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Effective Reverb - Part 2Feature Series | Topic: Effects Processing | Recording Musician, Apr 1993Drums and PercussionNowhere is the correct use of reverb more important than in the treatment of drum and percussion sounds. We reveal all — and we tell you a bit about reverb too. |
Central ControlReview | Electronics & Music Maker, Aug 1986Ensoniq ESQ1 PolysynthThe Mirage people announce a synth that uses analogue and digital technology, throws in a multitrack sequencer, and costs just over £1000. Paul Wiffen checks it out. |
Roland S770 - Part 1Review Series | Music Technology, Jun 1990We've waited patiently for Roland's super sampler - but now it's here, and every bit as hot as expected. Simon Trask asks if Roland have set a new standard in digital samplers. |
Sounding OffOpinion | Sound On Sound, Nov 1988Reverb: Too much of a good thing?A new column that allows music industry figures to air their views on whatever it is that bugs them! Keyboard programmer, music consultant and author Paul Wiffen kicks things off this month. |
Adventures In MIDILand - Part 4Feature Series | Topic: MIDI | Sound On Sound, Nov 1990Part 4: Martin Russ looks at how mapping can help in traversing the MIDI jungle. |
A Bit On The SideReview | Electronics & Music Maker, Oct 1985Bit 99 PolysynthThe very latest from Chase has a lot to live up to in following the Bit One synth and Bit 01 expander. Can it cut it? Tim Goodyer thinks it can. |
Backing Up Is Hard To DoFeature | Topic: Computing | Sound On Sound, Oct 1993 |
Korg SDD-2000 Sampling Digital DelayGroup: Recording WorldStudio TestCurtis Schwartz samples Korg's new digital delay |
Yamaha SY22Review | Music Technology, Jul 1990As the new Yamaha SY family of synths grows, so does its diversity. Simon Trask checks out a junior member with some interesting tricks up its sleeve. |
Advanced Music SynthesisFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Feb 1983Oscillator Modulation |
How Analogue Synthesizers WorkFeature | Topic: Synthesis & Sound Design | Sound On Sound, Dec 1987They've been a mainstay of electronic music for over 20 years, they're less expensive than ever before, and they still make sounds the digital machines can't. Analogue synthesizers have been receiving some digital assistance of late, but at heart they're still analogue synthesizers - and if you want to make them perform magic, you need to speak their language. Craig Anderton is your interpreter... |
Dream Sequences - Part 3Group: Sound AdviceLogical sequencing tips |
Yamaha TX81Z & MDF1Review | Music Technology, Jul 1987After April's In Brief review, Rick Davies sends us a user report on the latest FM synth module, and throws in a review of the MDF1 MIDI data filer for good measure. |
Roland S760Group: Quality ControlsamplerA mid-priced sampler with a spec that'll worry the high-priced competition |
The News This WeekFeature | Topic: Humour | One Two Testing, Apr 1985True Storiesthat will amaze you |
Siel DK600Review | Electronics & Music Maker, Dec 1984Programmable PolysynthA cosmetic overhaul, some additional facilities and a price reduction for Siel's Opera 6 polysynth. Geoff Twigg reports. |
9001: A Space OdysseyReview | Recording Musician, Feb 1993Zoom 9001 Multi-Effects ProcessorBig effects, small package — Mike Simmons thinks it must be a Zoom. |
Big BrotherReview | Sound On Sound, Oct 1986Casio CZ-1Since the release of their diminutive yet ground-breaking CZ-101 synth, Casio have been steadily improving the facilities of their Phase Distortion keyboards with each subsequent CZ product. The culmination of those efforts is now manifest in their best-ever synthesizer, the CZ-1, a truly professional performance instrument. Chris Jenkins says 'welcome'. |
Which Synth?Feature | Topic: Buyer's Guide | Electronics & Music Maker, Sep 1983A comprehensive guide to features and capabilities |
Double TakeReview | Electronic Soundmaker & Computer Music, Aug 1985SDD-2000Korg's sampling digital delay |
Love BytesReview | Electronic Soundmaker & Computer Music, Dec 1984Bit OneThe stunning Bit One Poly - Keyboard split and layer, with separate memory access, and the kind of facilities you would expect to find on a machine costing three or four times as much... our reviewer is seduced... |
Yamaha SY22Review | Music Technology, Apr 1990DYNAMIC VECTOR SYNTHESISERYamaha's new SY22 combines RCM synthesis with elements of the Prophet VS's vector synthesis to give us Dynamic Vector Synthesis. Simon Trask previews the return of the joystick synth. |