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Music By Design - Part 2

Feature Series | Topic: Algorythmic Composition | Music Technology, Sep 1989
PART 2: SEQUENCING AND NOTATION

In the concluding part of this investigation into computer-assisted composition, Greg Truckell cells on Dr T's KCS to compose a tune.

Incoming Data

News | Music Technology, Feb 1993

Emu Systems Proteus

Review | Sound On Sound, Nov 1989

The prospect of a high-spec sample player bearing the Emu name, but costing 'under £1000', had musician's waiting with baited breath for its appearance. Now Proteus is here, and Paul Ireson breathes a sigh of relief as he finds that it was worth the wait.

The Shape of Things to Come

News | Sound On Sound, Aug 1987

This month's round-up includes new products launched at the APRS and NAMM shows.

Orchestrating with MIDI - Part 2

Feature Series | Topic: Arranging / Songwriting, MIDI, Sequencing | Sound On Sound, Aug 1993

Ensoniq EPS Update

Review | Micro Music, Jun/Jul 1989

Paul Wiffen takes an exclusive look a Ensoniq's latest offering in the field of sampling

A Profusion Of Dreams

Show Report | Music Technology, May 1990
FRANKFURT REPORT

Trade shows often make the best stage for unveiling new equipment - did this year's Frankfurt show witness any revolutions? Simon Trask brings the news from Germany.

Bit One

Review | International Musician & Recording World, Jan 1985
Synthcheck

Paul Fishman goes to town on Crumar's new baby

Roland P-55

Group: Quality Control

Review | Music Technology, Jan 1994
piano module

A piano for every occasion - and a few more besides

Roland JX-10

Review | International Musician & Recording World, Jun 1986
SynthCheck

An analogue synth with a hefty price tag has to have a pretty good excuse these days. Jim Betteridge believes this one has

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Dec 1988
Hints, Tips & News From The World Of Music Software

Hints, tips and news about your favourite music software.

MPC Programmer 8

Review | Electronics & Music Maker, Feb 1985
Computer-controlled Rhythm Sequencer

Some drum sequencer software that's as user-friendly as it's versatile. Paul White enthuses over MPC's latest little marvel.

Digital Music Corporation MX8

Review | Music Technology, Sep 1988
MIDI Patchbay Processor

From America: a 1U-high black box which combines MIDI patching, merging and processing capabilities. Vic Lennard encounters a new twist in MIDI processing.

The Hot 100

Review | Sound On Sound, Jul 1992
Yamaha TG100 General MIDI Tone Module

A lightweight multi-timbral module, with 28-voice polyphony and 192 sounds, which also acts as a MIDI Interface for your computer — where's the catch? Paul Wiffen looks hard but just can't seem to find it.

Yamaha DX7-IID Synth

Review | Making Music, Mar 1987

Groove Electronics MIDI Interfaces

Review | Music Technology, May 1988
for Roland Jupiter 8 & Juno 6/60

Hands up once-proud owners of a Jupiter 8 or Juno 6/60 who've left their pride and joy to collect dust while they've concentrated on MIDI gear. Tony Wride finds out MIDI can be yours courtesy of Groove Electronics.

The place for bass?

Group: Control Room

Review Audio | The Mix, Sep 1994
Novation Bass Station

Analogue bass synth

MIDI Evaluated

Feature | Topic: MIDI | One Two Testing, Sep 1985
info available

a first time guide, and some of the problems that still exist

Run DMCS

Review | Micro Music, Aug/Sep 1989

Clive Grace writes a few notes on this sequencer for the Amiga and the Mac

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Aug 1989
Hints, Tips & News From The World Of Music Software

MIDIBASS

Review | Micro Music, Apr/May 1989

Jez Ford grabs this expander from 360 Systems by the MIDI lead and puts it to the test

BeeBMIDI - Part 6

Group: Computer Musician

Feature Series | Topic: Computing, MIDI | Electronics & Music Maker, Jan 1985

Jay Chapman and a Juno 106 voice dump program for use with E&MM's own MIDI interface unit for the BBC Micro. It can be adapted to suit other synth and computer combinations, too.

The Italian Job

Review | Sound On Sound, Aug 1993
Fatar Studio 90 Plus Master Keyboard

Technically Speaking

Feedback | Music Technology, May 1993

The Fairlight Explained - Part 4

Group: Computer Musician

Feature Series | Topic: Sampling | Electronics & Music Maker, Nov 1984

Jim Grant gives an outline of how the Fairlight CMI copes with performance effects.

 

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