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Double TakeReview | Electronic Soundmaker & Computer Music, Aug 1985SDD-2000Korg's sampling digital delay |
Ibanez SDR1000 Digital ReverbReview | Electronics & Music Maker, Sep 1986Latest digital reverb from a company that's been making outboard effects gear longer than most. Paul White gives his first impressions. |
Editing on the Model 64Feature | Topic: Computing, Sequencing | Electronics & Music Maker, Jun 1984A simple program that extends the on-screen editing facilities of SCI's MIDI sequencer, with a description by the author, Billy Cowie. |
Industry Profile: Roland (UK) LtdFeature Audio | Topic: Design, Development & Manufacture | Electronics & Music Maker, Nov 1981 |
Oberheim Matrix 12Review | Electronics & Music Maker, Jun 1985Programmable 12-Voice Multi-timbral PolysynthThe world's most awesome analogue polysynth finally gets the attention it deserves, as Simon Trask finds out just what you can do with two Xpanders and a row of black-and-white keys. |
GriefFeedback | Music Technology, Oct 1993Everything you ever wanted to know about anything, but were afraid to ask... |
Oliver's armyGroup: Mixing It! |
The Production CentreReview | Sound On Sound, Sep 1988Roland D20 LA synthesizerWith its 8-track sequencer, rhythm composer, digital reverb and built-in disk drive, Roland's latest multitimbral LA synthesizer would be better described as a budget 'music workstation'. Paul Ireson reveals why ... |
Sample ShopReview | Sound On Sound, Aug 1992Groove guru Wile Smarties reports on the latest sample CDs. |
Cision MCV20Review | Music Technology, Oct 1988MIDI to CV/Gate InterfaceThe missing link between the powerful MIDI instruments of today and the characterful analogue synths of yesterday is the MIDI/CV interface. Tim Goodyer looks at a budget converter. |
Computer PageGroup: Roland Newslink - Autumn 1986Roland MKS-7 Super QuartetA look at the role of the MKS-7 |
Red Planet Instruments SR64 RAM CartridgeReview | International Musician & Recording World, Jun 1986AccessoryCheckCurtis Schwartz looks at a new range of cheaper, faster, better, Ram cartridges for DX synths |
Ensoniq EPS UpdateReview | Micro Music, Jun/Jul 1989Paul Wiffen takes an exclusive look a Ensoniq's latest offering in the field of sampling |
Reflecting at LeisureReview | Home & Studio Recording, Nov 1986Ibanez SDR1000 ReverbState of the art reverb performance with a few other effects thrown in for good measure. A very serious product and one that is destined to become a standard. |
Get it out of your System - Part 1Feature Series | Topic: Home Studio | Home & Studio Recording, Mar 1986(The best that is)If you're planning to wire up a small studio, then this short series is for you. Part one looks at cable harnesses and associated problems. |
Black Box SecretsReview | Electronics & Music Maker, Nov 1985Akai MIDI EffectsThree 19" rack-mounted modules that act as a delay, a dynamics controller, and an arpeggiator respectively. Simon Trask gives them the critical treatment. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Jun 1991Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the software manufacturers themselves. This month: C-Lab & Steinberg. |
Peavey XR 1200DGroup: Quality Controlpowered mixer + HiSys 2 monitorsA PA system you can take anywhere |
Resotek Virtual WaveReview | Music Technology, Feb 1992Atari ST SoftwareUsing your sampler as a synthesiser is wonderful in theory but frustrating in practice - until Virtual Wave, that is. Vic Lennard waves hello to Resotek's ST software. |
Lexicon LXP5Review | Music Technology, Jan 1990Multi-fx ProcessorTheir LXP1 brought luxury reverb within reach of home studios, now Lexicon's LXP5 offers a variety of new effects to the studio on a budget. Robert Rich reads the lexicon of fx. |
Drum Programming - Part 2Feature Series | Topic: Drum Programming | Sound On Sound, Jun 1992A Series By Warren Cann.Warren Cann continues his series on drum programming. |
NewsNews | International Musician & Recording World, Feb 1985The latest from downtown trade and productsville |
Hammond XB2Review | Music Technology, Aug 1991Organ SynthesiserUntil now the only way to get a real Hammond sound was with a real Hammond - it's still the case, but now you can go solid-state. Malcolm Harrison and Tim Goodyer investigate the alternative to wheels and valves. |