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The Final Cut

Review | Sound On Sound, Jul 1989
Entry-Level Sequencing For The ST

Paul Ireson takes a look at The Final Cut, a budget sequencing program for the Atari ST that offers the beginner more than the average entry-level program.

Bel BD240 Sampling Delay

Review | Electronics & Music Maker, Jun 1986

Long sample times and astounding sound quality characterise Bel's range of mid-price delay units. But as Ian Waugh discovers, there are some important omissions, too.

C-Lab Notator Logic

Review | Music Technology, Apr 1993
Software for the Apple Macintosh

A logical development for Notator users? Maybe, but as Ian Waugh discovers, someone still has to cross the T's and dot the I's on this latest software sequencer from C-Lab.

System Power

Feature | Sound On Sound, Dec 1985

In conjunction with the Chase Bit 01 Expander, Casio CZ-101 synthesizer and Akai Sampler, the Jellinghaus 12-Track MIDI Studio software for the Commodore 64 micro represents the most powerful compositional and recording set-up available under £2500. Mark Jenkins catches his breath and tells you why.

Digidesign Pro Tools

Feature | Sound On Sound, Jan 1992
"It's Cruel To Make A Computer Work This Hard..."

Digidesign, pioneers of low-cost professional digital audio tools, have broken the multitrack barrier, pushing the Macintosh to its limits to offer four to 16 tracks of (relatively) affordable hard disk recording. Paul D. Lehrman can hardly believe his eyes...

Tascam MM200

Review | Sound On Sound, May 1993
Keyboard Mixer

MOTU Performer

Review | Music Technology, Jan 1992
Apple Macintosh Software

One of the leading Macintosh sequencing packages has recently undergone another of its periodic face lifts. Ian Waugh checks the state of the performing art.

Poly MIDI Means It

Review | Electronic Soundmaker & Computer Music, Aug 1985
POLY MIDI 1

A budget sequencer

Hardware For Hire

Feature | Electronic Soundmaker & Computer Music, Nov 1983

Computer synth rental

Yamaha RX-15

Review | In Tune, Dec 1984

Bits 'n' Pieces - Part 2

Feature Series | Topic: Digital Audio, Recording, Sound Fundamentals | Recording Musician, Dec 1992
Digital Audio

How tapeless recording works and what advantages it has over conventional recording systems.

Waldorf Microwave

Review | Sound On Sound, Dec 1989

The PPG Wave was one of the most powerful synths of the early Eighties, but it died a death along with so many other dinosaurs. Now its particular method of wavetable synthesis lives again in an entirely new rack expander, which combines the best of the Wave's original audio architecture with full MIDI control. Paul Ireson learns how to cook better sounds, faster.

Shape Of Things To Come

News | Sound On Sound, Dec 1990

This month's overview of all the new products worth adding to your Christmas list!

Fostex 160 Multitracker

Review | Music Technology, Dec 1986
Four-track Cassette Recorder

A new mid-price four-track machine from the people Tascam love to hate. Paul White finds it to be elegant, well designed, and startlingly good value.

Joreth Music Composer System

Review | Sound On Sound, Apr 1987
Software for the Commodore 64

Ian Waugh explores Joreth Music's integrated Music Composer System and Real-Time Linker - two powerful MIDI sequencing packages for the Commodore 64 micro.

Map Rap

Feature | Topic: Sampling | Music Technology, Nov 1988

Turning a collection of samples into a usable keyboard patch is one of the most important aspects of sampling. Tom McLaughlin puts samples on the map.

Prosonus CD Sound Library

Review | Sound On Sound, Jul 1988

Searching for new samples? Craig Anderton lends an ear to three discs from this new American CD sound library.

Fast Forward

News | The Mix, Oct 1994
No hype, no waffle - just tomorrow's products today

Tomorrow’s hot products previewed

Inside the Synclavier - Part 4

Feature Series | Sound On Sound, Sep 1989

David Mellor concludes his exploration of the world's most expensive musical instrument with an interview with a musician who can actually afford one, Simon Franglen.

Styling & profiling

Group: Control Room

Review | The Mix, Dec 1994
Kam GMX7

Sampling DJ mixer

Double Dutch SAM1

Review | Sound On Sound, Nov 1992
Sample Expander For Korg M1

MIDI Lighting Control

Group: The SOS Guide To Going Live

Feature | Topic: Live, MIDI | Sound On Sound, Mar 1992
Taking MIDI Beyond The Music

MIDI has already offered musicians more than anyone foresaw when it was introduced, and now you can even use it to control your light show. Ian Steele explains.

Roland SP700

Review | Sound On Sound, May 1993
Sample Player

Amdek Flanger Kit

Feature | Topic: Electronics / Build | Electronics & Music Maker, May 1983

Build and modify this versatile effects unit

Oberheim Cyclone

Review | Music Technology, Mar 1989
MIDI Performance Effect

The arpeggiator is still regarded by many as "the poor man's sequencer", but Oberheim may be about to change that with a small grey box called Cyclone. Simon Trask blows hot and cold.

 

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