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Yamaha TQ5

Review | Micro Music, Jun/Jul 1989

John Renwick puts this sequencer/sound module through its paces

The Boddy Electric

Interview | Electronic Soundmaker & Computer Music, Jul 1985

At the forefront of independent synthesis

Making Waves

Review | Sound On Sound, Dec 1991
Resotek Virtual Wave Software

Martin Russ investigates a software synthesis program that offers a wealth of new sounds for under £100.

Mixing With MIDI - Part 2

Feature Series | Topic: MIDI, Mixing | Sound On Sound, Feb 1990
Mixing in the MIDI Age

This two-part feature covers both the art and technology of mixing. The first article on page 48, 'Mixing Essentials', covers audio mixing in general, from a more basic level, and applies to any sort of studio mixing task. The second part, 'Mixing With MIDI’, starts on page 54 and covers techniques made possible by MIDI, specifically automated mixing and sending MIDI instruments direct to your master tape. Craig Anderton is your guide.

Home Studio Recordist

Feature | Topic: Home Studio | Home & Studio Recording, Jun 1984

Roger Wilson.

Casio VZ8M

Review | Sound On Sound, Feb 1990

If you're tired of sampled sounds and are searching for a source of non-imitative synthetic voices to balance your repertoire, these low-cost instruments could well deliver the goods. Martin Russ finds out.

Patchwork

Feature | Music Technology, Jul 1992

A long-awaited replacement for Roland's discontinued M-64C RAM cartridge joins the Dangerous CD Company's Danger 1 sampling CD on the spot in this month's Patchwork.

It's Cee Zee - Part 2

Feature Series | Topic: Synthesis & Sound Design | Sound On Sound, Aug 1987

Part Two of our two-part Programmer's Guide To The Casio CZ range of synthesizers catches Phil South explaining the nuts and bolts of sound modification, with tips and hints on how to approach the creation of your own PD sounds.

Letters

Feedback | Polyphony, Oct 1976

Wind Synthesizers

Review | Sound On Sound, Dec 1987

Having explored the history and development of wind synthesizers in our September issue, record producer and wind player extraordinaire John L. Walters compares and contrasts the Akai EWI and Yamaha WX7. Are they the instruments that wind players have been longing for? Find out inside.

Frontline Effects

Review | One Two Testing, Mar 1984

Gibson Explorer Synth

Review | International Musician & Recording World, Feb 1986
Guitarcheck

Plug in, lean back, legs apart — and sound like an accordionist. Tony Mills taxes the axe

Patchwork

Feature Downloads | Topic: Synthesizer Patches | Music Technology, Jun 1989

A review of the Desert Island sample library for the Ensoniq EPS joins a selection of readers own patches for the Korg M1, Ensoniq SQ80 and Yamaha TX81Z in this month's Patchwork.

Space... The Final Frontier

Review | Sound On Sound, Aug 1993
Roland SRV330 Dimensional Space Reverb

Can Roland's latest gizmo really add another dimension to your recordings?

Technically Speaking

Feedback | Music Technology, Nov 1992

PC Notes

Feature | Topic: Computing | Sound On Sound, Nov 1993

PC Notes

Feature | Topic: Computing | Sound On Sound, Aug 1992

Pumping Iron

Group: Control Room

Review | The Mix, May 1995
Peavey XRD680S/Hi-Sys 1

Powerful, portable PA system

Hammond XB5

Review | Sound On Sound, Mar 1993
Double-Manual Organ

Drawmer MIDMAN

Review | Sound On Sound, Apr 1986
M401 MIDI MANAGEMENT SYSTEM

When a well-respected signal processor manufacturer like Drawmer moves beyond the realms of noise gates and compressors into MIDI control, it's yet another indication that the recording world is recognising the importance of MIDI. Paul Gilby dropped his copy of the Financial Times to take an exclusive look at the brand new Drawmer MIDI Management System.

Eno Sense

Interview | Music Technology, Feb 1988

His successful production of U2 has brought musical sage Brian Eno back into the public eye. John Diliberto finds out what's become of his oblique strategies and how he approaches the latest technology.

Allen & Heath GS3

Review | Sound On Sound, May 1992
Multitrack Mixer

With features enough for a low-end one-inch 24-track studio, and a price low enough for the top end of the quarter-inch 8-track market, Dave Lockwood finds the Allen & Heath GS3 too good to be ignored.

Ibanez DUE400 Digital Multi-Effects

Review | Home & Studio Recording, Aug 1985

John Harris subjects this Japanese rack to the English inquisition.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Aug 1992
Hints, Tips & News From The World of Music Software

This month, helpful hints for users of Steinberg, Opcode, and Dr. T music software.

Practise That Keyboard

Feature | Topic: Tuition / Technique | Making Music, Apr 1986
Keyboard Practising Hints

Practice round-up with keyboardists from Madness, Steel Pulse, Feargal Sharkey, Prefab Sprout and Tangerine Dream

 

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