Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for January 2025
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £22.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Dr in the House

Feature | Topic: Computing | Micro Music, Jan 1990

Leading light in the world of Dr T. Al Hospers talks exclusively to John Renwick about future developments in the range

Energy Technology VKP1

Review | Sound On Sound, Nov 1993
Valve Keyboard Preamp

Digidesign Turbosynth

Review | Music Technology, Sep 1988
Synthesis Software

CAD meets synthesis inside the Apple Mac. Robert Rich fires up a program that allows you to design your sounds on computer before transferring them to your sampler.

Roland JW50

Review | Sound On Sound, Nov 1992
General MIDI Music Workstation

The Celtic Macintosh - Part 1

Feature Series | Topic: Computing, Sequencing | Sound On Sound, Sep 1986
AN ALBUM PRODUCED ENTIRELY ON A PERSONAL COMPUTER

Part 1. American, Paul D. Lehrman, documents how he recently recorded an album of synthesized Irish music entirely on an Apple Macintosh computer using the Southworth Music Systems 'Total Music' software.

Akai S1100

Review | Music Technology, May 1991
Digital Stereo Sampler

Having set the music industry standard in sampling with their S1000, Akai are now taking moving pictures into their stride. Simon Trask gets frame-accurate on the S1100.

Korg DSS-1

Review | Sound On Sound, Apr 1987
Sampling Synthesizer

The DSS-1 offers 12-bit sampling, high fidelity samples, integral dual digital delay and EQ, plus the most comprehensive synthesizer section of all the midrange samplers. Review by Mark Jenkins.

Orchestrating with MIDI - Part 1

Feature Series | Topic: Arranging / Songwriting, MIDI, Sequencing | Sound On Sound, Jul 1993

Art Attack

Review | Recording Musician, Jan 1993
ART SGX T2 Guitar And Studio FX

ART have what is probably the most confusing product range on the market — and this is one of the latest models.

Orchestral Manoeuvres

Feature | Topic: Arranging / Songwriting, Sequencing | Sound On Sound, Aug 1989
Mozart Meets C-Lab Notator

Proving that hi-tech tools are not the sole preserve of pop musicians, Richard Gonski, Music Director of the Electric Symphony Orchestra, tells how he and Francis Monkman took Mozart's Piano Concerto In C Minor, K.491, and sequenced the whole work using C-Lab's Notator.

The Magnificent Seven...

Review | Electronic Soundmaker & Computer Music, Dec 1984

...Reverbs. An across-the-range selection put through their paces, demonstrating both conventional and creative uses...

The Sequencer Bible

Feature | Topic: Buyer's Guide, Sequencing | Music Technology, Oct 1992
The MT Software Sequencer Buyer's Bible

The only guide you'll ever need

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Sep 1992
Hints, Tips & News From The World Of Music Software

This month, helpful hints for users of Steinberg and Dr. T's software.

Synclavier: A New Appraisal

Feature | Electronics & Music Maker, Aug 1984

Paul White and Geoff Twigg delve deep into the mysteries of one of the world's most expensive keyboard instruments, and uncover some fascinating developments.

Track Record: The Art Of Noise

Group: Recording World

Feature | Topic: Classic Tracks | International Musician & Recording World, May 1986
Peter Gunn

Jim Betteridge plays 'Hunt the Aled Jones sample.'

DOD FX

Review | One Two Testing, Oct 1985

reverb, metal, and programmable fuzz

Ensoniq DP/4

Review | Music Technology, Oct 1992
Parallel Effects Processor

Just four effect

Sweet Sixteen

Review | Sound On Sound, Jan 1991
Ensoniq EPS16 Plus Sampling Workstation

Ensoniq have transformed their 13-bit EPS sampling workstation with the addition of dynamically controlled 24-bit digital multi-effects, a much improved 16-track MIDI sequencer and full 16-bit sampling. The result is the EPS16 Plus. But does it pass? Kendall Wrightson invigilates.

Roland D-50 - Part 1

Review Series | Sound On Sound, May 1987
Is the future Linear?

Does Roland's new LA synthesizer mean the end of FM is in sight? Martin Russ falls in love with the world's first ever Linear Arithmetic synthesizer whilst trying to find out...

SCI Pro-FX 500

Review | Electronics & Music Maker, Sep 1983

Hands On: Lexicon PCM70

Feature | Topic: Effects Processing | Sound On Sound, Jul 1992

David Mellor takes an acknowledged classic effects unit for a road test.

Patchwork

Feature | Music Technology, Dec 1991

A collection of CDs which should be the sampler's delight are the stars of this month's Patchwork. If your music needs a boost from Ed Stratton, Coldcut or Pascal Gabriel, check out these disks.

Atari Notes

Feature | Topic: Computing | Sound On Sound, Jun 1993

Shape of Things to Come

News | Sound On Sound, Mar 1990

Your chance to check out some of the new products launched at January’s NAMM

Keyboard Life

Feature | Topic: Live | Sound On Sound, Jun 1990
in Anderson Bruford Wakeman Howe

Session player Julian Colbeck tells the tale of how he got the gig as support keyboard player for Rick Wakeman on the recent Anderson, Bruford, Wakeman, Howe world tour, and runs through the instrumentation he and Rick used on stage.

 

muzines_logo_02

Small Print

Terms of usePrivacy