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Perfect Pitch FrancinstienGroup: Quality ControlStereo enhancerIt may be a monster but it can breathe life into your mix | |||
Music - Part 6Feature Series | Topic: Music Theory | Sound International, Nov 1978Introducing The Dots...If you haven't got perfect pitch yet, tune in again to Radio Dave Stewart and try your hand at the quiz that will prove once and for all whether your tone is deaf. | |||
PatchworkFeature | Topic: Synthesizer Patches | Electronics & Music Maker, Sep 1984Readers send in details of their own synth sounds and how to play them. Instruments featured this month include the Korg Polysix, Memorymoog and Yamaha CS30. | |||
JazzChordReview | Music Technology, Oct 1992 | |||
A teacher called ClaireGroup: Control RoomOpcode ClaireMusic tuition on the Mac | |||
Kramer Pacer Carrera GuitarReview | In Tune, Dec 1984 | |||
Digitech Vocalist IIReview | Music Technology, May 1993Vocal Harmony ProcessorIt's that Nicholas Rowland again, testing his tonsils on Digitech's new 5-part vocal harmony processor. You too can sound like The, er, Five Tops | |||
Eventide H3000 Ultra HarmonizerReview | Sound On Sound, Nov 1988From the shrill squeak of the soprano to the sepulchral tones of the basso profundo, the Eventide H3000 can create the full spectrum of human vocalisation out of the merest baritono ordinario. David Mellor gives it an aural test. | |||
Korg EPS-1Review | Electronics & Music Maker, Jan 1983 | |||
A Vocal Chord - Part 1Feature Series | Topic: Sampling | Music Technology, May 1988As you've probably already got your sampler playing drums, horns and strings, getting it to sing to you may sound deceptively easy. Tom McLaughlin explains there may be more to sampling the human voice than you'd heard. | |||
Zlatna Panega ACS100Review | Electronics & Music Maker, Apr 1985Tucked away in one corner of the Frankfurt Music Fair was an astonishing sound-sampling device with origins in Eastern Europe. Paul White and Dan Goldstein have managed to get their hands on the first model to appear in the West. | |||
NewsNews | Sound International, Jan 1979Instruments and EquipmentSplit as they are (these pages) into Studios and Recording, Instruments and Equipment, and Etcetera (for news pieces with no homes to go to). | |||
Heroes - Part 6Feature Series | Topic: History / Culture | One Two Testing, Jun 1984Brian WilsonBrian Wilson part one | |||
Jim SullivanInterview | International Musician & Recording World, Jun 1975 | |||
John MilesInterview | Electronics & Music Maker, Oct 1983Back in the limelight with the 'Play On' album, John discusses his approach to songwriting and his move towards a solo career | |||
Renaissance RebornGroup: Sound Reports & Views | |||
Recording Techniques - Part 18Feature Series | Topic: Recording | Sound On Sound, May 1991Any Questions?Part 18. David Mellor concludes this 18-part mammoth series on recording techniques with a handy question and answer session. | |||
The Big Ten - 1978Group: The Big Ten | |||
Composers PenReview | Micro Music, Feb 1990Paul Freeman gets composing with this notation package for the Amstrad | |||
Dr.T's Tiger CubReview | Sound On Sound, Jun 1990Combining some of the best features of Dr.T's KCS sequencer and Tiger editor, along with a handy auto-scoring utility, this 12-track 'entry level' program packs an awful lot of power for its low price. Game warden David Hughes tracks it down. | |||
Guild 'Brian May' ModelReview | International Musician & Recording World, May 1985GuitarcheckDave Burrluck discusses the virtues of the new axe with the man himself | |||
Sonus MasterpieceReview | Sound On Sound, Dec 1987Want to write a masterpiece? Who doesn't, but will this 32-track sequencer software package from Sonus for the Atari ST, be helpful in any way? David Mellor puts away his quill pen and manuscript paper and attempts a quick concerto... | |||
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