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Inside Frippertronics

Interview | Sound On Sound, Dec 1993
Robert Fripp Lays Bare His Legendary Effects Rack

A rare interview with this virtuoso King Crimson guitarist and much admired 'guest soloist'.

System Exclusive Dumps

Feature | Topic: MIDI | Sound On Sound, Mar 1988

The mysteries of SysEx are revealed. Martin Russ discovers that there may be more to that disk drive in your latest acquisition than you thought...

Total recall - Part 20

Feature Series Audio | Topic: Vintage Instruments | The Mix, May 1995
Vintage technology strikes back

...Including The A-Z of Analogue

Roland S750 Sampler

Review | Music Technology, Dec 1991
Stereo Digital Sampler

If Roland's S770 super sampler presented too high a target for many of us, the S750 may be the news we've been waiting for. Simon Trask investigates the challenger to the Akai S1000 crown.

Editorial

Editorial | Polyphony, Jul/Aug 1978
HELP US GROW!

MIDIsoft Studio

Review | Music Technology, Nov 1988
Software for the Atari ST

This new Atari ST sequencing software package from America combines affordability with flexibility. Simon Trask applies the soft touch.

Casio CZ5000

Review | Electronics & Music Maker, Jun 1985
Programmable Phase Distortion Polysynth with Sequencer

Continuing their fight for pro keyboard acceptance, Casio double the CZ1000's voices and throw in a multitrack sequencer for good measure. Simon Trask casts a critical eye over the results.

Casiotone VL1

Group: Synth Special

Review | One Two Testing, Nov 1982
Mini monophonic synth with sequencer, rhythm machine and calculator

Allen & Heath Spectrum

Review | Sound On Sound, Mar 1991

With on-board midi mute automation, six auxiliaries, 16 inputs and 16 monitors, Allen & Heath's new pint-sized Saber looks set to emulate the success of its larger brethren. Dave Lockwood checks it out.

Ensoniq EPSm

Review | Sound On Sound, Jun 1989
Rack-Mount Sampler/Sequencer

A rack-mount version of the EPS was something Ensoniq swore they would never produce, but they have finally bowed to public pressure. Paul Wiffen looks at the extra memory, extra outputs and SCSI applications, and concludes it has been worth the wait.

Coping With Hair Loss The Pop Star Way

Feature | Topic: Humour, Marketing / Promotion | Making Music, Jan 1987
Brave Brave Baldies

Famous rock star people will go a long way to conceal their gleaming domes. These are the tricks, follicle fans.

Control freak

Group: Control Room

Review | The Mix, Dec 1994
Lexicon Reflex

MIDI controllable reverb

Korg DS8 Digital Synthesizer

Review | Sound On Sound, Mar 1987

Korg's very latest keyboard is non other than a touch-sensitive, sub-£1000, 8-voice FM synthesizer! Mark Jenkins managed to catch a sneak preview.

Real Time MIDI

Feature | Topic: MIDI | Music Technology, May 1989

MIDI is more than a means of sending note data to a couple of synths and changing settings on a reverb unit. Ernie Tello looks into the real-time applications of MIDI.

Yamaha TX802

Review | Sound On Sound, Sep 1987
The Multi-Instrumentalist

Taking over where the TX816 left off, this DX7II in a rack is the very latest in a long line of powerful FM synth expanders. Mark Badger puts it in perspective.

Yamaha SPX90 Multi-Effect Processor

Review | Electronics & Music Maker, Mar 1986

Yamaha's rack effects box to end all rack effects boxes. Tim Goodyer finds out why you might want two.

Studio Focus

Feature | Topic: Recording Studios | Electronics & Music Maker, Jul 1983
Pyramid

Pyramid 8-track studio

Yamaha MT-44D

Group: Recording World

Review | International Musician & Recording World, Jun 1985
Studio Test

Yamaha four-track cassette system — the sequel. The new, improved, updated, portastudio package, now with added Curtis Schwartz

Cadenza For Windows

Review | Music Technology, Aug 1992
IBM PC Software

Play solo on the PC.

Roland GR-500

Group: Guitar Synthesisers

Review | Sound International, Dec 1978

Steve Hackett and Paddy Kingsland set out to test the merits and demerits of the Roland GR-500 and ARP Avatar. Synthesise watches, lads.

A Beginner's Guide to Korg's AI Synthesis

Feature | Topic: Synthesis & Sound Design | Sound On Sound, Apr 1990

Phil South examines the ins and outs of programming various aspects of AI synthesis, as used in Korg's 'M' and 'T' ranges of synthesizers.

Cadenza

Review | Sound On Sound, May 1992
The Graphic Sequencer

PC music software still has to come some way to catch up with that for the Atari and Mac, but good, graphic, sequencer programs like Cadenza are a big step in the right direction. Peter Cudmore takes a closer look.

Practically FM - Part 3

Feature Series | Topic: Synthesis & Sound Design | Sound On Sound, Jul 1988

Part 3 of our series for FM synth owners, in which Martin Russ attempts to give away even more secrets of FM programming. Operators at the ready!

Frontal Lobe & PCM Channel

Review | Music Technology, Apr 1991
Korg M1 Enhancement

Much talked about in the US but still unavailable in the UK, Cannon's Frontal Lobe promises a new lease of life for your Korg M1. Gordon Reid asks "does it deliver?"

MIDI SOFT

Feature | Topic: Computing | Sound On Sound, Feb 1986

Ian Waugh makes a global search of the UK MIDI software scene and presents this roundup of what is available and from whom.

 

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