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Trident VFM Modular Mixing Systems

Review | Electronics & Music Maker, Jul 1983
Looking at Mixers

16/8/2 mixer review

Gateway's Sound Advice column

Feedback | Sound On Sound, Jan 1987

More readers' queries are answered by the expert teaching staff of London's Gateway School Of Recording & Music Technology.

The Musical Micro

Feature | Topic: Computing | International Musician & Recording World, Oct 1986
How To Save £54,800

Tony Mills makes a meal of the most interesting musical microprocessing around.

Akai S1000

Preview | Music Technology, Oct 1988
Sampler

Akai's popular S900 sampler has appeared on more records and in more studios than you can name. Simon Trask takes an early look at the S900's successor, the 16-bit, 16-voice S1000.

Linn Chips

Review | One Two Testing, Jun 1984

alternative percussion sounds

MIDI By Example - Part 1

Feature Series | Topic: MIDI | Music Technology, Sep 1992
Cabling a MIDI system

MIDI systems - exclusive!

Roland S220 Sampler

Review | Music Technology, Nov 1987

The latest addition to the company's family of 12-bit samplers offers many of the features of their top-of-the-line S50 in a less expensive, rack-mount format. Aaron Hallas reports.

Studio Of The Month

Group: Recording World

Feature | Topic: Recording Studios | International Musician & Recording World, Jul 1986
The Strongroom

Tony Reed gives a hand at Strongroom Studio — almost

Sounding Off

Opinion | Sound On Sound, Aug 1989
Pollution

Martin Russ worries about software pollution and wonders if we can look forward to 'green' software.

Dr. T's QuickScore Deluxe

Review | Sound On Sound, Dec 1992
Notation Software

New Products

News | Electronic Soundmaker & Computer Music, Jan 1984
The latest from the music industry

The best bits around

Vesta Fire MR10

Review | Making Music, Apr 1986
4 track cassette deck

4-Track Cassette Recorder

Mono Mode - Part 4

Feature Series | Topic: MIDI | Music Technology, Nov 1986

You thought multi-timbral MIDI was only for synthesisers and samplers? You thought wrong, as Paul Wiffen proves with his analysis of Mode 4 on the Yamaha SPX90 effects processor.

Russlings

Opinion | Topic: Sampling | Sound On Sound, Mar 1992

Sampling clichés and how to avoid them.

Card Tricks

Feature | Topic: Computing | Sound On Sound, Mar 1992
Music On The PC

Panicos Georghiades and Gabriel Jacobs explain how, with the aid of plug-in sound and MIDI interface cards, you can transform that most unmusical of computers, the PC.

Sound Advice

Feedback | Sound On Sound, May 1988

Our regular column devoted to readers’ hints and tips about their recording equipment, instruments, software and playing techniques.

Opening Windows

Interview | Music Technology, Aug 1993
Steve Reich & Beryl Korot: The Cave

Pioneering documentary music video theatre

Hard Wearing

Review | Sound On Sound, Nov 1991
Brother PDC100 Sequencer

Martin Russ tries out Brother's latest hardware sequencer.

Working with Video

Feature | Topic: Video / Film / Picture | Electronics & Music Maker, Dec 1981

The Bradford Musical Instrument Simulator

Feature | Topic: Education | Electronics & Music Maker, Oct 1982
Micros and Music

Researchers at the Computer Science Department of Bradford University have come up with a new concept in sound generation. E&MM investigates.

Pocket pioneer

Group: Control Room

Review Audio | The Mix, Mar 1995
Roland MS1

Ground-breaking miniature sampler

Microdeal Replay Software

Group: Review

Review | Phaze 1, Jan 1989

Hollis Research Trackman

Review | Music Technology, Mar 1989
Software for the Atari ST

A new sequencer program for the Atari ST from British company Hollis Research sets out to be powerful and friendly without breaking the bank. Ian Waugh reckons it's on the right track (man).

NAMM Report

Show Report | Micro Music, Aug/Sep 1989

Intrepid reporter Paul Wiffen jets over to Chicago for an exclusive peek at the latest goodies from the States

Manual Dexterity

Review | Electronic Soundmaker & Computer Music, Nov 1984

Can multi-keyboards match up to the latest hi-tech instruments? We take up the challenge.

 

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