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Revox A77Feature | Home & Studio Recording, Apr 1985The Old WorkhorseWe take a close look at this studio stalwart in all its various forms and point out what to look for when buying one second hand. |
Les PaulInterview | International Musician & Recording World, Nov 1975Father of the electric guitar, inventor of multitrack recording, Les talks about his life and his work. |
An Old ProReview | Sound On Sound, Feb 1991Steinberg Pro24 AmigaSteinberg's Pro24 amiga sequencer is the latest arrival in the rather sparse field of Amiga music software. Paul Overaa looks at a new incarnation of an old favourite. |
Sweet SixteenReview | Sound On Sound, Jan 1991Ensoniq EPS16 Plus Sampling WorkstationEnsoniq have transformed their 13-bit EPS sampling workstation with the addition of dynamically controlled 24-bit digital multi-effects, a much improved 16-track MIDI sequencer and full 16-bit sampling. The result is the EPS16 Plus. But does it pass? Kendall Wrightson invigilates. |
Sequencers - Part 2Feature Series | Topic: Sequencing | Sound International, Jun 1979KeyboardsPart 2: Arp, Oberheim, Korg, Sequential Circuits |
Cheap and TastyReview | Electronic Soundmaker & Computer Music, Aug/Sep 1984Programmable Rhythm SR99The EDC SR99 beat box |
JL Cooper Mix MateReview | Music Technology, Oct 1988Once the exclusive territory of costly systems like the SSL desk, automated mixing is quickly becoming widely available. Lorenz Rychner looks at an automation system aimed at the budget studio. |
Drum Programming - Part 11Feature Series | Topic: Drum Programming, Syncronisation | Sound On Sound, Mar 1993A Series By Warren Cann. |
Fast ForwardNews | The Mix, Jan 1995No hype, no waffle — just tomorrow's products todayTomorrow’s hot products previewed |
The Ears Have ItFeature | Topic: Sound Fundamentals | Making Music, Jan 1987 |
Revox C278Review | Sound On Sound, Aug 1989For A Few Dollars More...What price a reputation? The Revox brand name is well established and very well respected, but the new model C278 8-track costs a lot more than the Fostex and Tascam equivalents. David Mellor asks whether it is worth the extra. |
Pink Floyd - The Wall concertShow Report | Electronics & Music Maker, Aug 1981 |
XRI XR300 SynchroniserReview | Music Technology, Jan 1988SMPTE SynchroniserStill on the sync track... Chris Jenkins sets the pace with a SMPTE/MIDI converter designed to give all the higher functions of SMPTE tape synchronisation without the higher price-tag. |
Making the Most of... - Part 5Feature Series | Topic: Recording | Home & Studio Recording, Sep 1985Drum Machines and Electronic PercussionMartin Sheehan looks at recording drum machines and electronic percussion |
dbx SNR1Review | Music Technology, Jun 1989Noise Reduction SystemThere are more sources of noise in a studio than recording tape -and a noise reduction unit ought to be able to cope with all of it, right? Vic Lennard thinks he's found one that does. |
The MC-202 MicroComposerReview | Electronics & Music Maker, May 1983MicroComposing with RolandThe new MC-202 MicroComposer examined in depth |
EMR Studio 24+Review | Music Technology, Oct 1989Still suffering from a dearth of software, the powerful Acorn Archimedes computer has yet to gain acceptance in music circles - will this sequencer help it on its way? Ian Waugh checks it out. |
Boss DE200 DelayReview | Home & Studio Recording, Nov 1984 |