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Chase Bit OneReview | Electronics & Music Maker, Nov 1984Programmable PolysynthGlance at the spec and you'd never know this new Italian-built and MIDI-equipped polysynth only cost £699. Paul White has the details. |
Time to ExpandFeature | Micro Music, Apr/May 1989Once you've got your sequencer up and running you're gonna need some extra sound sources. Paul Wiffen guides us through the MIDI Expander jungle |
Automatic PilotReview | Recording Musician, Sep 1992CM MX816 Console AutomationA cost-effective VCA mix automation system that can be used with any console. |
Making The Right ConnectionReview | Sound On Sound, Aug 1988MX8 MIDI Patchbay/ProcessorWith so many low-cost MIDI-equipped units around, the days when you could make do with a Thru box and a few cables are long gone. A MIDI patchbay is now an essential purchase, and one of the best is the MX8 MIDI Patchbay/Processor from Digital Music Corp. Tony Hastings checks it out. |
LA Audio Multi GateReview | Sound On Sound, Feb 1992Zenon Schoepe gets to grips with this 16-channel MIDI controllable gate/mute processor. |
Casio VZ8MReview | Music Technology, Oct 1989iPD Synth ExpanderThe VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation. |
Yamaha TG33 Vector ExpanderReview | Sound On Sound, Mar 1991Yamaha's family of synths and expanders has a new member: a module counterpart to the SY22 keyboard. Nigel Humberstone celebrates the happy event. |
A&HB CMC 24 MixerGroup: Recording WorldStudio TestThe ultimate mixer for the semi pro? Tony Mills gets to grips with the computerised AHB CMC 24 |
Dr T'S D110 EditorReview | Music Technology, Jan 1989Software for the Atari STThe latest in Dr T's Caged Artist series of editors is an Atari ST program for Roland's popular D110 synthesis mdule. Vic Lennard takes his L/A the easy way. |
Stratospheric!Review | Sound On Sound, Dec 1990Zoom 9002 Advanced Guitar Effects ProcessorSix digital effects at once from a Walkman-sized box? Ian Gilby gets turned on by technological progress. |
Musictronics MEX D50/D550 ExpansionReview | Music Technology, Feb 1990When your favourite keyboard starts to look a little out of date, do you remain faithful to it or sell it? If it's a D50 you could give it multitimbrality, more waveforms and extra memories. Gordon Reid installs the MEX. |
Synth StarsFeature | Making Music, Jun 1986 |
The Sensuous Envelope FollowerFeature | Topic: Synthesis & Sound Design | Polyphony, Nov 1977 |
Marshall ArtsReview | Recording Musician, Apr 1993Marshall JMP1 Valve MIDI Guitar PreampMIDI, metal mayhem and the Marshall logo add up to an impressive package. We find out whether it justifies its price tag. |
Floor ShowReview | Recording Musician, Oct 1992Boss ME10 Multi-Effects UnitDesigned with live performance in mind, the Boss ME10 has a range of features which make it particularly effective in the studio. |
Quinsoft VZ-EDReview | Music Technology, Jun 1991Atari ST SoftwareIf you've been forced to treat your Casio VZ as a "preset" synth because of its programming system, VZ-ED could bring it back to life. Gordon Reid witnesses the VZ resurrection shuffle. |
Kawai K5M SynthGroup: News and Reviews |
Electronic Music NotationFeature | Topic: Composing / Art, Music Theory, Performing | Polyphony, Sep/Oct 1978 |
Korg DS8 Digital SynthesizerReview | Sound On Sound, Mar 1987Korg's very latest keyboard is non other than a touch-sensitive, sub-£1000, 8-voice FM synthesizer! Mark Jenkins managed to catch a sneak preview. |
Dr.T XorReview | Sound On Sound, Nov 1989System Exclusive OrchestratorIf you have a large number of disorganised patches and an unruly MIDI network, then Xor is made for you. It is designed to make sound management and working with MIDI instruments easier. Martin Russ finds out if the claims are true. |
For the RecordShow Report | Electronics & Music Maker, Aug 1985By way of introduction to better coverage of recording studios and the technology within them, we look at the current state of the recording art and report from London's recent APRS studio show. |
Hot News - Keyboards/Electro-MusicNews | In Tune, Apr 1985 |