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Roland PAD8 OctapadReview | Electronics & Music Maker, Feb 1986Roland strike a happy note with a new MIDI percussion device that doesn't fill the stage or empty your pocket. Nigel Lord and Alex Murray declare it a hit. |
Yamaha TG33Review | Music Technology, Mar 1991Tone GeneratorLatest in the SY/TG line of descent, the TG33 module offers post-FM synthesis combined with the vector control pioneered on the Prophet VS synth. Ian Waugh expands on the '33. |
Technics & Yamaha Electronic PianosReview | International Musician & Recording World, May 1986KeyboardCheckRichard Walmsley on the State of the Joanna |
Desert Island WavesReview | Sound On Sound, Jun 1991Ensoniq SD1 Music Production SynthesizerThe SD1 is the new flagship of Ensoniq's synthesizer/workstation range. Paul Ireson feels the quality. |
Oberheim DPX1Review | Music Technology, Feb 1987Sample Replay UnitIn a musical climate dominated by preset sounds, why not produce a rack-mounting unit that simply replays other people's samples? Paul Wiffen analyses Oberheim's attempt at doing just that. |
Yamaha WX7Review | Music Technology, Jun 1988Wind ControllerYamaha's WX7 MIDI wind controller has already attracted the attention of professional sax players like Courtney Pine. Man Jumping saxophonist Andy Blake gets his second wind. |
Shape Of Things To ComeNews | Sound On Sound, Sep 1990Another colourful bonanza of hot new products served up to delight you |
Lab NotesFeature | Topic: Electronics / Build | Polyphony, Apr 1976 |
Into The Heart Of Emu's New KeyboardReview | Sound On Sound, Feb 1992Emu Proteus Master Performance SystemMartin Russ continues his in-depth look at Emu's new keyboard. |
Roland Product NewsGroup: Roland Newslink |
Soundbits Voice MasterReview | Sound On Sound, Aug 1987Software for the Atari STIf you own an Atari ST computer and either a Yamaha DX100, 21 or 27, then you should be interested in what David Hughes has to say about this low-cost librarian/editor software from Syndromic Music. |
2B Or Not 2BReview | Electronics & Music Maker, Nov 1985UMI 2B SoftwareThe 1B version was good, but Simon Trask has spent a month with its successor, and reckons it deserves its reputation as the most professional sequencing package designed round a home computer. |
The Help FileFeedback | The Mix, Dec 1994Where everything clicksIf it doesn’t work, it’s in the help file |
Ensoniq EPS16 PlusReview | Music Technology, Feb 1991Digital Sampling WorkstationAfter a recent change in UK distribution, Ensoniq look set to increase their popularity with this upgraded version of their EPS sampler. Simon Trask likes what he samples. |
Modular Synthesis - Part 1Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jan 1984Producing String SoundsA new in depth look at building up complex patches |
Roland RE3Review | Music Technology, Mar 1989Digital Space EchoWhen Roland made the most popular tape echo unit in the world they called it Space Echo - now they've revived it in digital form. Gordon Reid listens to echoes from the past. |
The Shape of Things to ComeNews | Sound On Sound, Aug 1988Three pages of forthcoming new products to tempt you to dig deeper into your pockets later on this year. |
Yamaha SY-77Review | Micro Music, Mar 1990Performance SynthesizerJohn Renwick looks at the new SY-77 from Yamaha |
Technically SpeakingFeedback | Music Technology, Jan 1993 |
Bit 99Review | International Musician & Recording World, Oct 1985SynthcheckPaul Fishman does his Bit |
Frankfurt Show ReportShow Report | Home & Studio Recording, Mar 1989All that was new and all that was interesting at the this year's sojourn into Germany. |
Pet SoundsInterview | Music Technology, Dec 1993A behind-the-scenes glimpse into who does what, and how, in the making of Neil Tennant and Chris Lowe's classic synth-pop records. |
Alternative StringsFeature | Topic: Sampling | Music Technology, Apr 1988Stuck for a good string sound or one you haven't used a hundred times before? Tom McLaughlin explains how an old guitar, a violin bow and a little ingenuity can work wonders. |