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Stratospheric!Review | Sound On Sound, Dec 1990Zoom 9002 Advanced Guitar Effects ProcessorSix digital effects at once from a Walkman-sized box? Ian Gilby gets turned on by technological progress. |
Bit MIDI Master KeyboardReview | Music Technology, Dec 1986Another MIDI controller, this time from the people who brought you the Bit One synth. Simon Trask uncovers one or two tricks up the Italian designers' sleeves. |
Atari NotesFeature | Topic: Computing | Sound On Sound, Feb 1993 |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Music Technology, Mar 1987Another collection of readers' synth patches. If you've got a sound you're particularly proud of, why not begin your career as a programmer in MT? More on page 82. |
Advanced Music SynthesisFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1983Sample and Hold |
The Sensuous Envelope FollowerFeature | Topic: Synthesis & Sound Design | Polyphony, Nov 1977 |
The Max FactorReview | Sound On Sound, Jul 1991Opcode Max SoftwareOpcode's Max is an Apple Macintosh based graphical programming environment primarily aimed at manipulating MIDI data. It's also highly addictive as Kendall Wrightson discovered. |
Matrix MagicReview | Sound On Sound, Mar 1986Ian Gilby reviews a truly ingenious programmable patchbay that takes all the hard workout of MIDI equipment routing in the studio - the Sycologic M16 MIDI Matrix. |
Touching Bass - Part 11Feature Series | Topic: Tuition / Technique, Music Business | Music Technology, Dec 1993Concluding our series on bass styles, Simon Trask goes ethnic |
Slim LinesReview | Home & Studio Recording, Nov 1986The MTR SLM82 Line MixerIf you've run out of channels, you might find this little mixer a profitable way to fill up your rack space. |
Kawai K1 IIReview | Sound On Sound, Dec 1989The SequelRecognising a hit when they make one, Kawai have added independent drum voices and a digital effects section to the popular K1 and called the result the K1 II. Kendall Wrightson plays spot the difference. |
PatchworkFeature | Topic: Synthesizer Patches | Music Technology, Sep 1987A review of ESQ1 cartridges from Executive Audio joins readers' patches for it and the Roland D50 and Yamaha TX81Z - all in this month's Patchwork. |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Electronics & Music Maker, Sep 1986Readers' synth patches for the Bit One, Yamaha DX7 and Casio CZ series, plus a review of some new DX ROM packs from Japan. |
Modular Synthesis - Part 12Feature Series | Topic: Sequencing, Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Dec 1984More on Using SequencersThe last instalment, not only of Steve Howell's look at using sequencers, but also of the series as a whole. |
DX-MAX Expansion BoardReview | Music Technology, Mar 1987If you're afraid the MkII DX7s are going to turn your prized machine into an antique curiosity, the DX-MAX could put your mind at rest. Chris Many checks out a mod for old DXs that offers many of the features of Yamaha's new babies. |
Constructing A Trigger DelayFeature | Topic: Electronics / Build, Synthesis & Sound Design | Polyphony, Jul/Aug 1978 |
Build a Quad Sequential SwitchFeature | Topic: Electronics / Build | Polyphony, Jan/Feb 1981 |
Control ZonesGroup: The SOS Guide To Going LiveThe Case For Master KeyboardsMaster keyboards may seem expensive for 'dumb' instruments, but a good controller can make a player's life a whole lot easier. Julian Colbeck explains. |
Roland PAD80 Octapad IIReview | Music Technology, Sep 1988MIDI Pad ControllerRoland's follow-up to their successful Pad8 Octapad features expanded memory and enhanced programmability. Simon Trask hits it off with Roland's new percussion controller. |
The MIDI JunoGroup: Roland Newslink |
Cause & EffectsReview | Micro Music, Jan 1990Jez Ford is seriously effected by Digitech's latest signal processor - the DSP-128 |
Mav-lessReview | Micro Music, Aug/Sep 1989A MIDI Patchbay could be just what you need to make your system work efficiently. Darrin Williamson checks out one such unit from Kawai |
Casio CZ1 Polyphonic SynthesiserReview | Electronics & Music Maker, Oct 1986Following in the footsteps of their successful budget CZ models, Casio add touch-sensitivity for the professional user. Simon Trask evaluates the results. |