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Casio HZ-600 synthesizerReview | Sound On Sound, Oct 1987Looking for a low-cost introduction to synthesis? With its simplified programming method and variant on the Phase Distortion sound, Casio's latest 8-voice, splittable, polysynth could well prove the ideal first choice. Mark Badger explores... |
Roland MT32Group: News and Reviewsthe multi timbral, multi talented, multi something else synth module that gives you an eight track in your hotel room, says Alastair Gavin (a hotelier). |
Armadillo A616 SamplerReview | Music Technology, Jul 1990Still largely neglected by the software houses, the Acorn Archimedes is the host machine for the Armadillo sampler. Vic Lennard investigates a powerful sampling package for a powerful computer. |
Korg WavestationReview | Music Technology, Sep 1990Advanced Vector SynthesiserIn their days at the top, Sequential pioneered an exciting form of sound generation called Vector Synthesis. Simon Trask witnesses its revival in Korg's Wavestation. |
EditorialEditorial | Polyphony, Feb 1976 |
What's NewNews | Home & Studio Recording, Mar 1985News of Yamaha's MT44D system amongst other products. |
Digidesign TurbosynthReview | Sound On Sound, Dec 1988The Return of the Modular SynthesizerDigidesign continue to add to their innovative range of synthesis programs which use the flexibility of computers for sound creation and the hardware of MIDI samplers to replay the sounds. Paul Wiffen finds he loves the former but hates the latter. |
Advanced Music SynthesisFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Oct 1983Envelope Generators - Part 2 |
Pearl PM-66 Programmable MixerReview | Home & Studio Recording, Dec 1983 |
Opcode VisionReview | Sound On Sound, Oct 1989Does Opcode's new Macintosh sequencer have what it takes to oust 'Performer' from the sequencer king's throne? Mike Collins enjoys finding out... |
Retro-SamplingFeature | Topic: Sampling | Sound On Sound, Apr 1992Sampling Classic Electro SoundsNothing seems to be more demanding of a sampler than the sound of the bass drum on a TR808 drum machine. Why should a piece of primitive retro-tech pose problems for so many respectable and apparently ultimate quality machines? Wilf Smarties explains. |
The Trackman ComethReview | Micro Music, Aug/Sep 1989Dave Reed finds happiness in the Channel Islands thanks to the Trackman sequencer for the ST |
Science and the Six StringFeature | One Two Testing, Dec 1982The Story of the Guitar SynthLearn the history of the guitar synthesiser and what the stars think of them. |
Making The Most Of Your Kawai K1Feature | Topic: Synthesis & Sound Design | Sound On Sound, Feb 1990How would you like to hear a filter sweep, or digital delay effects, coming from your Kawai K1? Greg Truckell looks at how to make a K1 do six impossible things before breakfast. |
Professional ExcellenceReview | Sound On Sound, Jun 1992Korg 01/W Pro and Pro X WorkstationsThe latest keyboards in the Korg dynasty offer a little more than remade and remodelled technology. Julian Colbeck experiences Korg's sonic edge. |
Guide to Electronic Music TechniquesFeature Audio | Topic: Synthesis & Sound Design | Electronics & Music Maker, Mar 1981 |
Teac A-3440Feature | Home & Studio Recording, May 19854 Channel Multitrack Tape DeckNow it can be told. Martin Sheehan tells reporters of his secret life with a Teac A3440. |
Talking MIDI - Part 6Feature Series | Topic: MIDI | Sound On Sound, Jun 1986Part 6. Resident software specialist Jay Chapman clears up some misleading terminology first, then moves on to relate how the MIDI protocol organises such matters as Program Changes in those humble synthesizers we all take for granted. |