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Peavey DPM SiGroup: Quality ControlsynthesiserA new keyboard for those that like their synths off the rack. |
Yamaha DX11 synthesizerReview | Sound On Sound, Jun 1988Yamaha have bowed to pressure and released an easier to programme DX with an abundance of features. Tony Wride gets to grips with Yamaha’s first ever multitimbral synth with a keyboard! |
Steinberg CubeatReview | Music Technology, May 1991Atari Sequencing SoftwareSon of Cubase: this stripped-down version of Steinberg's powerful sequencer retains many of its best functions. Nigel Lord and ST, and Cubase makes three. |
PatchworkFeature | Music Technology, Dec 1991A collection of CDs which should be the sampler's delight are the stars of this month's Patchwork. If your music needs a boost from Ed Stratton, Coldcut or Pascal Gabriel, check out these disks. |
Roland S-50 Sampling KeyboardReview | Sound On Sound, Dec 1986Roland's top of the range sampler is the last of those announced at Frankfurt to reach the marketplace, but its 16-note polyphony, 512K memory, and built-in visual editing software could well give it an edge over existing £2000 samplers. Paul Wiffen takes up the case. |
Clavia Ddrum 2Review | Music Technology, Jul 1988Digital Drum KitFirst there were Ddrums... Nicholas "animal" Howland returns to his skin-bashing roots to test a Swedish electronic kit that aims to replace its acoustic relative. |
Painter In SoundInterview | Sound On Sound, Aug 1986Best known as a top Flamenco guitarist, Juan Martin has recently released a sensitive album that combines classical guitar with the ethereal textures of Mark Isham's synthesizers. Robin Lumley questions him about this unlikely collaboration and discovers the best ways of miking up classical guitars into the bargain. |
A Sense Of ScaleInterview | Music Technology, Dec 1987An English playwrite talks to Nicholas Rowland about the lure of electronic sampling techniques; the sounds of the theatre come of age. |
Oberheim Matrix-6Review | Sound On Sound, Jan 1986Flying in the face of fashion, Oberheim's new Matrix-6 polysynth utilises traditional analogue voicing and offers some of the most powerful and versatile sounds around. Keyboards man Paul Wiffen checks out its pedigree. |
British Music Fair ReviewShow Report | International Musician & Recording World, Oct 1986The assembled masses of the IM review department wax lyrical over their selected favourites from this year's music fair. |
Roland MT-32Review | Sound On Sound, Sep 1987Multi-Timbral ExpanderHot foot from the BMF, hard-working Martin Russ brings us his review of this innocent-looking multitimbral LA expander which packs many of the features of Roland's D-50 synthesizer, including onboard digital reverb, but with the added bonus of 28 sampled drum sounds! |
BuzzNews | International Musician & Recording World, Dec 1986The gossip that's hot from the team that's not |
Kawai K3Review | Sound On Sound, Dec 1986Digital Wave Memory SynthesizerA digital wave memory synthesizer to be precise. Kawai may well be the world's largest supplier of acoustic pianos but does their forte also lie in the hi-tech field? Mark Jenkins investigates. |
Conference BluesShow Report | Music Technology, Feb 1987ICMC ReportFresh from his exploits at Steim Studios, Ron Briefel takes a look at what last year's International Computer Music Conference had to offer in the way of new instruments, new music, and new ideas. |
Joreth Music Composer SystemReview | Sound On Sound, Apr 1987Software for the Commodore 64Ian Waugh explores Joreth Music's integrated Music Composer System and Real-Time Linker - two powerful MIDI sequencing packages for the Commodore 64 micro. |
Yamaha TG55Review | Sound On Sound, Mar 1990Tone GeneratorThe recent launch of Yamaha's new flagship synth, the SY77, seems to have somewhat eclipsed the arrival of its sibling, the TG55 tone generator. Rightly or wrongly, the TG55 has taken something of a backseat whilst its big brother hogs most of the limelight. David Hughes assesses its star potential. |
Poly PressureRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Dec 1991It should have been the prince of polysynths, but it flopped. Peter Forrest looks back at the disappointment that accompanied the Polymoog and offers the '90s perspective. |
The feelgood factorGroup: Control RoomRoland XP-50Well-equipped new workstation |
2000 Mots - Part 1Interview Series | Sound International, Apr 1979Frank Zappa is never short of a word or a thousand. In this case, there were so many, we had to make it a two-parter. In this first, Ralph Denyer finds out why Frank doesn't hate people (quite) and why London's one of the worst places on earth. |
Frontal Lobe & PCM ChannelReview | Music Technology, Apr 1991Korg M1 EnhancementMuch talked about in the US but still unavailable in the UK, Cannon's Frontal Lobe promises a new lease of life for your Korg M1. Gordon Reid asks "does it deliver?" |