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Sample ShopReview | Sound On Sound, Jun 1992Wilf Smarties kicks off our regular look at new sample CD releases. |
Natural synthesisGroup: Control RoomYamaha VL1mVirtual synthesis in a box |
InputGroup: Roland Newslink - Autumn 85Alan's Answers |
The Logical SongReview | Electronic Soundmaker & Computer Music, Jun 1985ISLAND LOGIC CBM64 SOFTWAREThe Music System - now for the Commodore 64. |
Roland Alpha Juno 2 PolysynthReview | Electronics & Music Maker, Feb 1986Big brother to the Alpha Juno 1 comes equipped with a velocity-sensitive, five-octave keyboard, as Simon Trask discovers. |
Knobular SynthesisReview | Sound On Sound, Apr 1991Roland JD800 Programmable SynthesizerAlready a strong contender for hot keyboard of the year, Roland's new JD800 puts analogue-style knobs and sliders back on the front panel of a modern digital synth. Julian Colbeck goes "wow"! |
Oberheim Matrix 12Review | Electronics & Music Maker, Jun 1985Programmable 12-Voice Multi-timbral PolysynthThe world's most awesome analogue polysynth finally gets the attention it deserves, as Simon Trask finds out just what you can do with two Xpanders and a row of black-and-white keys. |
Elka CR99 MIDI Disk RecorderReview | Sound On Sound, Apr 1989Paul Ireson takes a look at a new kind of direct-to-disk recorder, which stores MIDI rather than audio data. Could it be the ideal live sequencer, he wonders? |
Oberheim Matrix-6Review | Sound On Sound, Jan 1986Flying in the face of fashion, Oberheim's new Matrix-6 polysynth utilises traditional analogue voicing and offers some of the most powerful and versatile sounds around. Keyboards man Paul Wiffen checks out its pedigree. |
Power by designGroup: Control RoomFender PX2216D powered mixerInnovative PA concept |
Roland MT-32Review | Sound On Sound, Sep 1987Multi-Timbral ExpanderHot foot from the BMF, hard-working Martin Russ brings us his review of this innocent-looking multitimbral LA expander which packs many of the features of Roland's D-50 synthesizer, including onboard digital reverb, but with the added bonus of 28 sampled drum sounds! |
360 Systems MIDIMerge+Review | Music Technology, Jun 1987Rick Davies casts an eye on the latest box from a company that seems to specialise in designing useful, rack-mounting MIDI processors. |
Mixing up the motor cityGroup: Mixing it! |
Roland U110 PCM Sound ModuleReview | Music Technology, Jan 1989What is 1¾" high, has 31 voices, plays the piano, vibraphone and sax, and has its own library? Simon Trask checks out Roland's latest PCM sample module. |
Yamaha D1500 MIDI Digital DelayReview | Home & Studio Recording, Nov 1984 |
Yamaha versus RolandGroup: EffectsYamaha SB200, Roland SCC700 effects boards |
Painting by numbersGroup: Control RoomRoland SC88 Sound CanvasMost powerful Canvas yet |
Hands On: Roland S750Feature | Topic: Sampling | Sound On Sound, Sep 1992David Mellor throws away the Roland S750 manual and gets down to some practical advice for novice users. |
Six To A DozenReview | Electronics & Music Maker, Jan 1986Oberheim Matrix 6A six-voice version Matrix 12 for £1700? Yes, it’s true. Oberheim’s polysynth for the masses gets a rapturous welcome from a penniless Simon Trask. |
Big GunsReview | Sound On Sound, Jun 1988Roland S550/S330 Sampling ModulesDavid Mellor looks at Roland's flagship rackmount sampler, the S550, and its newly launched escort vessel, the S330. Are they squaring up to fire a broadside at the enemy's sampling fleet? Find out inside. |