraverb an editor of its own. Ian Waugh looks in on the Quaddy. |
Casio CZ3000 - The Obvious Solution?Review | Sound On Sound, Apr 1986Mark Jenkins reports on this recent addition to the popular CZ range of polysynths and suggests that the Phase Distortion synthesis it employs could well be the answer for those of you caught in the 'analogue versus digital' dilemma. |
Readers' SystemsFeature | Topic: Home Studio | Home & Studio Recording, Nov 1986From SOS to 8-trackAnother chance to see who bought what, why they bought it and how pleased they are now that it's too late to send it back. |
Absolute PrecisionReview | Electronic Soundmaker & Computer Music, Jul 1985UMI-2BSequencing interface for the BBC |
Modular Synthesis - Part 7Feature Series | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Jul 1984Vocal EffectsThe sound of the human voice is one of the most difficult acoustic tones to reproduce electronically, but reading Steve Howell's step-by-step guide should set you on the right track. |
Enhancing Your Roland MT32Feature | Topic: Synthesis & Sound Design | Sound On Sound, Apr 1988By combining plenty of different sounds with the built-in percussion voices and digital reverb, Roland's MT32 multitimbral expander makes the ideal add-on for any sequencer. But it really takes a software editing program to get the very best out of it. Brian Howarth shows you how. |
Anatek Pocket FXReview | Music Technology, Aug 1989Pocket Filter, Pedal & MergeWhat's the size of a fag pocket, comes in enough varieties to ease almost any studio problem and isn't covered by British drug laws? Vic Lennard investigates a new line in MIDI effects. |
Light FantasticReview | Sound On Sound, Oct 1990XRI Systems XRL8 MIDILiteBest known for their SMPTE synchronisers and MIDI patch bays, XRI Systems have entered the growing field of MIDI controlled lighting with the compact XRL8 MIDILite. Kendall Wrightson seeks illumination. |
LA Audio Multi GateReview | Sound On Sound, Feb 1992Zenon Schoepe gets to grips with this 16-channel MIDI controllable gate/mute processor. |
Sounding OffOpinion | Sound On Sound, Feb 1989Countdown To The Music NetworkDeputy Editor Paul Gilby reveals what this magazine will be doing on The Music Network - Europe’s brand new computer communications system for musicians and the music industry. Read all about it! |