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Visual Editing Systems

Feature | Topic: Computing | Sound On Sound, Nov 1989

Most editing software is more user-friendly than digital parameter access, and more suited to the demands of editing complex digital synthesizers than traditional analogue controls. Greg Truckell investigates.

Test Tone Oscillator

Feature | Topic: Electronics / Build | Home & Studio Recording, May 1986

Clive Keeler describes the building of a simple test tone oscillator which can be mounted in a patchbay if required.

System Exclusive

Review | Electronics & Music Maker, Oct 1985
Music System Software

A software package for the CBM64 sets out to utilise the SID chip but involves MIDI along the way. Simon Trask investigates the consequences, now that Island Logic have given way to Firebird.

Ensoniq Performance Sampler

Review | Sound On Sound, Feb 1988

The ability to load new samples whilst playing is only one of many performance-related features which make the 20-voice EPS stand out from the current crowd of sampling keyboards. Craig Anderton reveals the others...

Notes on the Recording of Synergy's "Cords"

Feature | Topic: Composing / Art, Recording | Polyphony, Sep/Oct 1978

Call the Analyst

Review | Micro Music, Oct/Nov 1989

At last the MA-36 MIDI Data Analyser is here to diagnose all your MIDI illnesses

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, May 1990
Hints, Tips & News From The World Of Music Software

More hints and tips from the world of music software.

Through the Software Jungle

Feature | Topic: Buyer's Guide, Sequencing | Micro Music, Aug/Sep 1989

Nicholas Rowland guides us through the tricky process of choosing the best sequencer for our money

DigiTech IPS33 SmartShift

Review | Music Technology, Jul 1989
Intelligent Pitch Shifter

Most pitch shifters wouldn't know their A minor from their E major, but DigiTech's IPS33 knows a thing or two about playing in key. Simon Trask finds himself in harmony with the Intelligent Pitch Shifter.

Making the Most of... - Part 18

Feature Series | Topic: Effects Processing, Mixing | Home & Studio Recording, Nov 1986
The Mix

The first of a 2-part series on creative mixing.

Ensoniq EPS16 Plus

Review | Music Technology, Feb 1991
Digital Sampling Workstation

After a recent change in UK distribution, Ensoniq look set to increase their popularity with this upgraded version of their EPS sampler. Simon Trask likes what he samples.

Hybrid Arts SMPTETrack II V5.09

Review | Music Technology, Aug 1990

Software upgrades mean there can never be a definitive review of a program. David Bradwell keeps track of the latest Hybrid Arts' SMPTETrack updates.

Making The Most Of... - Part 6

Feature Series | Topic: Recording | Home & Studio Recording, Oct 1985
Acoustic Drums

Some people look upon the prospect of recording an acoustic drum kit with dread. It needn't be that daunting if you follow a few simple guidelines.

Engl Digital Amp

Review | One Two Testing, Jul 1985

memorable combo

Alesis through the Looking Glass

Review | Home & Studio Recording, Mar 1986
Sheer XTC

A truly classy digital reverb at a sensible price.

RSD Studiomaster 16-4-2

Review | Home & Studio Recording, Dec 1985

Viscount EFX1 & 2

Review | Sound On Sound, Nov 1993
Digital Effects Processors

C-Lab Supertrack

Review | Sound On Sound, May 1986
Software for Commodore 64

Mark Jenkins supercharges the studio with this latest hi-tech recording software for the inexpensive Commodore 64 micro.

A Buyer's Guide To Digital Pianos

Feature | Topic: Buyer's Guide | Sound On Sound, Jul 1992

The sound of an acoustic piano is perhaps the most important single timbre in pop, rock, jazz, and classical music. Julian Colbeck looks at contemporary MIDI alternatives to the real thing.

The A-Z of Analogue - Part 5

Feature Series | Topic: Vintage Instruments | Music Technology, Dec 1993

This month, Electronic Dream Plant to Elka.

Dave Stewart's Music Seminar - Part 9

Feature Series | Topic: Music Theory | Sound On Sound, Mar 1991
Shadowland

Part 9: Shadowland. More inside info on the compositional structures Dave adopted on this track.

Frankfurt: Keyboards And Keyboard Samplers

Show Report | International Musician & Recording World, Apr 1986

He came, he saw, he sent in his copy. His name was Jim Betteridge

Roland RD300 Piano

Review | Music Technology, Jan 1987
SAS Electronic Piano

Structured Adaptive Synthesis (SAS to you) comes to a piano that costs less than £2000. Simon Trask combs the area for compromises.

E-Mu Proteus MPS

Review | Music Technology, Mar 1992
Sample Playback Keyboard

With the popular Proteus series of sample playback modules as its inspiration, E-mu's new synth sounds as good as it looks. Simon Trask explores the Master Performance System.

Sequencer Checklist

Feature | Topic: Buyer's Guide | Electronics & Music Maker, Apr 1986

Our unique buyers' guide lists dedicated sequencers, software packages and computer music systems. Nothing else comes close.

 

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