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E-mu Proteus 3 World

Review | Music Technology, Nov 1992
Sample Player

The ethnically sound rack-mount

Peavey DPM Si

Group: Quality Control

Review | Music Technology, Feb 1994
synthesiser

A new keyboard for those that like their synths off the rack.

Fun, Fun, Fun

Review | Sound On Sound, Jan 1993
Yamaha QY20 Music Sequencer

Yamaha DX11 synthesizer

Review | Sound On Sound, Jun 1988

Yamaha have bowed to pressure and released an easier to programme DX with an abundance of features. Tony Wride gets to grips with Yamaha’s first ever multitimbral synth with a keyboard!

Shredder

Group: One Two Tidings

News | One Two Testing, Dec 1985

new gear, stuff, objects, items etc

Steinberg Cubeat

Review | Music Technology, May 1991
Atari Sequencing Software

Son of Cubase: this stripped-down version of Steinberg's powerful sequencer retains many of its best functions. Nigel Lord and ST, and Cubase makes three.

Patchwork

Feature | Music Technology, Dec 1991

A collection of CDs which should be the sampler's delight are the stars of this month's Patchwork. If your music needs a boost from Ed Stratton, Coldcut or Pascal Gabriel, check out these disks.

Roland S-50 Sampling Keyboard

Review | Sound On Sound, Dec 1986

Roland's top of the range sampler is the last of those announced at Frankfurt to reach the marketplace, but its 16-note polyphony, 512K memory, and built-in visual editing software could well give it an edge over existing £2000 samplers. Paul Wiffen takes up the case.

Clavia Ddrum 2

Review | Music Technology, Jul 1988
Digital Drum Kit

First there were Ddrums... Nicholas "animal" Howland returns to his skin-bashing roots to test a Swedish electronic kit that aims to replace its acoustic relative.

Painter In Sound

Interview | Sound On Sound, Aug 1986

Best known as a top Flamenco guitarist, Juan Martin has recently released a sensitive album that combines classical guitar with the ethereal textures of Mark Isham's synthesizers. Robin Lumley questions him about this unlikely collaboration and discovers the best ways of miking up classical guitars into the bargain.

A Sense Of Scale

Interview | Music Technology, Dec 1987

An English playwrite talks to Nicholas Rowland about the lure of electronic sampling techniques; the sounds of the theatre come of age.

Oberheim Matrix-6

Review | Sound On Sound, Jan 1986

Flying in the face of fashion, Oberheim's new Matrix-6 polysynth utilises traditional analogue voicing and offers some of the most powerful and versatile sounds around. Keyboards man Paul Wiffen checks out its pedigree.

British Music Fair Review

Show Report | International Musician & Recording World, Oct 1986

The assembled masses of the IM review department wax lyrical over their selected favourites from this year's music fair.

Roland MT-32

Review | Sound On Sound, Sep 1987
Multi-Timbral Expander

Hot foot from the BMF, hard-working Martin Russ brings us his review of this innocent-looking multitimbral LA expander which packs many of the features of Roland's D-50 synthesizer, including onboard digital reverb, but with the added bonus of 28 sampled drum sounds!

Buzz

News | International Musician & Recording World, Dec 1986

The gossip that's hot from the team that's not

Kawai K3

Review | Sound On Sound, Dec 1986
Digital Wave Memory Synthesizer

A digital wave memory synthesizer to be precise. Kawai may well be the world's largest supplier of acoustic pianos but does their forte also lie in the hi-tech field? Mark Jenkins investigates.

Conference Blues

Show Report | Music Technology, Feb 1987
ICMC Report

Fresh from his exploits at Steim Studios, Ron Briefel takes a look at what last year's International Computer Music Conference had to offer in the way of new instruments, new music, and new ideas.

Joreth Music Composer System

Review | Sound On Sound, Apr 1987
Software for the Commodore 64

Ian Waugh explores Joreth Music's integrated Music Composer System and Real-Time Linker - two powerful MIDI sequencing packages for the Commodore 64 micro.

Yamaha TG55

Review | Sound On Sound, Mar 1990
Tone Generator

The recent launch of Yamaha's new flagship synth, the SY77, seems to have somewhat eclipsed the arrival of its sibling, the TG55 tone generator. Rightly or wrongly, the TG55 has taken something of a backseat whilst its big brother hogs most of the limelight. David Hughes assesses its star potential.

Sold To Soul

Interview | Music Technology, Sep 1992

Omar: comin' to ya, on a dust road

T.C. FX Units

Review | In Tune, Apr 1985

Danish Delights?

Poly Pressure

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Dec 1991

It should have been the prince of polysynths, but it flopped. Peter Forrest looks back at the disappointment that accompanied the Polymoog and offers the '90s perspective.

The feelgood factor

Group: Control Room

Review Audio | The Mix, May 1995
Roland XP-50

Well-equipped new workstation

2000 Mots - Part 1

Interview Series | Sound International, Apr 1979

Frank Zappa is never short of a word or a thousand. In this case, there were so many, we had to make it a two-parter. In this first, Ralph Denyer finds out why Frank doesn't hate people (quite) and why London's one of the worst places on earth.

Frontal Lobe & PCM Channel

Review | Music Technology, Apr 1991
Korg M1 Enhancement

Much talked about in the US but still unavailable in the UK, Cannon's Frontal Lobe promises a new lease of life for your Korg M1. Gordon Reid asks "does it deliver?"

 

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