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The Dynamic DuoReview | Sound On Sound, Feb 1986Yamaha smash new price barriers with their latest FM synths - the DX100 and DX27. Mark Jenkins assesses their performance as stand-alone keyboards and as compact MIDI expanders. |
EditorialEditorial | Electronics & Music Maker, Oct 1983 |
Decisions, DecisionsFeature | Music Technology, Jul 1987Should You Upgrade from a DX7 to a DX7II?If you already own a Mk1 DX7, you're now faced with an agonising dilemma: do you risk everything and chop it on for the MkII model? Howard Massey weighs up the pros and cons of taking the plunge. |
Big KReview | Electronic Soundmaker & Computer Music, Oct 1984The Siel SystemA detailed look at Siel's new DK600 keyboard Interface, and Expander. |
Signal Processors... Meet MIDIFeature | Topic: Effects Processing, MIDI | Sound On Sound, Jul 1991Signal processor control is one of MIDI's less well-known applications yet it offers enormous scope for the imaginative user. Craig Anderton is your guide... |
Masters of the UniverseReview | Sound On Sound, Feb 1988Elka Master KeyboardsWith rack expanders forever dropping in price, the concept of one 'master' keyboard capable of controlling all MIDI devices in a system becomes more appealing by the minute. And with the MK88 and MK55, Tony Wride believes Elka have fulfilled the promise of MIDI and produced the ultimate master keyboards, jam-packed with features. |
Music Modules for NON-KeyboardistsFeature | Topic: Effects Processing, Synthesis & Sound Design | Polyphony, Apr/May 1978 |
Sonic ZoomReview | Recording Musician, Dec 1992Zoom 9120 Advanced Sound Environment ProcessorFrom the company that brought you effects units you could wear, comes a very serious reverb processor — that you can't wear! |
Dr.T XorReview | Sound On Sound, Nov 1989System Exclusive OrchestratorIf you have a large number of disorganised patches and an unruly MIDI network, then Xor is made for you. It is designed to make sound management and working with MIDI instruments easier. Martin Russ finds out if the claims are true. |
King Korg and the Wave Monster!Review | Sound On Sound, Aug 1990Korg WavestationKorg's new Wavestation is a direct descendant of Sequential's long-gone vs synthesizer, but as Paul Ireson discovers, it has plenty of new tricks up its sleeve to complement the old ones. |
Soundtracs Solo MIDI Mixing ConsoleReview | Recording Musician, Jul 1992Not so much a budget console as a professional mixing desk at a surprisingly low price. |
Axxess MIDI Mapper 2.0Review | Music Technology, May 1988MIDI ProcessorThis American MIDI processor is possibly the most sophisticated processor currently on the market. Matt Isaacson tries out its bewildering array of facilities. |
Roland MT-32Review | Sound On Sound, Sep 1987Multi-Timbral ExpanderHot foot from the BMF, hard-working Martin Russ brings us his review of this innocent-looking multitimbral LA expander which packs many of the features of Roland's D-50 synthesizer, including onboard digital reverb, but with the added bonus of 28 sampled drum sounds! |
360 Systems MIDIMerge+Review | Music Technology, Jun 1987Rick Davies casts an eye on the latest box from a company that seems to specialise in designing useful, rack-mounting MIDI processors. |
Dave Stewart's Music Seminar - Part 10Feature Series | Topic: Music Theory | Sound On Sound, Apr 1991No RhythmPart 10: No rhythm. Dave Stewart explains ways of making music Without That Insistent Backbeat. |
A Day in the Life of a MIDI StudioFeature | Topic: Recording Studios | Sound On Sound, Dec 1987Ever wondered what goes on in a commercial 16-track studio once the red light comes on? Roger Jackson of West Coast Music reveals all... |
Roland R8MReview | Music Technology, Apr 1990Total Percussion Sound ModuleFrom the R8 Human Rhythm Composer comes the Total Percussion Sound Module "humanising' without a sequencer? Simon Trask investigates Roland's latest beat box and a selection of sound cards. |
Prophet T8Review | Electronics & Music Maker, Dec 1983Touch-Sensitive Polyphonic SynthesiserThe new Sequential Circuits touch sensitive programmable poly synth |
Mister MemoryRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Jan 1989MemorymoogIntended to be their finest moment, Moog's "ultimate" polysynth proved problematic and unreliable - yet it won many devotees. Steve Howell recalls the sound of analogue. |
Yamaha D1500 MIDI Digital DelayReview | Home & Studio Recording, Nov 1984 |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Jun 1986Editing PackagesTony Mills on sequencing and editing software for the C64 and Atari 520 ST micros |
Roland CD5Review | Music Technology, May 1989CD ROM PlayerExpensive it maybe, but CD ROM storage is one way of making a sampler a much more powerful instrument. And if you're using a Roland S550, it may not be as expensive as you think, as Simon Trask discovers. |
Yamaha versus RolandGroup: EffectsYamaha SB200, Roland SCC700 effects boards |