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Visual Editing SystemsFeature | Topic: Computing | Sound On Sound, Nov 1989Most editing software is more user-friendly than digital parameter access, and more suited to the demands of editing complex digital synthesizers than traditional analogue controls. Greg Truckell investigates. |
Test Tone OscillatorFeature | Topic: Electronics / Build | Home & Studio Recording, May 1986Clive Keeler describes the building of a simple test tone oscillator which can be mounted in a patchbay if required. |
System ExclusiveReview | Electronics & Music Maker, Oct 1985Music System SoftwareA software package for the CBM64 sets out to utilise the SID chip but involves MIDI along the way. Simon Trask investigates the consequences, now that Island Logic have given way to Firebird. |
Ensoniq Performance SamplerReview | Sound On Sound, Feb 1988The ability to load new samples whilst playing is only one of many performance-related features which make the 20-voice EPS stand out from the current crowd of sampling keyboards. Craig Anderton reveals the others... |
Notes on the Recording of Synergy's "Cords"Feature | Topic: Composing / Art, Recording | Polyphony, Sep/Oct 1978 |
Call the AnalystReview | Micro Music, Oct/Nov 1989At last the MA-36 MIDI Data Analyser is here to diagnose all your MIDI illnesses |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, May 1990Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the world of music software. |
Through the Software JungleFeature | Topic: Buyer's Guide, Sequencing | Micro Music, Aug/Sep 1989Nicholas Rowland guides us through the tricky process of choosing the best sequencer for our money |
DigiTech IPS33 SmartShiftReview | Music Technology, Jul 1989Intelligent Pitch ShifterMost pitch shifters wouldn't know their A minor from their E major, but DigiTech's IPS33 knows a thing or two about playing in key. Simon Trask finds himself in harmony with the Intelligent Pitch Shifter. |
Making the Most of... - Part 18Feature Series | Topic: Effects Processing, Mixing | Home & Studio Recording, Nov 1986The MixThe first of a 2-part series on creative mixing. |
Ensoniq EPS16 PlusReview | Music Technology, Feb 1991Digital Sampling WorkstationAfter a recent change in UK distribution, Ensoniq look set to increase their popularity with this upgraded version of their EPS sampler. Simon Trask likes what he samples. |
Hybrid Arts SMPTETrack II V5.09Review | Music Technology, Aug 1990Software upgrades mean there can never be a definitive review of a program. David Bradwell keeps track of the latest Hybrid Arts' SMPTETrack updates. |
Making The Most Of... - Part 6Feature Series | Topic: Recording | Home & Studio Recording, Oct 1985Acoustic DrumsSome people look upon the prospect of recording an acoustic drum kit with dread. It needn't be that daunting if you follow a few simple guidelines. |
Alesis through the Looking GlassReview | Home & Studio Recording, Mar 1986Sheer XTCA truly classy digital reverb at a sensible price. |
RSD Studiomaster 16-4-2Review | Home & Studio Recording, Dec 1985 |
C-Lab SupertrackReview | Sound On Sound, May 1986Software for Commodore 64Mark Jenkins supercharges the studio with this latest hi-tech recording software for the inexpensive Commodore 64 micro. |
A Buyer's Guide To Digital PianosFeature | Topic: Buyer's Guide | Sound On Sound, Jul 1992The sound of an acoustic piano is perhaps the most important single timbre in pop, rock, jazz, and classical music. Julian Colbeck looks at contemporary MIDI alternatives to the real thing. |
The A-Z of Analogue - Part 5Feature Series | Topic: Vintage Instruments | Music Technology, Dec 1993This month, Electronic Dream Plant to Elka. |
Dave Stewart's Music Seminar - Part 9Feature Series | Topic: Music Theory | Sound On Sound, Mar 1991ShadowlandPart 9: Shadowland. More inside info on the compositional structures Dave adopted on this track. |
Frankfurt: Keyboards And Keyboard SamplersShow Report | International Musician & Recording World, Apr 1986He came, he saw, he sent in his copy. His name was Jim Betteridge |
Roland RD300 PianoReview | Music Technology, Jan 1987SAS Electronic PianoStructured Adaptive Synthesis (SAS to you) comes to a piano that costs less than £2000. Simon Trask combs the area for compromises. |
E-Mu Proteus MPSReview | Music Technology, Mar 1992Sample Playback KeyboardWith the popular Proteus series of sample playback modules as its inspiration, E-mu's new synth sounds as good as it looks. Simon Trask explores the Master Performance System. |
Sequencer ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Apr 1986Our unique buyers' guide lists dedicated sequencers, software packages and computer music systems. Nothing else comes close. |