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All Hail Valhala

Review | Sound On Sound, Mar 1992
Studio Series Roland D110 Voice Cards

Super sleuth Simon Sanders finds himself hot on the trail of cool sounds for the Roland D110. Prime suspect: Valhala.

Korg DRV1000 Digital Reverb

Review | Music Technology, Jan 1987

The Japanese fight back in the battle to design cheap digital reverb, with an all-preset rack-mounting machine for under £350. Don Goldstein has the details.

ES&CM Directory

Feature | Topic: Buyer's Guide | Electronic Soundmaker & Computer Music, Nov 1984

ES&CM's guide to MIDI and MOPS.

Simmons MTM

Review | Sound On Sound, Jun 1986

'Can you benefit from something that doesn't make a noise?' asks Paul Gilby in his in-depth review of this interesting MIDI trigger device from the pioneers of the electronic drum. It might not generate sounds of its own but this unit certainly makes possible some marvellous effects when MIDI'd up to synthesizers. Check it out.

Lexicon PCM70

Review | Home & Studio Recording, Feb 1986
Digital Effects Processor

This sophisticated processor is more than just a new digital reverb.

Macworld '89

Show Report | Music Technology, Feb 1990

The Atari ST may currently be the most popular music computer, but a lot of music software is still being pioneered on the Apple Mac. Mike Collins visited MacWorld '89 for the latest musical developments.

Everything You Ever Wanted To Know About System Exclusive - Part 3

Feature Series | Topic: MIDI | Sound On Sound, Jun 1989
(But Were Too Afraid To Ask!)

PART 3: Martin Russ continues his in-depth explanation of MIDI's most misunderstood messages.

The Production Centre

Review | Sound On Sound, Sep 1988
Roland D20 LA synthesizer

With its 8-track sequencer, rhythm composer, digital reverb and built-in disk drive, Roland's latest multitimbral LA synthesizer would be better described as a budget 'music workstation'. Paul Ireson reveals why ...

VZ-1

Review | Micro Music, Jan 1990

Peter Fitzpatrick gets to grips with Casio's flagship synth - the VZ-1

Out Of the Shadows

Review | Electronics & Music Maker, Jul 1986
Shadow MIDI Guitar

Geoff Twigg takes a look at the latest guitar synth technology. Now you can have a Synclavier system behind the strings of your old acoustic.

Wide Open Spaces

Review | Electronics & Music Maker, Sep 1985

A special, report on budget digital reverb, with the spotlight focussed firmly on two groundbreaking new machines, the Yamaha REV7 and Roland SRV2000. Paul White and Simon Trask take up the story.

Licensed To Thrill

Review | Recording Musician, Nov 1992
Roland GR1 Guitar Synthesizer

What the world needs is a guitar synth that sounds good and behaves predictably. Does Roland's latest model pass the test?

The Synth's Sojourn

User Report | Electronic Soundmaker & Computer Music, Oct 1984

A road report on Roland's guitar synth the GR700 by Imagination's Ashley Ingram and Mark Wood of Nucleus and Sunwind.

APRS '83 Exhibition Report

Show Report | Electronics & Music Maker, Aug 1983

UK's annual studio products event

Korg Wavestation

Review | Music Technology, Sep 1990
Advanced Vector Synthesiser

In their days at the top, Sequential pioneered an exciting form of sound generation called Vector Synthesis. Simon Trask witnesses its revival in Korg's Wavestation.

Roland JX1

Review | Sound On Sound, Aug 1991
Performance Synthesizer

Whilst their flagship JD800 synth has inevitably attracted a good deal of attention, Roland have not neglected the entry level user in their new range of products. Julian Colbeck sounds out the small but almost perfectly-formed JX1.

Korg SoundLink

Review | Music Technology, Mar 1992
Digital Audio Workstation

From the home of the M1 and the Wavestation comes SoundLink - an advanced digital recording and editing system. Simon Trask trips into the future.

Comment

Editorial | Electronics & Music Maker, Feb 1986
All Talk, Some Action

Problems of talking to the famous — and your chance to change the magazine.

Touching Bass - Part 7

Feature Series | Topic: Tuition / Technique, Music Theory | Music Technology, Aug 1993

Jazz-funk in the basement

Roland R8M

Review | Sound On Sound, Apr 1990
Total Percussion Sound Module

Sequencer owners rejoice! Roland have taken the 16-bit PCM sounds from their popular R8 drum machine, put them in a convenient rackmount case, and added extra slots for ROM and RAM cards to produce a beat-box par excellence. David Brenton reports.

Win Korg's New MIDI Modules

Competition | Electronics & Music Maker, Sep 1984

The second part of our competition requires you to read our review of the Korg EX800/RK100 system, and then answer questions about their respective specifications.

Groovy Train - Part 4

Feature Series | Topic: Arranging / Songwriting, Drum Programming | Recording Musician, Oct 1992

The fourth part of our dance music series, with more drum patterns and basslines for you to programme yourself.

The A-Z of Analogue - Part 8

Feature Series | Topic: Vintage Instruments | Music Technology, Mar 1994

Part 8 - GEM to Groove Electronics.

Tascam Porta 07

Group: Quality Control

Review | Music Technology, Aug 1993
Ministudio

Is there still room for a little old style analogue technology? Tascam offer evidence for the defence

Armadillo A616 Sampler

Review | Music Technology, Jul 1990

Still largely neglected by the software houses, the Acorn Archimedes is the host machine for the Armadillo sampler. Vic Lennard investigates a powerful sampling package for a powerful computer.

 

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