- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 651 - 675 of 1000 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
The Final CutReview | Sound On Sound, Jul 1989Entry-Level Sequencing For The STPaul Ireson takes a look at The Final Cut, a budget sequencing program for the Atari ST that offers the beginner more than the average entry-level program. |
Bel BD240 Sampling DelayReview | Electronics & Music Maker, Jun 1986Long sample times and astounding sound quality characterise Bel's range of mid-price delay units. But as Ian Waugh discovers, there are some important omissions, too. |
C-Lab Notator LogicReview | Music Technology, Apr 1993Software for the Apple MacintoshA logical development for Notator users? Maybe, but as Ian Waugh discovers, someone still has to cross the T's and dot the I's on this latest software sequencer from C-Lab. |
System PowerFeature | Sound On Sound, Dec 1985In conjunction with the Chase Bit 01 Expander, Casio CZ-101 synthesizer and Akai Sampler, the Jellinghaus 12-Track MIDI Studio software for the Commodore 64 micro represents the most powerful compositional and recording set-up available under £2500. Mark Jenkins catches his breath and tells you why. |
Digidesign Pro ToolsFeature | Sound On Sound, Jan 1992"It's Cruel To Make A Computer Work This Hard..."Digidesign, pioneers of low-cost professional digital audio tools, have broken the multitrack barrier, pushing the Macintosh to its limits to offer four to 16 tracks of (relatively) affordable hard disk recording. Paul D. Lehrman can hardly believe his eyes... |
MOTU PerformerReview | Music Technology, Jan 1992Apple Macintosh SoftwareOne of the leading Macintosh sequencing packages has recently undergone another of its periodic face lifts. Ian Waugh checks the state of the performing art. |
Poly MIDI Means ItReview | Electronic Soundmaker & Computer Music, Aug 1985POLY MIDI 1A budget sequencer |
Yamaha RX-15Review | In Tune, Dec 1984 |
Bits 'n' Pieces - Part 2Feature Series | Topic: Digital Audio, Recording, Sound Fundamentals | Recording Musician, Dec 1992Digital AudioHow tapeless recording works and what advantages it has over conventional recording systems. |
Waldorf MicrowaveReview | Sound On Sound, Dec 1989The PPG Wave was one of the most powerful synths of the early Eighties, but it died a death along with so many other dinosaurs. Now its particular method of wavetable synthesis lives again in an entirely new rack expander, which combines the best of the Wave's original audio architecture with full MIDI control. Paul Ireson learns how to cook better sounds, faster. |
Shape Of Things To ComeNews | Sound On Sound, Dec 1990This month's overview of all the new products worth adding to your Christmas list! |
Fostex 160 MultitrackerReview | Music Technology, Dec 1986Four-track Cassette RecorderA new mid-price four-track machine from the people Tascam love to hate. Paul White finds it to be elegant, well designed, and startlingly good value. |
Joreth Music Composer SystemReview | Sound On Sound, Apr 1987Software for the Commodore 64Ian Waugh explores Joreth Music's integrated Music Composer System and Real-Time Linker - two powerful MIDI sequencing packages for the Commodore 64 micro. |
Map RapFeature | Topic: Sampling | Music Technology, Nov 1988Turning a collection of samples into a usable keyboard patch is one of the most important aspects of sampling. Tom McLaughlin puts samples on the map. |
Prosonus CD Sound LibraryReview | Sound On Sound, Jul 1988Searching for new samples? Craig Anderton lends an ear to three discs from this new American CD sound library. |
Fast ForwardNews | The Mix, Oct 1994No hype, no waffle - just tomorrow's products todayTomorrow’s hot products previewed |
Inside the Synclavier - Part 4Feature Series | Sound On Sound, Sep 1989David Mellor concludes his exploration of the world's most expensive musical instrument with an interview with a musician who can actually afford one, Simon Franglen. |
MIDI Lighting ControlGroup: The SOS Guide To Going LiveTaking MIDI Beyond The MusicMIDI has already offered musicians more than anyone foresaw when it was introduced, and now you can even use it to control your light show. Ian Steele explains. |
Amdek Flanger KitFeature | Topic: Electronics / Build | Electronics & Music Maker, May 1983Build and modify this versatile effects unit |
Oberheim CycloneReview | Music Technology, Mar 1989MIDI Performance EffectThe arpeggiator is still regarded by many as "the poor man's sequencer", but Oberheim may be about to change that with a small grey box called Cyclone. Simon Trask blows hot and cold. |