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Chase Bit One

Review | Electronics & Music Maker, Nov 1984
Programmable Polysynth

Glance at the spec and you'd never know this new Italian-built and MIDI-equipped polysynth only cost £699. Paul White has the details.

Time to Expand

Feature | Micro Music, Apr/May 1989

Once you've got your sequencer up and running you're gonna need some extra sound sources. Paul Wiffen guides us through the MIDI Expander jungle

Automatic Pilot

Review | Recording Musician, Sep 1992
CM MX816 Console Automation

A cost-effective VCA mix automation system that can be used with any console.

Sequential Multi-Trak

Review | One Two Testing, Jun 1985

poly, touch sensitive timbrillity

Making The Right Connection

Review | Sound On Sound, Aug 1988
MX8 MIDI Patchbay/Processor

With so many low-cost MIDI-equipped units around, the days when you could make do with a Thru box and a few cables are long gone. A MIDI patchbay is now an essential purchase, and one of the best is the MX8 MIDI Patchbay/Processor from Digital Music Corp. Tony Hastings checks it out.

LA Audio Multi Gate

Review | Sound On Sound, Feb 1992

Zenon Schoepe gets to grips with this 16-channel MIDI controllable gate/mute processor.

Casio VZ8M

Review | Music Technology, Oct 1989
iPD Synth Expander

The VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation.

Yamaha TG33 Vector Expander

Review | Sound On Sound, Mar 1991

Yamaha's family of synths and expanders has a new member: a module counterpart to the SY22 keyboard. Nigel Humberstone celebrates the happy event.

A&HB CMC 24 Mixer

Group: Recording World

Review | International Musician & Recording World, Apr 1985
Studio Test

The ultimate mixer for the semi pro? Tony Mills gets to grips with the computerised AHB CMC 24

Dr T'S D110 Editor

Review | Music Technology, Jan 1989
Software for the Atari ST

The latest in Dr T's Caged Artist series of editors is an Atari ST program for Roland's popular D110 synthesis mdule. Vic Lennard takes his L/A the easy way.

MPC Drum Synthesiser Modules

Review | Electronics & Music Maker, Mar 1984
And Live Pads

Stratospheric!

Review | Sound On Sound, Dec 1990
Zoom 9002 Advanced Guitar Effects Processor

Six digital effects at once from a Walkman-sized box? Ian Gilby gets turned on by technological progress.

Musictronics MEX D50/D550 Expansion

Review | Music Technology, Feb 1990

When your favourite keyboard starts to look a little out of date, do you remain faithful to it or sell it? If it's a D50 you could give it multitimbrality, more waveforms and extra memories. Gordon Reid installs the MEX.

Wave Power

Review | Sound On Sound, Apr 1993
Korg Wavestation SR Synth Module

Synth Stars

Feature | Making Music, Jun 1986

The Sensuous Envelope Follower

Feature | Topic: Synthesis & Sound Design | Polyphony, Nov 1977

Marshall Arts

Review | Recording Musician, Apr 1993
Marshall JMP1 Valve MIDI Guitar Preamp

MIDI, metal mayhem and the Marshall logo add up to an impressive package. We find out whether it justifies its price tag.

Floor Show

Review | Recording Musician, Oct 1992
Boss ME10 Multi-Effects Unit

Designed with live performance in mind, the Boss ME10 has a range of features which make it particularly effective in the studio.

Quinsoft VZ-ED

Review | Music Technology, Jun 1991
Atari ST Software

If you've been forced to treat your Casio VZ as a "preset" synth because of its programming system, VZ-ED could bring it back to life. Gordon Reid witnesses the VZ resurrection shuffle.

Kawai K5M Synth

Group: News and Reviews

Review | Making Music, Dec 1987

Electronic Music Notation

Feature | Topic: Composing / Art, Music Theory, Performing | Polyphony, Sep/Oct 1978

Korg DS8 Digital Synthesizer

Review | Sound On Sound, Mar 1987

Korg's very latest keyboard is non other than a touch-sensitive, sub-£1000, 8-voice FM synthesizer! Mark Jenkins managed to catch a sneak preview.

Dr.T Xor

Review | Sound On Sound, Nov 1989
System Exclusive Orchestrator

If you have a large number of disorganised patches and an unruly MIDI network, then Xor is made for you. It is designed to make sound management and working with MIDI instruments easier. Martin Russ finds out if the claims are true.

For the Record

Show Report | Electronics & Music Maker, Aug 1985

By way of introduction to better coverage of recording studios and the technology within them, we look at the current state of the recording art and report from London's recent APRS studio show.

Hot News - Keyboards/Electro-Music

News | In Tune, Apr 1985

 

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