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Effective Reverb - Part 2

Feature Series | Topic: Effects Processing | Recording Musician, Apr 1993
Drums and Percussion

Nowhere is the correct use of reverb more important than in the treatment of drum and percussion sounds. We reveal all — and we tell you a bit about reverb too.

Central Control

Review | Electronics & Music Maker, Aug 1986
Ensoniq ESQ1 Polysynth

The Mirage people announce a synth that uses analogue and digital technology, throws in a multitrack sequencer, and costs just over £1000. Paul Wiffen checks it out.

Roland S770 - Part 1

Review Series | Music Technology, Jun 1990

We've waited patiently for Roland's super sampler - but now it's here, and every bit as hot as expected. Simon Trask asks if Roland have set a new standard in digital samplers.

Sounding Off

Opinion | Sound On Sound, Nov 1988
Reverb: Too much of a good thing?

A new column that allows music industry figures to air their views on whatever it is that bugs them! Keyboard programmer, music consultant and author Paul Wiffen kicks things off this month.

Adventures In MIDILand - Part 4

Feature Series | Topic: MIDI | Sound On Sound, Nov 1990

Part 4: Martin Russ looks at how mapping can help in traversing the MIDI jungle.

A Bit On The Side

Review | Electronics & Music Maker, Oct 1985
Bit 99 Polysynth

The very latest from Chase has a lot to live up to in following the Bit One synth and Bit 01 expander. Can it cut it? Tim Goodyer thinks it can.

Next EPS 1000

Group: Effects

Review | One Two Testing, Jan 1983
Effects programmer

Akai MIDI Effects

Group: Mini Reviews

Review | One Two Testing, Sep 1986

More sounds, less pounds

Backing Up Is Hard To Do

Feature | Topic: Computing | Sound On Sound, Oct 1993

McGregor Keyboard Combo

Review | One Two Testing, Nov 1984

big watts for ivories

Korg SDD-2000 Sampling Digital Delay

Group: Recording World

Review | International Musician & Recording World, Aug 1985
Studio Test

Curtis Schwartz samples Korg's new digital delay

Yamaha SY22

Review | Music Technology, Jul 1990

As the new Yamaha SY family of synths grows, so does its diversity. Simon Trask checks out a junior member with some interesting tricks up its sleeve.

Advanced Music Synthesis

Feature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Feb 1983
Oscillator Modulation

How Analogue Synthesizers Work

Feature | Topic: Synthesis & Sound Design | Sound On Sound, Dec 1987

They've been a mainstay of electronic music for over 20 years, they're less expensive than ever before, and they still make sounds the digital machines can't. Analogue synthesizers have been receiving some digital assistance of late, but at heart they're still analogue synthesizers - and if you want to make them perform magic, you need to speak their language. Craig Anderton is your interpreter...

Dream Sequences - Part 3

Group: Sound Advice

Feature Series Audio | Topic: Sequencing | The Mix, Feb 1995

Logical sequencing tips

Yamaha TX81Z & MDF1

Review | Music Technology, Jul 1987

After April's In Brief review, Rick Davies sends us a user report on the latest FM synth module, and throws in a review of the MDF1 MIDI data filer for good measure.

Roland S760

Group: Quality Control

Review | Music Technology, Jan 1994
sampler

A mid-priced sampler with a spec that'll worry the high-priced competition

The News This Week

Feature | Topic: Humour | One Two Testing, Apr 1985
True Stories

that will amaze you

Siel DK600

Review | Electronics & Music Maker, Dec 1984
Programmable Polysynth

A cosmetic overhaul, some additional facilities and a price reduction for Siel's Opera 6 polysynth. Geoff Twigg reports.

9001: A Space Odyssey

Review | Recording Musician, Feb 1993
Zoom 9001 Multi-Effects Processor

Big effects, small package — Mike Simmons thinks it must be a Zoom.

Big Brother

Review | Sound On Sound, Oct 1986
Casio CZ-1

Since the release of their diminutive yet ground-breaking CZ-101 synth, Casio have been steadily improving the facilities of their Phase Distortion keyboards with each subsequent CZ product. The culmination of those efforts is now manifest in their best-ever synthesizer, the CZ-1, a truly professional performance instrument. Chris Jenkins says 'welcome'.

Which Synth?

Feature | Topic: Buyer's Guide | Electronics & Music Maker, Sep 1983

A comprehensive guide to features and capabilities

Double Take

Review | Electronic Soundmaker & Computer Music, Aug 1985
SDD-2000

Korg's sampling digital delay

Love Bytes

Review | Electronic Soundmaker & Computer Music, Dec 1984
Bit One

The stunning Bit One Poly - Keyboard split and layer, with separate memory access, and the kind of facilities you would expect to find on a machine costing three or four times as much... our reviewer is seduced...

Yamaha SY22

Review | Music Technology, Apr 1990
DYNAMIC VECTOR SYNTHESISER

Yamaha's new SY22 combines RCM synthesis with elements of the Prophet VS's vector synthesis to give us Dynamic Vector Synthesis. Simon Trask previews the return of the joystick synth.

 

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